This volume continues the tradition of New Seals and Inscriptions, Hebrew, Idumean and Cuneiform (Sheffield Phoenix, 2007) by featuring analyses by eminent scholars of some of the archaeological treasures from Dr. Shlomo Moussaieff’s outstanding collection. These contributions signal fresh approaches to the study of ancient artifacts and underscore the role of archaeological evidence in reconstructing the legacy of antiquity, especially that of the biblical period. The contributors are Kathleen Abraham, Chaim Cohen, Robert Deutsch, Claire Gottlieb, Martin Heide, Richard S. Hess, W. G. Lambert†, André Lemaire, Meir Lubetski, Matthew Morgenstern, Alan Millard, Lawrence J. Mykytiuk, and Peter van der Veen.

This collection of 15 papers is a significant addition to our textual evidence for the world of the Bible: it presents over 50 inscriptions, tablets and seals from the collections of Shlomo Moussaieff, in Hebrew, Idumean, and cuneiform. Most of these texts are being published here for the first time. Contents David Noel Freedman, The Almost Perfect Fake and/or the Real Thing Ada Yardeni, A Note on a Qumran Scribe Peter van der Veen, Gedaliah ben Ahiqam in the Light of Epigraphic Evidence Martin Heide, Impressions from a New Alphabet Ostracon in the Context of (Un)provenanced Inscriptions: Idiosycrasy of a Genius Forger or a Master Scribe? Bezalel Porten and Ada Yardeni, The House of Baalrim in the Idumean Ostraca Bezalel Porten and Ada Yardeni, Why the Unprovenenced Idumean Ostraca Should be Published Edward Lipinski, Silver of Ishtar of Arbela and of Hadad Richard Hess, Aspects of Israelite Personal Names and Pre-exilic Israelite Religion André Lemaire, New Inscribed Hebrew Seals and Seal Impressions W.G. Lambert, A Document from a Community of Exiles in Babylonia Meir Lubetski, Two Egypto-Israelite Seals Chaim Cohen, The Yehoash Tablet Kathleen Abraham, An Inheritance Division among Judeans in Babylonia from the Early Persian Period Meir Lubetski, The Seal of a Royal Servant of the Judahite Monarchy Meir Lubetski, A Personal Seal: Shrhr ben Zephaniah

Coins have long been a vital part of the discipline of classical studies of the ancient world. However, many scholars have commented that coins have not been adequately integrated into the study of the New Testament. This book provides an interdisciplinary gateway to the study of numismatics for those who are engaged in biblical studies. Wenkel argues that coins from the 1st century were cultural texts with communicative power. He establishes a simple yet comprehensive hermeneutic that defines coins as cultural texts and explains how they might be interpreted today. Once coins are understood to be cultural texts, Wenkel proceeds to explain how these texts can be approached from three angles. First, the world in front of the coin is defined as the audience who initially read and responded to coins as cultural texts. The entire Roman Empire used coins for payment. Second, the world of the coin refers to the coin itself – the combination of inscriptions and images. This combination of inscription and image was used ubiquitously as a tool of propaganda. Third, the world behind the coin refers to the world of power and production behind the coins. This third angle explores the concept of authorship of coins as cultural texts.

Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.

This volume addresses the topics of collective memory and collective identity in relation to Deuteronomy and the Deuteronomistic History. The articles gathered here portray the fascinating relationship between memory and identity, and between history within Deuteronomy and the Deuteronomistic historiography as well as its proximate context. They present fresh and illuminating perspectives that, it is hoped, will inspire future research.

This book is a brief, popular (but informed and up-to-date) introduction to the relationship between the Bible and archaeology. Material culture (i.e., artifacts) and the biblical text illuminate each other in various ways, but many of us find it difficult to reach a nuanced understanding of how this process works and how archaeological discoveries should be interpreted. This book provides an irenic and balanced perspective on these issues, showing how texts and artifacts are in a fascinating “dialogue” with one another that sheds light on the meaning and importance of both. What emerges is a rich and complex picture that enlivens our understanding of the Bible’s message, increases our appreciation for the historical and cultural contexts in which it was written, and helps us be realistic about the limits of our knowledge.

This volume presents first editions of a variety of cuneiform tablets from the Old Babylonian period belonging to the collection of the late Shlomo Moussaieff. It makes available for the first time three texts representing varying levels of Mesopotamian scribal education. The first is what the authors argue is the most complete copy of the first fifty lines of the standard version of the Sumerian epic Gilgameš and the Bull of Heaven. The second is a hitherto unpublished bilingual (Sumerian-Akkadian) lexical list of unknown provenance, similar to the Proto-Aa syllabary. Each of the 314 entries preserved on this tablet provides a pronunciation gloss, a Sumerian logogram, and an Akkadian translation. A unique feature of this list is that the signs are arranged on the basis of graphic concatenation: each sign contains one of the graphic components of the preceding sign. It also yields a great number of hitherto unknown, synonymous Akkadian translations to the Sumerian logograms. The final chapter contains an edition of two groups of lenticular school tablets, containing thirty-three elementary-level scribal exercises. With this volume, Jacob Klein and Yitschak Sefati preserve and disseminate important artifacts that advance the study of Sumerian literature, Mesopotamian lexicography, and ancient Near Eastern scribal education.