The book is also concerned with the future of this protected cultural landscape and recommends actions to ensure its' preservation."--Cover.

Mythical Ireland embodies the search for a soul among Ireland's ancient ruins, and is an attempt to retrieve something of deeper import from 5,000-year-old megalithic monuments and their associated myths. The book represents a fascinating and engaging journey through time, landscape and the human spirit. Dealing with archaeology, interpretive mythography, cosmology and cosmogony, the book attempts to grapple with a core meaning, something beyond the functional interpretations of academia. In this revised and expanded edition, Anthony Murphy delves further into the many enthralling aspects of this journey. Just how much knowledge did locals have of the secrets of Newgrange before it was excavated? Who is the Cailleach, the ancient hag goddess whose image is ubiquitous in the ancient landscape? What happened to make Ireland's Stonehenge disappear from the landscape? Who were the first kings of Tara? What were the indigenous Irish myths about the Milky Way? Did someone try to steal the Tara Brooch? Why are there myths in Ireland about flooded towns and cities? Lavishly illustrated with exquisite photographs of the Irish landscape and ancient monuments, Mythical Ireland represents a personal and yet universal journey, a quest to reimagine the shrines as empowering and transformative sacred places. Murphy invokes the druids and poets of the Boyne and thus the sídhe of the ancient texts are reawakened for a modern and turbulent world.

An exploration of how brain structure and cultural content interacted in the Neolithic period 10,000 years ago to produce unique life patterns and belief systems. What do the headless figures found in the famous paintings at Catalhoyuk in Turkey have in common with the monumental tombs at Newgrange and Knowth in Ireland? How can the concepts of "birth," "death," and "wild" cast light on the archaeological enigma of the domestication of cattle? What generated the revolutionary social change that ended the Upper Palaeolithic? David Lewis-Williams's previous book, The Mind in the Cave, dealt with the remarkable Upper Palaeolithic paintings, carvings, and engravings of western Europe. Here Dr. Lewis-Williams and David Pearce examine the intricate web of belief, myth, and society in the succeeding Neolithic period, arguably the most significant turning point in all human history, when agriculture became a way of life and the fractious society that we know today was born. The authors focus on two contrasting times and places: the beginnings in the Near East, with its mud-brick and stone houses each piled on top of the ruins of another, and western Europe, with its massive stone monuments more ancient than the Egyptian pyramids. They argue that neurological patterns hardwired into the brain help explain the art and society that Neolithic people produced. Drawing on the latest research, the authors skillfully link material on human consciousness, imagery, and religious concepts to propose provocative new theories about the causes of an ancient revolution in cosmology and the origins of social complexity. In doing so they create a fascinating neurological bridge to the mysterious thought-lives of the past and reveal the essence of a momentous period in human history. 100 illustrations, 20 in color.

* Designed for the general reader and visitor to Newgrange * A guided tour of the best example of a passage tomb in Western Europe Newgrange is the most visited archaeological site in Ireland. Every year around 250,000 people come to the see this Neolithic passage tomb. Designed for the general reader with an interest in Irish prehistory, this book explains the results of decades of excavation and analysis in one volume. It is written in a lively style that seeks at the same time to be authoritative and thorough. Aside from its accessibility and good state of preservation, Newgrange's solstice phenomenon, in particular, has made it famous throughout the world. While it is the best-known ancient site in Ireland, many aspects of Newgrange are not clearly understood; other aspects are just taken for granted: why is there a three meter high quartz wall around its entrance; how does the roof box work; what was the inspiration for its art and architecture? The book is arranged in such a way as to replicate a visit to the site. It pauses over points of art and construction that the visitor will not have had time to examine in detail on a conventional guided tour. Newgrange is the synthesis of years of excavation and research at home and abroad; from the detailed reports stemming from the excavations of M.J. O'Kelly to the current international debate about its construction and reconstruction. This is the first book on Newgrange to draw on O'Kelly's private papers and to incorporate the results of more recent and as yet unpublished excavations. This book will clarify many complex issues that have been addressed in widely scattered publications, using original illustrations to assist the reader, and more importantly, it places the monument in its broader cultural context.

Light plays a crucial role in mediating relationships between people, things, and spaces, yet lightscapes have been largely neglected in archaeology study. This volume offers a full consideration of light in archaeology and beyond, exploring diverse aspects of illumination in different spatial and temporal contexts from prehistory to the present.

Older than the Egyptian pyramids, older than Stonehenge, for 5,000 years the ancient megalithic tomb at Newgrange in County Meath has housed the remains of Stone Age 'aristocracy', sheltering the spirits of the long dead from the outside world. This book explores the creation, building and discovery of Newgrange. Why did these people spend years building this tomb? How did they move huge boulders miles across hilly country and erect them at the site, without the aid of machinery? Modern archaeological techniques have revealed much about the lives of our Stone Age ancestors, but Newgrange still retains many of its secrets. Exploring Newgrange uncovers, in words and illustrations, the extent, and limitations, of our knowledge of this world-famous site.

Newgrange in Ireland is a world famous monument not only because of its vast scale and elaborate megalithic art, but also because of its renowned alignment to the sun on the winter solstice. Yet the origins of Newgrange remain somewhat mysterious. Across Ireland over two hundred similar passage tombs are found, some of which are considerably older than Newgrange. These less investigated monuments reveal that the origins of Newgrange may be hidden in plain sight. A progression in the scale and sophistication of construction of these passage tombs, developments in the styles of megalithic art, and an increase in the scale and craftsmanship of associated artefacts may be observed, which taken together indicate a lengthy process of development. In short, Robert Hensey uncovers an untold history at Newgrange; an island-wide story of incremental changes over hundreds of years, of a society in evolution, perhaps in extremis, who left behind such a rich, enigmatic and patterned legacy. This book not only charts the earlier history of Newgrange, but addresses why it was constructed, what was its purpose. In the Boyne Valley, through Newgrange and related sites at Brœ na B—inne, we have evidence not only of extraordinary physical accomplishments, but of tremendous acts of imagination; a testament to rich and developed inner worlds. In this book, it is proposed that the concept of an otherworld which could be embodied by and accessed through passage tombs was a central motivator in passage tomb construction from its earliest beginnings. Newgrange is at the end of a long tradition of monuments dedicated to the religious needs of Neolithic communities, from small-scale monuments built by early farming groups; to potent otherworld centres of ritual training at the edge of society; eventually to temple-like monuments standing at the very heart of the religious and political sphere in Neolithic Ireland. Challenging both orthodox archaeological opinions and popular conjecture, this will be an important book for anyone interested in Neolithic archaeology.