New England is renowned for its quaint towns, beautiful landscapes, and busy ports. But it is also infamous as the setting for unexplained deaths, ghost stories, bizarre murders, and peculiar wills and epitaphs. In New England Nightmares: True Tales of the Strange and Gothic, author Keven McQueen explores the darker and stranger side of New England and the Mid-Atlantic. With shocking and unforgettable tales from the tip of Maine all the way to the New Jersey shore, this eerie collection explores our fascination with death and the unknown, including tales of medical students digging up bodies to dissect, of a murderer's bones being wired together after death, and of Dr. Timothy Clark Smith, who requested that he be buried with a breathing tube and glass window so he could see the outside world. An intriguing and frightful look into the odder side of the Northeast, New England Nightmares promises to send chills down your spine.

One night, a 14 year old boy called Jamie Mandan has a nightmare that he cannot awaken from, known as the Endless Nightmare. In order to escape, Jamie has to defeat The Shadow of the Nightmare; a spiritually insane soul who wants to take over Heaven and Earth with his power. With the help of two friendly spirits Christian and Anthony Halo, Jamie must find a Spiritual Sword which can be used to get rid of The Shadow. But there isn't much time before The Shadow crosses to earth to engulf Jamie's home with his evil magic.

Suitably, hauntings and paranormal happenings in the Lone Star state are larger than life. Included in this must-read collection are tales of the ghost lights of Marfa, the werewolf of Elroy, and the Devil’s brand in the eternal roundup of El Paso. Your hair will stand on end as you read about the mysteries and lore in Spooky Texas.

From angels to demonic specters, astonishing visions to devilish terrors, dreams inspired, challenged, and soothed the men and women of seventeenth-century New England. English colonists considered dreams to be fraught messages sent by nature, God, or the Devil; Indians of the region often welcomed dreams as events of tremendous significance. Whether the inspirational vision of an Indian sachem or the nightmare of a Boston magistrate, dreams were treated with respect and care by individuals and their communities. Dreams offered entry to "invisible worlds" that contained vital knowledge not accessible by other means and were viewed as an important source of guidance in the face of war, displacement, shifts in religious thought, and intercultural conflict. Using firsthand accounts of dreams as well as evolving social interpretations of them, Dreams and the Invisible World in Colonial New England explores these little-known aspects of colonial life as a key part of intercultural contact. With themes touching on race, gender, emotions, and interior life, this book reveals the nighttime visions of both colonists and Indians. Ann Marie Plane examines beliefs about faith, providence, power, and the unpredictability of daily life to interpret both the dreams themselves and the act of dream reporting. Through keen analysis of the spiritual and cosmological elements of the early modern world, Plane fills in a critical dimension of the emotional and psychological experience of colonialism.

A collection of folktales highlighting famous and not-so-famous New England ghosts, mysterious happenings, powers of darkness, and wonders of the invisible world. Pull up a chair or gather round the campfire and get ready for 35 creepy tails of ghostly hauntings, eerie happenings, and other strange occurrences in Maine, New Hampshire, Vermont, Connecticut, Rhode Island, and Massachusetts. Set in New England's historic towns, charming old islands, and sparsely populated backwoods, the stories in this entertaining and compelling collection will have you looking over your shoulder again and again. Yankee folklore is kept alive in these expert retellings by master storyteller S.E. Schlosser, and in artist Paul Hoffman's evocative illustrations. You'll meet seaweed-covered phantom sailors and a ghostly black dog, hear otherworldly voices and things that go bump in the night, and feel an icy wind on the back of your neck on a warm summer evening. Whether read around the campfire on a dark and stormy night or from the backseat of the family van on the way to grandma’s, this is a collection to treasure.

For four centuries, New England has been a cradle of crime and murder—from the Salem witch trials to the modern-day mafia. Nineteenth century New England was the hunting ground of five female serial killers: Jane Toppan, Lydia Sherman, Nellie Webb, Harriet E. Nason, and Sarah Jane Robinson. Female killers are often portrayed as caricatures: Black Widows, Angels of Death, or Femme Fatales. But the real stories of these women are much more complex. In Pretty Evil New England, true crime author Sue Coletta tells the story of these five women, from broken childhoods, to first brushes with death, and she examines the overwhelming urges that propelled these women to take the lives of a combined total of more than one-hundred innocent victims. The murders, investigations, trials, and ultimate verdicts will stun and surprise readers as they live vicariously through the killers and the would-be victims that lived to tell their stories.

"WHEN I began to collect these signs and sayings, it was with the idea of gathering them for my own entertainment. In days like the present of universal books and schools, I thought I could hope to get only a few remnants of the thought and notions that have descended to us from the illiterate and superstitious ages of the past; and I supposed that by the time I had picked up two or three scores of these oddities the subject would be exhausted as far as New England was concerned. But when I began to notice, I found that people in their every-day conversation were constantly dropping remarks on the significance of all sorts of things that were a part of this old folk-lore. When questioned, nearly every one, old and young, could repeat a few sayings of the kind I sought, and among these were almost always some I had not heard before. My collection grew until I saw the possibility of a volume, and I could not but wonder what the superstitions of the Dark Ages were like if these were only remnants."