Restored to print after its original run in 1968, a modernist tale on the Asian-American experience finds Fourth Jane struggling with her developing sense of self in spite of frequent family relocations throughout four continents and a loving but oppressive father. Reprint.

"A sparkling debut. Landragin’s seductive literary romp shines as a celebration of the act of storytelling." —Publishers Weekly "Romance, mystery, history, and magical invention dance across centuries in an impressive debut novel." —Kirkus Reviews (Starred Review) "Deft writing seduces the reader in a complex tale of pursuit, denial, and retribution moving from past to future. Highly recommended." —Library Journal (Starred Review) Alex Landragin's Crossings is an unforgettable and explosive genre-bending debut—a novel in three parts, designed to be read in two different directions, spanning a hundred and fifty years and seven lifetimes. On the brink of the Nazi occupation of Paris, a German-Jewish bookbinder stumbles across a manuscript called Crossings. It has three narratives, each as unlikely as the next. And the narratives can be read one of two ways: either straight through or according to an alternate chapter sequence. The first story in Crossings is a never-before-seen ghost story by the poet Charles Baudelaire, penned for an illiterate girl. Next is a noir romance about an exiled man, modeled on Walter Benjamin, whose recurring nightmares are cured when he falls in love with a storyteller who draws him into a dangerous intrigue of rare manuscripts, police corruption, and literary societies. Finally, there are the fantastical memoirs of a woman-turned-monarch whose singular life has spanned seven generations. With each new chapter, the stunning connections between these seemingly disparate people grow clearer and more extraordinary. Crossings is an unforgettable adventure full of love, longing and empathy.

The transatlantic story of six radical pioneers at the turn of the twentieth century Rebel Crossings relates the interweaving lives of four women and two men as they journey from the nineteenth to the twentieth century, from Britain to America, and from Old World conventions toward New World utopias. Radicalised by the rise of socialism, Helena Born, Miriam Daniell, Gertrude Dix, Robert Nicol and William Bailie cross the Atlantic dreaming of liberty and equality. The hope for a new age is captured in the name Miriam and Robert give their love child, born shortly after their arrival: Sunrise. A young Bostonian, Helen Tufts learns of Miriam’s defiant spirit through her close friendship with Helena; the love she feels for Helena and later for William fundamentally alters her life. All six are part of a wider historical search for self-fulfillment and an alternative to a cruelly competitive capitalism. In articles, poems and allegories Helena, Helen and Miriam resist the cultural constraints women face, while female characters in Gertrude’s novels struggle to combine personal happiness with radical social commitment. William campaigns against class inequality as a socialist and an anarchist while longing to read and study. Robert, the former union militant, becomes preoccupied with personal growth and mystical enlightenment in the wilds of California. Rebel Crossings offers fascinating perspectives on the historical interaction of feminism, socialism, and anarchism and on the incipient consciousness of a new sense of self, so vital for women seeking emancipation. These six lives bring fresh slants on political and cultural movements and upon influential individuals like Walt Whitman, Eleanor Marx, William Morris, Edward Carpenter, Patrick Geddes and Benjamin Tucker. It is a work of significant originality by one of our leading feminist historians and speaks to the dilemmas of our own time.

Now a major motion picture starring Nicolas Cage and directed by Gabe Polsky. In his National Book Award–winning novel Augustus, John Williams uncovered the secrets of ancient Rome. With Butcher’s Crossing, his fiercely intelligent, beautifully written western, Williams dismantles the myths of modern America. It is the 1870s, and Will Andrews, fired up by Emerson to seek “an original relation to nature,” drops out of Harvard and heads west. He washes up in Butcher’s Crossing, a small Kansas town on the outskirts of nowhere. Butcher’s Crossing is full of restless men looking for ways to make money and ways to waste it. Before long Andrews strikes up a friendship with one of them, a man who regales Andrews with tales of immense herds of buffalo, ready for the taking, hidden away in a beautiful valley deep in the Colorado Rockies. He convinces Andrews to join in an expedition to track the animals down. The journey out is grueling, but at the end is a place of paradisal richness. Once there, however, the three men abandon themselves to an orgy of slaughter, so caught up in killing buffalo that they lose all sense of time. Winter soon overtakes them: they are snowed in. Next spring, half-insane with cabin fever, cold, and hunger, they stagger back to Butcher’s Crossing to find a world as irremediably changed as they have been.