The sequel to Loving a Lost Lord. “Intensely emotional, lushly sensual . . . expertly spiced with intrigue, and infused with a wickedly subtle wit.”—Booklist New York Times bestselling author Mary Jo Putney continues her stunning Lost Lords series with this stirring, sensual story of a rebellious nobleman drawn to a lovely widow with a shocking past. As the sole remaining heir to the Earl of Daventry, Alexander Randall knows his duty: find a wife and sire a son of his own. The perfect bride for a man in his position would be a biddable young girl of good breeding. But the woman who haunts his imagination is Julia Bancroft—a village midwife with a dark secret that thrusts her into Randall’s protection. Within the space of a day, Julia has been abducted by her first husband’s cronies, rescued, and proposed to by a man she scarcely knows. Stranger still is her urge to say yes. A union with Alexander Randall could benefit them both, but Julia doubts she can ever trust her heart again, or the fervent desire Randall ignites. Yet perhaps only a Lost Lord can show a woman like Julia everything a true marriage can be . . . Praise for Loving a Lost Lord “Intoxicating, romantic and utterly ravishing. . .”—Eloisa James “Entrancing characters and a superb plotline.”—Publishers Weekly (starred review) “Will leave readers smiling, breathless, and anxiously awaiting the next adventure.”—Library Journal (starred review)

Loving a lost lord: Battered by the sea, Adam remembers nothing of his past, his ducal rank, nor the shipwreck that almost claimed his life. However, he's delighted to hear that the golden-haired vision tending his wounds in his wife. But Mariah Clarke has a secret--and a passion begun in fantasy has become dangerously real and completely irresistible.

Loving a Lost Lord In the first of a dazzling series, Mary Jo Putney introduces the Lost Lords—maverick childhood friends with a flair for defying convention. Each is about to discover the woman who is his perfect match—but perfection doesn't come easily, even for the noble Duke of Ashton. . . Battered by the sea, Adam remembers nothing of his past, his ducal rank, nor of the shipwreck that almost claimed his life. However, he's delighted to hear that the golden-haired vision tending his wounds is his wife. Mariah's name and face may not be familiar, but her touch, her warmth, feel deliciously right. . . When Mariah Clarke prayed for a way to deter a bullying suitor, she didn't imagine she'd find the answer washed ashore on a desolate beach. Convincing Adam that he is her husband is surprisingly easy. Resisting the temptation to act his wife, in every way, will prove anything but. And now a passion begun in fantasy has become dangerously real—and completely irresistible. . . Never Less Than A Lady New York Times bestselling author Mary Jo Putney continues her stunning Lost Lords series with this stirring, sensual story of a rebellious nobleman drawn to a lovely widow with a shocking past. As the sole remaining heir to the Earl of Daventry, Alexander Randall knows his duty: find a wife and sire a son of his own. The perfect bride for a man in his position would be a biddable young girl of good breeding. But the woman who haunts his imagination is Julia Bancroft—a village midwife with a dark secret that thrusts her into Randall's protection. Nowhere Near Respectable Mary Jo Putney's riveting Lost Lords series unleashes a high stakes royal plot—which may prove easier for Damian Mackenzie to handle than his own unruly desire. . . He's a bastard and a gambler and society's favorite reprobate. But to Lady Kiri Lawford he's a hero—braver than the smugglers he rescues her from, more honorable than any lord she's ever met, and far more attractive than any man has a right to be. How can she not fall in love. . .? No Longer a Gentleman Grey Sommers, Lord Wyndham, never met a predicament he couldn't charm his way out of. Then a tryst with a government official's wife during a bit of casual espionage in France condemns him to a decade in a dungeon, leaving him a shadow of his former self. Yet his greatest challenge may be the enigmatic spy sent to free his body--the only woman who might heal his soul. Cassie Fox lost everything in the chaos of revolution, leaving only a determination to help destroy Napoleon's empire through her perilous calling. Rescuing Grey is merely one more mission. She hadn't counted on a man with the stark beauty of a ravaged angel, whose desperate courage and vulnerability thaw her frozen heart. But a spy and a lord are divided by an impassable gulf even if they manage to survive one last, terrifying mission. . .. Sometimes A Rogue. . . Even the most proper young lady yearns for adventure. But when the very well bred Miss Sarah Clarke-Townsend impulsively takes the place of her pregnant twin, it puts her own life at risk. If the kidnappers after her sister discover they've abducted Sarah instead, she will surely pay with her life. . . Rob Carmichael survived his disastrous family by turning his back on his heritage and becoming a formidable Bow Street Runner with a talent for rescuing damsels in distress. But Sarah is one damsel who is equal to whatever comes. Whether racing across Ireland with her roguish rescuer or throwing herself into his arms, she challenges Rob at every turn.

Lady Anne Bacon Drury (1572-1624) was the granddaughter and niece of two of England's Lord Keepers of the Great Seal, Sir Nicholas Bacon and Sir Francis Bacon. Lady Anne was also the friend and patroness of John Donne and Joseph Hall; however, she deserves to be remembered in her own right. Within her massive country house, Lady Anne created a tiny painted room that she seems to have used as a kind of three-dimensional book. The walls consisted of panels of pictures and mottoes, grouped under Latin sentences. These panels can still be viewed in a Suffolk museum: Christchurch Mansion in Ipswich. Some panels point to classical and Biblical sources, and to popular emblem books. The sources of other panels are more recondite, while still others are original compositions by Lady Anne. The panels exhibit a contemptus mundi theme and reflect a struggle with ambition, pride, and even despair. Some panels also appear to register carefully veiled but pointed critiques of political and religious events and figures. Lady Anne's painted closet or 'architext' is thus relevant to a wide range of early modern scholarship in various disciplines but is as yet largely unappreciated. For the first time in four hundred years, this book fully describes the closet and places it in its personal, social, intellectual, and aesthetic contexts. It argues for the painted closet's importance for understanding early modern conceptualizations of private and public spaces, and for illuminating fundamental early modern habits of seeing and reading (especially combinations of text and image). Finally, this book explores the closet as an example of the ingenious ways in which female subjectivity found ways to express itself even within the constraints of early modern patriarchal society in England.