Meet the NERDS, a team of eleven-year-old super spies: Duncan “Gluestick” Dewey: He’s a paste-eater who can stick to walls. Ruby “Pufferfish” Peet: Her allergies help her detect danger and dishonesty. Heathcliff “Choppers” Hodges: He controls minds with his buckteeth. Julio “Flinch” Escala: His hyperactivity gives him super speed and strength. Matilda “Wheezer” Choi: Her inhalers enable her to fly and blast enemies. Jackson “Braceface” Jones, the new recruit. This metal mouth is the team’s go-to gadget guy . . . if only he can get over becoming a NERD. Can this team of misfits save the world from their secret headquarters in the basement of their school? Can you read NERDS without laughing? Go ahead and try!

Most people know a nerd when they see one but can't define just what a nerd is. American Nerd: The Story of My People gives us the history of the concept of nerdiness and of the subcultures we consider nerdy. What makes Dr. Frankenstein the archetypal nerd? Where did the modern jock come from? When and how did being a self-described nerd become trendy? As the nerd emerged, vaguely formed, in the nineteenth century, and popped up again and again in college humor journals and sketch comedy, our culture obsessed over the designation. Mixing research and reportage with autobiography, critically acclaimed writer Benjamin Nugent embarks on a fact-finding mission of the most entertaining variety. He seeks the best definition of nerd and illuminates the common ground between nerd subcultures that might seem unrelated: high-school debate team kids and ham radio enthusiasts, medieval reenactors and pro-circuit Halo players. Why do the same people who like to work with computers also enjoy playing Dungeons & Dragons? How are those activities similar? This clever, enlightening book will appeal to the nerd (and antinerd) that lives inside all of us.

In the vein of You’re Never Weird on the Internet (Almost) and Black Nerd Problems, this witty, incisive essay collection from New York Times critic at large Maya Phillips explores race, religion, sexuality, and more through the lens of her favorite pop culture fandoms. From the moment Maya Phillips saw the opening scroll of Star Wars, Episode V: The Empire Strikes Back, her life changed forever. Her formative years were spent loving not just the Star Wars saga, but superhero cartoons, anime, Buffy the Vampire Slayer, Harry Potter, Tolkien, and Doctor Who—to name just a few. As a critic at large at The New York Times, Phillips has written extensively on theater, poetry, and the latest blockbusters—with her love of some of the most popular and nerdy fandoms informing her career. Now, she analyzes the mark these beloved intellectual properties leave on young and adult minds, and what they teach us about race, gender expression, religion, and more. Spanning from the nineties through to today, Nerd is a collection of cultural criticism essays through the lens of fandom for everyone from the casual Marvel movie watcher to the hardcore Star Wars expanded universe connoisseur. “In the same way that the fandoms Phillips addresses often provide community and a sense of connection, the experience of reading Nerd feels like making a new friend” (Karen Han, cultural critic and screenwriter).

Special One Year Anniversary Edition of the award winning novel #Nerd! Includes TWO never before in print bonus scenes, a special note from the author and special recipes! Two people from completely different worlds are about to be thrown together... In more ways than one. She wants to keep her scholarship. He wants to stay on the team. An awkward alliance doesn't even begin to cover Rimmel and Romeo's relationship. But that's about to change. It starts with a dare. An initiation. A challenge. Quickly, it turns into more. But when you're a victim of your status, there is no room for anything real. The rules are clear and simple. Stick to your circle. And never fall in love with anyone on the outside.

Risky Business. Revenge of the Nerds. Better Off Dead. Moonlighting. Supernatural. American Dad. New Girl. What do all of these movies and television shows have in common? Curtis Armstrong. A legendary comedic second banana to a litany of major stars, Curtis is forever cemented in the public imagination as Booger from Revenge of the Nerds. A classically trained actor, Curtis began his incredible 40-year career on stage but progressed rapidly to film and television. He was typecast early and it proved to be the best thing that could have happened. But there’s more to Curtis’ story than that. Born and bred a nerd, he spent his early years between Detroit, a city so nerdy that the word was coined there in 1951, and, improbably, Geneva, Switzerland. His adolescence and early adulthood was spent primarily between the covers of a book and indulging his nerdy obsessions. It was only when he found his true calling, as an actor and unintentional nerd icon, that he found true happiness. With whip-smart, self-effacing humor, Armstrong takes us on a most unlikely journey—one nerd’s hilarious, often touching rise to the middle. He started his life as an outcast and matured into...well, an older, slightly paunchier, hopefully wiser outcast. In Hollywood, as in life, that counts as winning the game.

Dan Garrett has become exactly what he hates—popular. Until recently, he was just another live-action role-playing nerd on the lowest rung of the social ladder. Cue a massive growth spurt and an uncanny skill at taking three-point shots in basketball and voilà...Mr. Popular. It's definitely weird. And the biggest drawback? Going from high school zero to basketball hero cost Dan the secret girl of his dorky dreams. A band geek with an eclectic fashion sense, Zelda Potts's “coolness” stat is about minus forty-two. Dan turning his back on her and the rest of nerd-dom was brutal enough, but when he humiliates her at school, Zelda decides it's time for a little revenge—dork style. Never mind that she used to have a crush on him. Never mind that her plan could backfire big time. It's time to roll the dice...and hope like freakin' hell she doesn't lose her heart in the process.

An anthropology of technology, protest and politics, from Podemos to Wikileaks.