Neo-classical style is beautiful and luxurious, romantic and elegant, splendid and imposing. This book showcases exquisite villas, decorated in the Neo-classical style, from all around the world. The designs featured here incorporate not only the dynamic Baroque style, but also its energetic cousin, the Rococo style. 300 colour photographs

Architect Andrew Skurman is an unabashed classicist. His award-winning San Francisco-based firm, Andrew Skurman Architects, specializes in designing superbly crafted custom residences inspired by the building traditions of French châteaux, Mediterranean villas, and Georgian country houses. Skurman draws on an extensive architectural library of European and American design with the precision of an eminent art historian, skillfully adapting timeless design elements to suit today's lifestyles. Collaborating with well-respected contractors, interior and landscape designers, lighting and audiovisual experts, and other consultants, Skurman blends modern comfort and conveniences into traditional settings. Featuring gorgeous photography and exquisite watercolor studies, Contemporary Classical showcases an exceptional range of residential work, including the new Pelican Hill Resort on the Newport Coast of California.

Lavishly illustrated, Architecture since 1400 presents key moments and innovations in architectural modernity around the globe. Making clear that visionary architecture has never been the exclusive domain of the West and recognizing the diversity of those responsible for commissioning, designing, and constructing buildings, this book provides a sweeping, cross-cultural history of the built environment over six centuries.

In the last twenty years, reception studies have significantly enhanced our understanding of the ways in which Classics has shaped modern Western culture, but very little attention has been directed toward the reception of classical architecture. Housing the New Romans: Architectual Reception and Classical Style in the Modern World addresses this gap by investigating ways in which appropriation and allusion facilitated the reception of Classical Greece and Rome through the requisition and redeployment of classicizing tropes to create neo-Antique sites of "dwelling" in the 19th and early 20th centuries. The volume, across nine essays, will cover both European and American iterations of place making, including Sir John Soanes' house in London, the Hôtel de Beauharnais in Paris, and the Getty Villa in California. By focusing on structures and places that are oriented towards private life-houses, hotels, clubs, tombs, and gardens-the volume directs the critical gaze towards diverse and complex sites of curatorial self-fashioning. The goal of the volume is to provide a multiplicity of interpretative frameworks (e.g. object-agency enchantment, hyperreality, memory-infrastructure) that may be applied to the study of architectural reception. This critical approach makes Housing the New Romans the first work of its kind in the emerging field of architectural and landscape reception studies and in the hitherto textually dominated field of classical reception.

The first book to feature the precisely detailed, sumptuous architecture of Stanhope Gate, one of the finest firms working in the classical style anywhere. Alireza Sagharchi, principal of Stanhope Gate Architecture, is one of the world's leading classical architects, whose projects are dazzling in their scale and accomplishment--many of which, until now, have been unpublished and little seen. From a European Palladian villa to a country house in Scotland, Sagharchi's work is a testament to the virtues of traditional planning and design as married to an informed and inspired vision that embraces the wisdom of the past, of classicism and vernacular traditions, while establishing harmony with the needs of contemporary living. Classicism at Home, richly detailed with new photography, meticulous drawings, and beautifully written text, features Sagharchi's work around the world, from a residence in Kensington Gardens, London, a chic eco-resort on the Danube, and a rural hunting lodge to an elegantly appointed courtyard house by the sea. The practice works within diverse styles and the tradition of the local to create stylistically unique buildings that fit their context. The book features both exteriors and interiors, as well as exquisitely manicured gardens.

"Quinlan Terry is at home in every traditional style, from Classical Greek to Roman, Gothic to Renaissance, and Baroque to Neoclassical. And yet, though linked with a long tradition, his work is, for its innovation and invention, inescapably modern. In contradistinction to the "signature buildings" by which leading Modernist architects come to be known - buildings frequently to be marked for their structural weaknesses and impractibility, for their immediate glamour and subsequent physical deterioration - Terry's work stands as an elegant and powerful argument for an architecutre built to last centuries."--BOOK JACKET.