“Reveals a political trend that threatens both our form of government and our species.” - Timothy Snyder, author of ON TYRANNY "Riveting.... Want to understand how so many Americans turned against truth? Read this book." Nancy Maclean, author of DEMOCRACY IN CHAINS In 1981, emboldened by Ronald Reagan's election, a group of some fifty Republican operatives, evangelicals, oil barons, and gun lobbyists met in a Washington suburb to coordinate their attack on civil liberties and the social safety net. These men and women called their coalition the Council for National Policy. Over four decades, this elite club has become a strategic nerve center for channeling money and mobilizing votes behind the scenes. Its secretive membership rolls represent a high-powered roster of fundamentalists, oligarchs, and their allies, from Oliver North, Ed Meese, and Tim LaHaye in the Council's early days to Kellyanne Conway, Ralph Reed, Tony Perkins, and the DeVos and Mercer families today. In Shadow Network, award-winning author and media analyst Anne Nelson chronicles this astonishing history and illuminates the coalition's key figures and their tactics. She traces how the collapse of American local journalism laid the foundation for the Council for National Policy's information war and listens in on the hardline broadcasting its members control. And she reveals how the group has collaborated with the Koch brothers to outfit Radical Right organizations with state-of-the-art apps and a shared pool of captured voter data - outmaneuvering the Democratic Party in a digital arms race whose result has yet to be decided. In a time of stark and growing threats to our most valued institutions and democratic freedoms, Shadow Network is essential reading.

In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.

This book explains the mediating effects of social media on our morality.

The new edition of this popular and comprehensive text for VCE Media has been fully updated and revised to meet the requirements of the 2012-2016 Study Design. This student book is available as an interactive NelsonNetBook, either as a supplement to the printed text or as a standalone option for schools seeking a digital-only resource solution.

This book offers a considered voice on the advertising chaos that colours our rapidly changing media environment in a world of fake news, fast facts and seriously depleted attention stamina. Rather than simply herald disruption, Karen Nelson-Field starts an intelligent conversation on what it will take for businesses to win in an attention economy, the advertising myths we need to leave behind and the scientific evidence we can use to navigate a complex advertising and media ecosystem. This book makes sense of viewability standards, coverage and clutter; it talks about the real quality behind a qCPM and takes a deep dive into the relationship between attention and sales. It explains the stark reality of human attention processing in advertising. Readers will learn how to maximise a viewer’s divided attention by leveraging specific media attributes and using attention-grabbing creative triggers. Nelson-Field asks you to pay attention to a disrupted advertising future without panic, but rather with a keen eye on the things that brand owners can learn to control.

The Axman of New Orleans specialized in killing grocers of Italian descent in the 1910s, apparently to promote jazz music. Dorothea Puente was a little old landlady who murdered her tenants, but kept cashing their government checks. The Manson Family terrorized California in the 1960s, as did the Hillside Stranglers a decade later. Twelve serial murder cases, occurring in eight decades between the 1890s and 1990s, had one thing in common: significant presence of the mass media. This book examines these specific cases of serial murder, and the way the media became involved in the investigations and trials of each. Gibson argues that the American media plays a multidimensional and integral role in serial killings and their investigation—and that this role is not generally a positive one. Serial murder cases motivate the media in unfortunate ways, and the result is that even typically respectable media organizations can be involved in such things as document theft, or in interfering with the capture of serial murderers on the run. This link between multiple murderers and mass communication is not accidental or coincidental; rather, the relationship between the press and serial killers is one of extraordinary importance to both parties. Gibson examines the role of the media in serial murder cases; the body of knowledge on serial murder as seen through the lens of mass communication; the effectiveness of law enforcement responses to serial murderers and how they might be improved if the mass communication influence was better understood; the magnitude of the serial murder problem; and the interaction between the media, the killers, and serial murder investigations. Specific examples and numerous quotes are provided throughout to illustrate this strange and detrimental relationship between media and serial murderers.

Suggests activities to be used at home to accompany the reading of Miss Nelson is missing by Harry Allard in the classroom.