Charles Beauclerk brings to this book on his ancestress a rich and deep knowledge of the period conveyed in warm, unstuffy and amusing style' Daily Mail 'Succeeds in capturing Nell Gwyn's vivacity, originality and essential sweetness' - The Guardian 'Beauclerk tells Nell's story with obvious relish... a biography that feels like a good long gossip' - The Mail on Sunday Revealing and entertaining.' The Literary Review 'Beauclerk paints a lively and detailed picture of Restoration London... very enjoyable.' - The Independent "Mr. Beauclerk writes of a time when, if it was good to be a king, it was good to be his mistress too. He does not fashionably cut his characters down to modem size-and is himself directly descended from the union of Charles II and Nell Gwyn, of which he writes with such humor, spirit, and erudition." - FAY WELDON "Shining beauty and dazzling wit brought orange-seller Nell Gwyn to the attention of Charles II. For seventeen years, as lovers and loyal friends, the two shared the pleasures of the bed and the play, of falconry, fishing, and walking in the woods at night. Charles Beauclerk has the blood of Nell and Charles in his veins, and, through his easy, erudite pen, Restoration England comes alive. A book to be savored, slowly." - GILLIAN GILL, AUTHOR OF NIGHTINGALES: THE EXTRAORDINARY UPBRINGING AND CURIOUS LIFE OF MISS FLORENCE NIGHTINGALE "As well as being a cracking good read, this is both a scholarly, sympathetic, mature, and thought-provoking biography of our finest folk heroine and a well-rounded portrait of Restoration England." -HUGH MASSINGBERD, THE SPECTATOR "Charles Beauclerk's grasp of Restoration literature and culture is impressive and there is nothing he doesn't know about the politics. . . . Nell Gwyn has about it a humanity, empathy, and freshness of which his subject would undoubtedly approve." -FRANCES WILSON, THE SUNDAY TELEGRAPH "Charles Beauclerk interweaves the development of Nell's character with a vivid portrayal of the social worlds of court and stage, in which she played such a memorable part. In spite of his obvious affection for his ancestress, he provides a well-rounded view of her character and an objective account of the role she played as a woman who crossed the social boundaries and created an unforgettable, romantic comedy in her life as well as in her art." - BETKA ZAMOYSKA, THE LITERARY REVIEW "Beauclerk tells Nell's story with obvious relish. He is particularly good on the odd mind-set of Stuart England." - KATHRYN HUGHES, THE MAIL ON SUNDAY Beautiful, quick-witted and sexually magnetic, Nell Gwyn remains one of England's great folk-heroines. The story of her exceptional rise from an impoverished, abusive childhood, to the wealth and connections that came with being Charles II's mistress is a dramatic mix of lust, money, high politics and love. Famously spotted selling oranges in the Theatre Royal, Drury Line, Nell's wit and charm brought her to the attention of one of the theatre's leading actors. Under his patronage, she soon established herself as the greatest comedienne of her day, and so caught the eye of Charles II, the newly restored 'merry monarch' of a nation in hedonistic reaction to puritan rule. Their seventeen-year affair is one of the great love stories of our history, played out against a backdrop of fire, plague, court intrigue and political turmoil. This vivid, personal portrayal brilliantly recreates the licentious, yet politically charged atmosphere of Charles II's court and casts fresh light on the real Nell Gwyn, on Charles and on the restoration period.

London, 1660. King Charles II has exploded onto the scene with a love of all things loud, extravagant and sexy. And at Drury Lane, a young Nell Gwynn is causing stirrings amongst the theatregoers. Nell Gwynn charts the rise of an unlikely heroine, from her roots in Coal Yard Alley to her success as Britain's most celebrated actress, and her hard-won place in the heart of the King. But at a time when women are second-class citizens, can her charm and spirit protect her from the dangers of the Court? Jessica Swale's exhilarating take on the heady world of Restoration theatre premiered at Shakespeare's Globe, London, in September 2015, before transferring to the West End in February 2016, starring Gemma Arterton. It won the Olivier Award for Best New Comedy in 2016.

Featuring a range of large-scale, public and more intimate portraits of actresses, The First Actresses provides a vivid spectacle of femininity, fashion and theatricality from Nell Gwyn to Sarah Siddons. Ranging from oil paint to porcelain, these portraits illustrate the enduring popularity of portraits of women performers. Crucially the book seeks to reassess the traditional association between actress and'prostitute', and the moral ambiguity of women playing male roles. Portraiture became an important vehicle for the expression of concerns about female sexuality, social status, decorum, gender and celebrity. The authors also chart the commercialisation of the spectacle of the actress, as well as the connections between the eighteenth-century 'star system' and modern celebrity culture. Organised thematically, sections include: 'Painting Acresses' Lives', 'Nell Gwyn and Covent Garden Goddesses', 'Divas, Dancing and the Rage for Music: Painting Women in Musical Performance', 'Beauty, Ageing and the Body Politic of the Eighteenth-Century Actress' and 'Star Systems'. Illustrated with remarkable paintings by major artists of the period, a fascinating and lucid text reveals the many ways in which women performers enabled artistic innovation and creativity, provoked intellectual debate and contributed to the popularity and visibility of the theatre. Accompanies an exhibition at the National Portrait Gallery, London, 20 October 2011 - 8 January 2012

From London’s slums to its bawdy playhouses, The Darling Strumpet charts the meteoric rise of the dazzling Nell Gwynn, who captivates the heart of King Charles II—and becomes one of the century’s most famous courtesans… Witty and beautiful, Nell Gwynn is born into poverty, and trades her mother’s treacherous grasp for the grim life of a prostitute at a precious young age. But before long she finds herself drawn to the theater, where she earns a place in the King’s Company. As one of the first actresses in the newly opened playhouses, her talents and charms win the crowds’ affection—and the heart of her leading man. But when she catches the eye of the king himself, her life is transformed in ways she could never have imagined. Surrendering her body and heart to Charles, Nell will be forced to maneuver the ruthless and shifting allegiances of the royal court—and discover a world of decadence and passion she never imagined was possible…

Full of humour and bawdy wit, this new comedy transports us into the wanton world of the English Restoration. A new comedy by Steve Trafford with songs by Henry Purcell. King Charles 2nd lies ill, Nell Gwyn, his royal whore, once the brightest star of the Restoration theatre, rages against her fate. What will become of her if Charles is summoned to his Maker? What perils will befall the English nation? Mistress Gwyn and Margery, her maid, lead us a merry dance, filled with their laughter, their tears, and Nell’s enchanting songs of the Baroque: A rollicking romp which ends with a sting in its tail. Eleanor ‘Nell’ Gwyn (2 February 1650 – 14 November 1687) was a long-time mistress of King Charles II of England and Scotland. Called ‘pretty, witty Nell’ by Samuel Pepys, she has been regarded as a living embodiment of the spirit of Restoration England and has come to be considered a folk heroine, with a story echoing the rags-to-royalty tale of Cinderella. She was the most famous Restoration actress and possessed a prodigious comic talent. Gwyn had two sons by King Charles: Charles Beauclerk (1670–1726); and James Beauclerk (1671–1680). The surname of her sons is pronounced 'Bo-Clare'. Charles was created Earl of Burford and later Duke of St. Albans.

After the restoration of the English monarchy in 1660, Protestants worried that King Charles II might favour religious freedom for Roman Catholics, and many suspected that the king was unduly influenced by his Catholic mistresses. Nell Gwyn, actress and royal mistress, stood apart by virtue of her Protestant loyalty. In 1681, Gwyn, her carriage surrounded by an angry anti-Catholic mob, famously declared 'I am the protestant whore.' Her self-branding invites an investigation into the alignment between sex and politics during this period, and in this study, Alison Conway relates courtesan narrative to cultural and religious anxieties. In new readings of canonical works by Aphra Behn, Daniel Defoe, Henry Fielding, and Samuel Richardson, Conway argues that authors engaged the same questions about identity, nation, authority, literature, and politics as those pursued by Restoration polemicists. Her study reveals the recurring connection between sexual impropriety and religious heterodoxy in Restoration thought, and Nell Gwyn, writ large as the nation's Protestant Whore, is shown to be a significant figure of sexual, political, and religious controversy.