Ne Sherrill Foster's Needed “All for Love's Sake” is the engaging story of Maggie, a young girl who lost her father at an early age and was sent off to boarding school by an unfeeling mother, who severed all ties with her daughter. Even though Maggie came from a family of wealth, lacking a safe, happy, and loving environment as an adolescent, self-doubt and low self-esteem followed her into adulthood. As a young woman, she returned home to the family mansion long after her mother's passing. Now she must create a life for herself in an unfamiliar world. A kind and caring person, she set out to help others, all the while keeping her past a secret. Life became so much more difficult when she met a young man who was recovering from the wounds of war. Over time, they became very close friends, even though Maggie continued to keep her two lives separate. On this path to adulthood, Maggie began to question her beliefs and sought out those who could help her turn this caterpillar into a beautiful butterfly, while continuing her quest to create a better world for others. Is this transformation even possible? Only God knows….

A stunning meditative poem that will help you say what you want to say when someone you love is dying. Read it for solace. Use it as a keepsake journal, attaching photographs, jotting down reminiscences and reflections. Share it during gatherings of farewell and remembrance. Offer it as a gift of compassion. However you choose to use it, may it bring you consolation.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

"Lectures from Colombo to Almora" by Swami Vivekananda based on his various lectures. After visiting the West, Vivekananda reached Colombo, British Ceylon (now Sri Lanka) on 15 January 1897. Upon Vivekananda's arrival in South India, a forty-feet high monument was built by the king of Ramnad on the spot where he landed to celebrate his achievements at the West. He reached Calcutta via Madras on 20 January 1897. Then Vivekananda travelled extensively and visited many Indian states. On 19 June (1897) he reached Almora. The lectures delivered by him in this period were compiled into the book Lectures from Colombo to Almora.

“[An] enlightening and entertaining . . . survey of the world’s oldest profession” from the Whore of Babylon to the modern sex-worker movement (Kirkus Reviews). From Eve and Lilith to Julia Roberts in Pretty Woman, the prostitute has been both a target of scorn and a catalyst for social change. In Love for Sale, cultural historian Nils Johan Ringdal delivers an authoritative and engaging history of this most maligned, yet globally ubiquitous, form of human commerce. Beginning with the epic of Gilgamesh, the Old Testament, and ancient cultures from Asia to the Mediterranean, Ringdal considers the varying way societies have dealt with and thought about prostitutes through history. He discusses how they were included in the priestess class in ancient Greece and Rome; how the rise of the courtesan in nineteenth-century Europe shaped literature, fashion, the arts, and modern sensibilities. He uncovers the first manuals on the art of sex and seduction, the British Empire’s campaigns against prostitution in India, and stories of the Japanese “comfort women” who served the armies in the Pacific theater of World War II. Ringdal closes with the rise of the sex-workers’ rights movement and ‘sex-positive” feminism, and a realistic look at the true risks and rewards of prostitution in the present day. Recalling Camille Paglia’s Sexual Personae with its broad sweep across centuries and continents, Love for Sale “uses [its] subject as a springboard for exploring the ever-changing notions of love, sexual identity, morality and gender among various cultures” (Nan Goldberg, Newark Sunday Star-Ledger).

A personal, idiosyncratic history of popular music that also may well be definitive, from the revered music critic From the age of song sheets in the late nineteenth-century to the contemporary era of digital streaming, pop music has been our most influential laboratory for social and aesthetic experimentation, changing the world three minutes at a time. In Love for Sale, David Hajdu—one of the most respected critics and music historians of our time—draws on a lifetime of listening, playing, and writing about music to show how pop has done much more than peddle fantasies of love and sex to teenagers. From vaudeville singer Eva Tanguay, the “I Don’t Care Girl” who upended Victorian conceptions of feminine propriety to become one of the biggest stars of her day to the scandal of Blondie playing disco at CBGB, Hajdu presents an incisive and idiosyncratic history of a form that has repeatedly upset social and cultural expectations. Exhaustively researched and rich with fresh insights, Love for Sale is unbound by the usual tropes of pop music history. Hajdu, for instance, gives a star turn to Bessie Smith and the “blues queens” of the 1920s, who brought wildly transgressive sexuality to American audience decades before rock and roll. And there is Jimmie Rodgers, a former blackface minstrel performer, who created country music from the songs of rural white and blacks . . . entwined with the sound of the Swiss yodel. And then there are today’s practitioners of Electronic Dance Music, who Hajdu celebrates for carrying the pop revolution to heretofore unimaginable frontiers. At every turn, Hajdu surprises and challenges readers to think about our most familiar art in unexpected ways. Masterly and impassioned, authoritative and at times deeply personal, Love for Sale is a book of critical history informed by its writer's own unique history as a besotted fan and lifelong student of pop.