Explores the changing ways in which Pacific Islanders have been seen and represented by outsiders over the last 200 years. The Pacific Islands has been a testing ground for various Western ideas and ideologies and the author looks at this long intellectual history as an artifact of the Western imagination. Of particular concern is to see how concepts of nature, culture and history have defined Western perceptions of Pacific Islanders.

This book examines the challenges and possibilities of conducting cultural environmental history research today. Disciplinary commitments certainly influence the questions scholars ask and the ways they seek out answers, but some methodological challenges go beyond the boundaries of any one discipline. The book examines: how to account for the fact that humans are not the only actors in history yet dominate archival records; how to attend to the non-visual senses when traditional sources offer only a two-dimensional, non-sensory version of the past; how to decolonize research in and beyond the archives; and how effectively to use sources and means of communication made available in the digital age. This book will be a valuable resource for those interested in environmental history and politics, sustainable development and historical geography.

Environmental history is a fast developing field of critical enquiry. In both ecological and cultural terms. South Asia is characterized by an unparalleled diversity. Ecological degradation, and the social conflicts that have come in its wake, have further underlined the need for historical research in this field.

The Culture of Nature in the History of Design confronts the dilemma caused by design’s pertinent yet precarious position in environmental discourse through interdisciplinary conversations about the design of nature and the nature of design. Demonstrating that the deep entanglements of design and nature have a deeper and broader history than contemporary discourse on sustainable design and ecological design might imply, this book presents case studies ranging from the eighteenth to the twenty-first century and from Singapore to Mexico. It gathers scholarship on a broad range of fields/practices, from urban planning, landscape architecture, and architecture, to engineering design, industrial design, furniture design and graphic design. From adobe architecture to the atomic bomb, from the bonsai tree to Biosphere 2, from pesticides to photovoltaics, from rust to recycling – the culture of nature permeates the history of design. As an activity and a profession always operating in the borderlands between human and non-human environments, design has always been part of the environmental problem, whilst also being an indispensable part of the solution. The book ventures into domains as diverse as design theory, research, pedagogy, politics, activism, organizations, exhibitions, and fiction and trade literature to explore how design is constantly making and unmaking the environment and, conversely, how the environment is both making and unmaking design. This book will be of great interest to a range of scholarly fields, from design education and design history to environmental policy and environmental history.

Throughout history, swamps have been idealized and demonized, purged and protected. Today, they are simultaneously considered metaphorical places of evil, pestilence, and death, and treasured as diverse biological ecosystems teeming with life. Covering not only swamps and bogs but also marshes and wetlands, Swamp ventures into the cultural and ecological histories of these mysterious, mythologized, and misunderstood landscapes. Anthony Wilson takes readers into swamps across the globe, from the freshwater marshes of Botswana’s tremendous Okavango delta, to the notable swamps between the Tigris and Euphrates rivers, to the peat bogs in Russia, the British Isles, and Scandinavia, which have been used as energy sources for centuries. It explores ideas and representations of wetlands across centuries, cultures, and continents, considering legend and folklore, mythology, literature, film, and natural and cultural history. As it plumbs the murky depths of swamps from the distant past to an uncertain future, Swamps provides an engaging, accessible, informative, and lavishly illustrated journey into these fascinating landscapes.

As any scientist will tell you, there is no substance more vital than water. Our history is necessarily a history with water, whether we have irrigated our fields with it, cooled our machines, washed ourselves, drank it down deeply, or even worshipped it. In Water, Veronic Strang ladles through the rich history of our interaction with water, offering an accessible examination of the crucial properties that make water so unique alongside the complex story of our evolving relationship with it. As Strang shows, our attitudes about water and the things that we rely on it for have changed dramatically over time. Once a mystical source of regenerative powers, it has since played various roles as our attitudes about hygiene, health, and disease have developed; as it has become useful to our industry; as agriculture has become ever more complex; and, of course, as we have learned to make money from it. Today water—who controls it, and how—is one of the largest issues facing our society, influencing everything from the welfare of the billions of people living on earth to the vitality of its natural habitats. Balancing history, science, and environmental and cultural studies, Strang offers an important, multi-faceted view of a critical resource.

Individual essays address issues raised by the science, politics, and history of race, evolution, and identity; genetically modified organisms and genetic diseases; gene work and ethics; and the boundary between humans and animals. The result is an entree to the complicated nexus of questions prompted by the power and importance of genetics and genetic thinking, and the dynamic connections linking culture, biology, nature, and technoscience. The volume offers critical perspectives on science and culture, with contributions that span disciplinary divisions and arguments grounded in both biological perspectives and cultural analysis.