Presents an encyclopedic look at the flags and histories of 183 Native American tribes throughout the United States.

Flags of the Native peoples of the United States proudly display symbols of tribal traditions, art, and culture. In Native American Flags, Donald T. Healy and Peter J. Orenski present an encyclopedic look at the flags and histories of 183 Native American tribes throughout the United States. Listing Indian nations alphabetically, this fully indexed reference includes both federally recognized tribes and other groups, and offers an image of each tribe’s flag and a map of their location within the United States. Each entry includes a brief summary of the tribe’s history, presents information on contemporary Indian peoples, and describes and illustrates in detail the symbolism and imagery of each Native American flag. A gallery of color plates includes full-color representations of 192 historic and contemporary Native flags. The authors visited more than two dozen reservations and surveyed more than 250 tribal governments, working closely with them to produce this authoritative volume. A portion of their original research on Native American flags was published in Raven, the journal of the North American Vexillological Association, an organization devoted to the scientific study of flags. This thoroughly revised and updated edition includes more than fifty new flags and accompanying tribal listings and full-color representations of each flag. Carl Waldman’s foreword places the flags within the context of Indian history, mythology, and art, and shows how Native American flags have become powerful symbols of Native unity and tribal sovereignty.

"The Flag in American Indian Art includes fifty-four examples from the Thaw Collection and sixty-seven lent by Kate and Joel Kopp. The two collections form the most extensive assemblage of images of the American flag in American Indian art. They include the work of more than two dozen different peoples, from the Iroquois of the Northeast to the Makah of Neah Bay at the entrance to Puget Sound, from the Navajo in the Southwest to the Athapaskan of Alaska. When seen together, the objects present a multitude of different forms, uses, construction techniques, and design. Depictions of the American flag vary from close facsimiles to near abstractions"--Page 7.

Awards: One Book South Dakota Common Read, South Dakota Humanities Council, 2022. PEN Oakland/Josephine Miles Literary Award, PEN America, 2020. One Book One Tribe Book Award, First Nations Development Institute, 2020. Finalist, Stubbendieck Great Plains Distinguished Book Prize, 2019. Shortlist, Brooklyn Public Library Literary Prize, 2019. Our History Is the Future is at once a work of history, a personal story, and a manifesto. Now available in paperback on the fifth anniversary of its original publication, Our History Is the Future features a new afterword by Nick Estes about the rising indigenous campaigns to protect our environment from extractive industries and to shape new ways of relating to one another and the world. In this award-winning book, Estes traces traditions of Indigenous resistance leading to the present campaigns against fossil fuel pipelines, such as the Dakota Access Pipeline Protests, from the days of the Missouri River trading forts through the Indian Wars, the Pick-Sloan dams, the American Indian Movement, and the campaign for Indigenous rights at the United Nations. In 2016, a small protest encampment at the Standing Rock reservation in North Dakota, initially established to block construction of the Dakota Access oil pipeline, grew to be the largest Indigenous protest movement in the twenty-first century, attracting tens of thousands of Indigenous and non-Native allies from around the world. Its slogan “Mni Wiconi”—Water Is Life—was about more than just a pipeline. Water Protectors knew this battle for Native sovereignty had already been fought many times before, and that, even with the encampment gone, their anti-colonial struggle would continue. While a historian by trade, Estes draws on observations from the encampments and from growing up as a citizen of the Oceti Sakowin (the Nation of the Seven Council Fires) and his own family’s rich history of struggle.

From one of the world's leading graphic designers comes a stunning tribute to America's most enduring icon-the Stars and Stripes.The Revolutionary Congress resolved in 1777 that "the flag of the United States be 13 stripes, alternate red and white, that the Union be 13 white stars in a blue field representing a new constellation." Since that time, the American flag has been raised high in wartime triumph and peacetime celebration; burned in fervent protest; sewn lovingly onto quilts, caps, pillows, and bags; appropriated by the commercial sphere to sell goods as varied as cigars, and designer clothing, and rock-and-roll albums; and faithfully honored every 4th of July to celebrate America's independence. This collection of more than 3,000 Stars and Stripes artifacts ranges from Civil War-era banners and Native American braided moccasins to an early 20th-century "friendship" kimono and original flag art by several of the world's leading designers. In its deluxe format with over 500 illustrations, LONG MAY SHE WAVE gives wide berth to the flag in all its manifestations, and the result is a stunning visual history of America'¬?s most treasured symbol.Full-color throughout, with over 500 illustrations in a deluxe 11 x 14-inch volume-LONG MAY SHE WAVE is the perfect gift for folk-art appreciators, history buffs, and collectors.Features the 3,000-piece exhibit that was displayed at the American Institute of Graphic Arts and the San Jose Museum of Art in 2000. From toy soldiers to collectable spoons, cigar blankets to historic flags—the breadth of the collection is unrivaled.For a list of appearances by this author, check out our Calendar of Events.

"A full-color photographic book presenting 100 American flag artifacts, artworks, and memorabilia from one of the world's most eminent collections"--Provided by publisher.

This poetry anthology, edited by Miranda Paul, explores a wide range of ways to be grateful (from gratitude for a puppy to gratitude for family to gratitude for the sky) with poems by a diverse group of contributors, including Joseph Bruchac, Margarita Engle, Cynthia Leitich Smith, Naomi Shihab Nye, Charles Waters, and Jane Yolen.