A stunning collection of epic texts and bibliographies in accessible translation, gathered together in the nineteenth century, the great age of nationalism when every nation worthy of its name had to possess - or discjover - its own distinctive national epic. Every library should possess a copy of this uniqfue and authoritative 2 volume collection.

Intended as an introduction to the epics with selections from the Râmâyana, Mahâ-bhârata, Iliad, Odyssey, Kalevala, Æneid, Beowulf, Nibelungen lied, Song of Roland, Shah-nameh, Poem of the Cid, Divine comedy, Orlando Furioso, Lusiad, Jerusalem delivered, Paradise lost, and Paradise regained.

Contributions by Lawrence Abrams, Dorian L. Alexander, Max Bledstein, Peter Cullen Bryan, Stephen Connor, Matthew J. Costello, Martin Flanagan, Michael Fuchs, Michael Goodrum, Bridget Keown, Kaleb Knoblach, Christina M. Knopf, Martin Lund, Jordan Newton, Stefan Rabitsch, Maryanne Rhett, and Philip Smith History has always been a matter of arranging evidence into a narrative, but the public debate over the meanings we attach to a given history can seem particularly acute in our current age. Like all artistic mediums, comics possess the power to mold history into shapes that serve its prospective audience and creator both. It makes sense, then, that history, no stranger to the creation of hagiographies, particularly in the service of nationalism and other political ideologies, is so easily summoned to the panelled page. Comics, like statues, museums, and other vehicles for historical narrative, make both monsters and heroes of men while fueling combative beliefs in personal versions of United States history. Drawing the Past, Volume 1: Comics and the Historical Imagination in the United States, the first book in a two-volume series, provides a map of current approaches to comics and their engagement with historical representation. The first section of the book on history and form explores the existence, shape, and influence of comics as a medium. The second section concerns the question of trauma, understood both as individual traumas that can shape the relationship between the narrator and object, and historical traumas that invite a reassessment of existing social, economic, and cultural assumptions. The final section on mythic histories delves into ways in which comics add to the mythology of the US. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.

The concluding volume of a critical English edition of the monumental Indian epic The seventh and final book of the monumental Rāmāyaṇa of Vālmīki, the Uttarakāṇḍa, brings the epic saga to a close with an account of the dramatic events of King Rāma's millennia-long reign. It opens with a colorful history of the demonic race of the rākṣasas and the violent career of Rāma’s villainous foe Rāvaṇa, and later recounts Rāma’s grateful discharge of his allies in the great war at Lankā as well as his romantic reunion with his wife Sītā. But dark clouds gather as Rāma, confronted by scandal over Sītā’s time in captivity under the lustful Rāvaṇa, makes the agonizing decision to banish his beloved wife, now pregnant. As Rāma continues as king, marvelous tales and events unfurl, illustrating the benefits of righteous rule and the perils that await monarchs who fail to address the needs of their subjects. The Uttarakāṇḍa has long served as a point of social and religious controversy largely for its accounts of the banishment of Sītā, as well as of Rāma’s killing of a low-caste ascetic. The translators’ introduction provides a full discussion of these issues and the complex reception history of the Uttarakāṇḍa. This translation of the critical edition also includes exhaustive notes and a comprehensive bibliography.

The fifth and most popular book of the Ramayana of Valmiki, the Sundarakanda, recounts the adventures of the monkey hero Hanuman in leaping across the ocean to the island citadel of Lanka. Once there, he scours the city for the abducted Princess Siti. The poet vividly describes the opulence of the court of the demon king, Ravana, the beauty of his harem, and the hideous deformity of Sita's wardresses. After witnessing Sita's stern rejection of Ravana's blandishments, Hanuman reveals himself to the princess and restores her hope of rescue. The great monkey then wreaks havoc on the royal park and fights a series of hair-raising battles with Ravana's generals. Permitting himself to be captured by the warrior Indrajit, Hanuman is led into the presence of Ravana, whom he admonishes for his lechery. His tail is set ablaze, but he escapes his bonds and leaping from rooftop to rooftop, sets fire to the city. Taking leave of Sita, Hanuman once more leaps the ocean to rejoin his monkey companions. This is the fifth volume translated from the critical edition of the Valmiki Ramayana. It contains an extensive introduction, exhaustive notes, and a comprehensive bibliography.

This book, Geography of Mah?bh?rata, spans two volumes. It is the final part of the geochronological trilogy of ?gveda, R?m?ya?a and Mah?bh?rata, connecting them into a single whole like the pearls of a chain! It shows Hanumat, Para?u R?ma, and others mentioned in R?m?ya?a and Mah?bh?rata in a never-imagined new light! It details the geography and chronology of the P???ava Era and analyses the entire 1995 Adhy?yas and 18 Parvas of Mah?bh?rata without missing any events in the life of the P???avas! It covers the sub-narratives of Nala, S?vitr? and a short R?m?ya?a embedded into Mah?bh?rata! It has the realistic age of the P???avas, Bh??ma, Dro?a, Vy?sa, and others and solves numerous puzzles and riddles of Mah?bh?rata. At last, here was a scientist capable of penetrating this jungle of literary data! To the gods belongs the glory of this enlightening development, to Jijith the realisation of the insights involved, and to us, readers fall the fruit of his labour. – Dr Koenraad Elst, Indologist, Belgium. Jijith’s book represents a fresh wave of writing that revisits Bh?rat?ya epics through the lens of historicity. This is a welcome departure from the Orientalist treatment of relegating them to the status of “mythology”. - J. Sai Deepak Iyer, Author, India -Bharat Series; Sr Advocate - Supreme Court of India & High Court of Delhi. This book constitutes a laudable addition to our scholarly discourse, promising enduring reference value. I sincerely wish the author continued success in scholarly endeavours. - Dr Raj Vedam, Visiting Faculty, Hindu University of America, Houston, Texas, USA This book helps establish a credible chronology and is an essential foundation for more detailed future research on specific topics. - Vishal Agarwal, President, Hindu Heritage Foundation of America. Within Jijith's groundbreaking work, 'Geography of Mah?bh?rata,' lies a trove of untapped insights awaiting future scholars. This isn't merely a book; it's a reservoir of wisdom.- Ajay Chaturvedi, Founder KFN, HarVa; Author, The Lost Wisdom of Swastika. Jijith’s colossal work on this subject, presenting a unified Vedic-Aitih?sic geography and chronology in detail of ancient Bh?rat, is eye-opening. Hope this book reaches the masses. - Manoshi Sinha, Author & History Researcher.