Eight essays on science fiction and fantasy: "Narrative Strategies in Science Fiction," "Immortality in Science Fiction," "Why There Is (Almost) No Such Thing as Science Fiction," "Perfectibility and the Novel of the Future," "In Search of a New Genre," "Ecology and Dystopia," "Cosmic Horror," and "Growing Up as a Superhero." Complete with bibliography and index.

Eight highly-readable essays on science fiction and fantasy writers, including David Brin, Jonathan Carroll, Samuel R. Delany, Joe Haldeman, Robert Irwin, Graham Joyce, Michael Shea, plus a major piece, "Against the New Gods," on British SF and crime writer Sydney Fowler Wright. Complete with Bibliography and Index.

Well-known critic and novelist Brian Stableford here discusses the writers, editors, and publishers who helped create the modern genre of science fiction: Mary Wollstonecraft Shelley, Edgar Allan Poe, Camille Flammarion, Jules Verne, H. G. Wells, Hugo Gernsback, John W. Campbell Jr., Edward E. "Doc" Smith, Robert A. Heinlein, James Blish, Gregory Benford, and Ian Watson. Complete with bibliography and index.

The new collection features 14 essays relevant to the Literary Decadence movement, including pieces on: Joris-Karl Huysmans, Charles-Augustin Sainte-Beuve, Aloysius Bertrand, Theophile Gautier, Victor Hugo, Honore de Balzac, Gustave Flaubert, Emile Zola, Edmond de Goncourt, and Anatole France. Complete with bibliography and index.

In the tradition of the old "Ace Doubles," two-in-one books (flip one over to read the second title)--here is the fourth Wildside Double. "Les Fleurs du Mal: A Tale of the Biotech Revolution," by Brian Stableford. In the year 2550, where premediated murder is supposedly impossible, a serial killer begins attacking very old men with specially bred plants that eat them from the inside out, creating the bizarre "flowers of evil" ("les fleurs du mal"). Biotech artist Oscar Wilde teams with UN detectives Charlotte Holmes and Hal Watson to unravel this futuristic nightmare. A Hugo Award finalist in the Novella category. "The Undead: A Tale of the Biotech Revolution," by Brian Stableford. In the world of the future, the latest rage is the creation of "Undead" personality simulations to place within the tombstones of the recently departed. But when a cluster of new monuments is vandalized, cemetery Chief Security Officer Tann Hicks must find the perpetrators and stop the crimes. Are the sims really dead? As the controversy over the Undead grows, with religious fanatics lining up against right-to-life advocates, Tann finds himself at the center of a growing political and media storm.

Cris's life falls apart after he and his girlfriend Claire are tattooed by artist Devon Curtin--who's murdered shortly after. Twenty years later, Curtin's fans, who believe his art was magical, are putting together an exhibit of his work, including the never-before-seen tattooes on Cris and Claire. Cris wants nothing to do with the show, but soon realizes that he and Claire might be in real danger. Because Devon Curtin's killer has never been caught...

Thirty-four review essays of science fiction, fantasy, and horror authors and musical groups, including works by the following: Poul Anderson, Kim Antieau, Jackie Askew, Ataraxia, Stephen Baxter, Gregory Benford, David Britton, Philip George Chadwick, Hal Clement, Kathryn Cramer, Avram Davidson, Grania Davis, Stephen Dedman, Marcus Donnelly, Greg Egan, Michael Flynn, Forkbeard Fantasy, Neil Gaiman, Glenn Grant, Charles L. Harness, David G. Hartwell, Alexander Jablokov, John Kessel, Sophia Kingshill, Nancy Kress, Manuela Dunn Mascetti, Paul McAuley, Tim Powers, Albert Robida, Mary Doria Russell, William Moy Russell, Sharon Shinn, Sopor Aeternus and the Ensemble of Shadows, Emile Souvestre, Michel de Spiegeleire, Allen Steele, Michael Swanwick, Judith Tarr, Thee Vampire Guild, Jeff VanderMeer, Freda Warrington, John D. Wilson, Terri Windling, and Ronald Wright.