Queen Victoria's reign coincided with the arrival of the mass media.

Queen Victoria, who also bore the title of Empress of India, had a real and abiding interest in the British Empire, but other European monarchs also ruled over possessions 'beyond the seas'. This collection of original essays explores the connections between monarchy and colonialism, from the old regime empires down to the Commonwealth of today. With case studies drawn from Britain, France, the Netherlands, Germany and Italy, the chapters analyse constitutional questions about the role of the crown in overseas empires, the pomp and pageantry of the monarchy as it transferred to the colonies, and the fate of indigenous sovereigns under European colonial control. The volume, with chapters on North America, Asia, Africa and Australasia, provides new perspectives on colonial history, the governance of empire, and the transnational history of monarchies in modern Europe.

This beautifully illustrated book celebrates the horse in Australia past and present. From Cobb & Co to Black Caviar, from the Walers of World War I to The Man from Snowy River, it showcases our best historical and contemporary images. The horse has been an integral part of Australian history since the First Fleet brought the first horse to our shores. From the resilient workhorses of colonial Australia and the determined stockhorses rounding up cattle, to the thoroughbreds that capture the country’s imagination at every Melbourne Cup, horses have contributed to many of the great human feats in our history. Here, alongside 180 stunning images, Nicolas Brasch shows why we love horses – and how they have been captured so strikingly by our photographers and artists.

Tracing the history of theatrical arts in 19th-century Australia, this book documents varieties of visual culture that until now have remained unrecorded or been dismissed as irrelevant to the history of Australian art.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This study examines the ritual space of nineteenth-century royal tours of empire and the diverse array of historical actors who participated in them. It suggests that the varied responses to the royal tours of the nineteenth century demonstrate how a multi-centred British imperial culture was forged in the empire and was constantly made and remade, appropriated and contested. In this context, subjects of empire provincialised the British Isles, centring the colonies in their political and cultural constructions of empire, Britishness, citizenship and loyalty.

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