Narrative Art and Poetry in the Books of Samuel is the vast undertaking to interpret all the material in Samuel. Everything that the text has to offer can only be understood and appreciated to the full, and its interpretation can only lay claim to full validity by means of an integral view. Therefore the author has developed a textual model which regards and covers the composition of the Samuel books as a hierarchy of twelve levels. The Hebrew text is the long section which inextricably interweaves the demise of king Saul and the rise of David into a subtle and complicated dialectic of election and rejection. The author’s model of the ‘semiotic scale’ enables him to chart the different levels of the textual hierarchy and exactly determine the weight and range of action of each formal fact within the whole.

Narrative Art and Poetry in the Books of Samuel is the vast undertaking to interpret all the material in Samuel. Everything that the text has to offer can only be understood and appreciated to the full, and its interpretation can only lay claim to full validity by means of an integral view. Therefore the author has developed a textual model which regards and covers the composition of the Samuel books as a hierarchy of twelve levels. This volume bridges the gap between volume I and II. Throne and City carries on the work according to the principles of a sound and independent narratology. It differentiates II Sam. 2-5:5 (Act IX) and 5:6-18 (Act X) as the two final phases of David's long march to pow

Preliminary Material /KING DAVID -- Preface /KING DAVID -- Introduction /KING DAVID -- INTERPRETATION OF ACT I (II SAM. 9-12) /KING DAVID -- The triangle: David - Ziba - Mephibosheth /KING DAVID -- II Sam. 10-11: War, sexuality, and violence (scenes 2-4) /KING DAVID -- II Sam. 12: Confrontation and repentance; mourning, harmony, and victory /KING DAVID -- INTERPRETATION OF ACT II (II SAM. 13-14) /KING DAVID -- II Sam. 13: “Chips off the old block” (scenes 8-9) /KING DAVID -- II Sam. 14: Interventions /KING DAVID -- INTERPRETATION OF ACT III (II SAM. 15-20) /KING DAVID -- II Sam. 15-16:14, Absalom rebels and David flees /KING DAVID -- Absalom and his two counsellors; David warned /KING DAVID -- The outcome on the battlefield, David informed /KING DAVID -- Joab intervenes and the people deliberate /KING DAVID -- On the way back: David's conversations at the Jordan /KING DAVID -- The schism between Israel and Judah /KING DAVID -- INTERPRETATION OF ACT IV (I KINGS 1-2) /KING DAVID -- David decides about the succession /KING DAVID -- David's testament and the posthumous execution(s) /KING DAVID -- Synthesis and conclusion /KING DAVID -- Epilogue: prospects /KING DAVID -- Titles and abbreviations /KING DAVID -- Index of biblical verses treated /KING DAVID -- Appendix I /KING DAVID -- Appendix II /KING DAVID.

The biblical story of King David and his conflict with King Saul (1 and 2 Samuel) is one of the most colorful and perennially popular in the Hebrew Bible. In recent years, this story has attracted a great deal of scholarly attention, much of it devoted to showing that David was a far less heroic character than appears on the surface. Indeed, more than one has painted David as a despicable tyrant. Paul Borgman provides a counter-reading to these studies, through an attentive reading of the narrative patterns of the text. He focuses on one of the key features of ancient Hebrew narrative poetics -- repeated patterns -- taking special note of even the small variations each time a pattern recurs. He argues that such "hearing cues" would have alerted an ancient audience to the answers to such questions as "Who is David?" and "What is so wrong with Saul?" The narrative insists on such questions, says Borgman, slowly disclosing answers through patterns of repeated scenarios and dominant motifs that yield, finally, the supreme work of storytelling in ancient literature. Borgman concludes with a comparison with Homer's storytelling technique, demontrating that the David story is indeed a masterpiece and David (as Baruch Halpern has said) "the first truly modern human."

This book offers a systematic and comprehensive review of the fundamental literary aspects of biblical narrative, investigating the characteristics and points of view of the narrator, the shaping of characters, the structure of the plot, time and space, and finally the style. Many examples are provided to clarify the issues discussed as well as to shed fresh light on the narratives.

"This new series is designed with the needs of introductory level students in mind. It will also appeal to general readers who want to be better informed about the latest advances in our understanding of the Bible and of the intellectual, political and religious world in which it was formed." "The authors in this series bring to light the methods and insights of a whole range of disciplines - including archaeology, history, literary criticism and the social sciences - while also introducing fresh insights and approaches arising from their own research."--BOOK JACKET.