Explores the cultural and social construction of trauma through case studies of historical and contemporary crises across the world.

Through case studies that examine historical and contemporary crises across the world, the contributing writers to this volume explore the cultural and social construction of trauma. How do some events get coded as traumatic and others which seem equally painful and dramatic not? Why do culpable groups often escape being categorised as perpetrators? These are just some of the important questions answered in this collection. Some of the cases analysed include Mao's China, the Holocaust, the Katyn Massacre and the Kosovo trauma. Expanding the pioneering cultural approach to trauma, this book will be of interest to scholars and postgraduate students of sociology.

Draws on current theories of trauma to examine the prehistory of those psychic and somatic responses to trauma now known as PTSD and their influence on Victorian fiction.

In the 1990's, South Africa surprised the world with a peaceful, negotiated transition from armed conflict to an inclusive democracy. This was followed by the ground-breaking Truth and Reconciliation Commission, established to confront and work through a troubled past. The search for truth and reconciliation in South Africa, however, is far from completed; the country is in many ways still burdened by unresolved individual and collective traumas. In this book, two academics from the University of Cape Town, one a psychologist and the other a literary scholar, explore the importance of narrative as a way of working through trauma. Although written from within a South African context, the work has a much wider relevance. It offers illuminating perspectives on the process of narrating our healing: the sharing of personal narratives, the appropriation of literary narratives, and above all, the re-creating of life narratives shattered by trauma. It is a book about the search for meaning when all meaning seems to have been lost; it deals with the overwhelming nature of traumatic suffering, yet offers some hope of healing.The book is remarkably overarching, tailored to the needs of scientists and practitioners in the fields of psychology, social work, education and literature. It offers a strong message to all individuals and nations who live in an atmosphere of blame, shame and hopelessness. - Yuval Wolf, Professor of Psychology and Dean of Social Sciences, Bar-Ilan University.Narrating Our Healing is a good book in the widest sense of that adjective: it is well constructed, meticulously researched, and likely to deepen understanding of the difficult but profoundly important subject of trauma and how to address it. It is something like a handbook for living with suffering – both one's own and that of others. To have constructed a text that can serve such a purpose is a profoundly admirable achievement. Annie Gagiano, LitNet.It is a timeous and exciting study that should be essential reading for anyone grappling with our present, our past and our future. - Andrè P Brink – South African and international authorThis is one of the best books I have ever read on healing deep wounds.- Vamÿk D. Volkan, M. D. Professor Emeritus of Psychiatry at the University of Virginia.We need to know the truth about what happened in South Africa during the Apartheid years. Van der Merwe and Gobodo-Madikizela have given us the tools to face that challenge. - Rolf Wolfswinkel, Professor of Modern History, New York University.

Deceptive Fictions: Narrating Trauma and Violence in Contemporary Writing explores the widespread narrative concern with trauma and violence, and their interactions with identity, meaning, ethics, history, memory and various other related issues in a selection of novels by prolific contemporary British and Irish writers. Interrogating the strategic functions of trauma and violence, the book argues that these texts can be read as counter-narratives to, or a backlash against, still-prevalent critical paradigms informed by poststructuralist and postmodern thought. Trauma and violence are invoked as narrative tools to communicate the centrality of the body and of biological and material constraints on human actions. This emphasis on reality and the experiential ties in with the novels’ consistent focus on the individual as an ethical agent and originator of meaning. In so doing, they signal a move in contemporary fiction towards a textual practice that can most fruitfully be approached along the lines of an individualistic, evolutionary, corporeal and experiential narratology, which self-consciously reflects on the manipulative potentials of narrative.

As a concept, 'trauma' has attracted a great deal of interest in literary studies. A key term in psychoanalytic approaches to literary study, trauma theory represents a critical approach that enables new modes of reading and of listening. It is a leading concept of our time, applicable to individuals, cultures, and nations. This book traces how trauma theory has come to constitute a discrete but influential approach within literary criticism in recent decades. It offers an overview of the genesis and growth of literary trauma theory, recording the evolution of the concept of trauma in relation to literary studies. In twenty-one essays, covering the origins, development, and applications of trauma in literary studies, Trauma and Literature addresses the relevance and impact this concept has in the field.

This book is a collection of essays offering an inside view into the inner analysis of traumatic literary studies wherein language is used as a medium of expression so as to interpret man, psyche and memory. By making literature the partner of a dialogue with psychology, in order to better comprehend the psyche, it serves to alter the way of understanding the literary phenomenon. Featuring relevant coverage on topics such as literary production, psychology in literature, identity, and traumatic studies, this book provides in-depth analysis that is suitable for academicians, students, professionals, and researchers interested in discovering more about the relationship between psychology and literature and their effects on thinking.