Documents the close connection between state-sponsored terrorism by largely Marxist governments and the international drug trade, and investigates the role of the Soviet Union in abetting the exportation of drugs and violence to the West.

Douglas is a major in the US Army assigned to the counter-drug office of the National Guard. He sets out his plan to conquer illegal drugs by educating Americans about the narco-terrorism they support. Annotation copyrighted by Book News, Inc., Portland, OR.

Volume 105: Narco-Terrorism explores the legal aspects of combatting narco-terrrorism, domestically in the U.S. and through international endeavors in Colombia and Afghanistan. This book serves as a one-volume guide to the relationship between the drug trade and terrorism. The volume's sections on Afghanistan and Colombia demonstrate the challenges faced by the international legal community in thwarting that relationship.

Revealing the astonishing story of how Afghanistan's booming opium trade is bankrolling Al Qaeda and the Taliban, "Seeds of Terror" follows the drugs from the fields of the small farmers to the clandestine deals of the weapons merchants.

Since the late 1990s, the United States has funneled billions of dollars in aid to Colombia, ostensibly to combat the illicit drug trade and State Department-designated terrorist groups. The result has been a spiral of violence that continues to take lives and destabilize Colombian society. This book asks an obvious question: are the official reasons given for the wars on drugs and terror in Colombia plausible, or are there other, deeper factors at work? Scholars Villar and Cottle suggest that the answers lie in a close examination of the cocaine trade, particularly its class dimensions. Their analysis reveals that this trade has fueled extensive economic growth and led to the development of a "narco-state" under the control of a "narco-bourgeoisie" which is not interested in eradicating cocaine but in gaining a monopoly over its production. The principal target of this effort is the Revolutionary Armed Forces of Colombia (FARC), who challenge that monopoly as well as the very existence of the Colombian state. Meanwhile, U.S. business interests likewise gain from the cocaine trade and seek to maintain a dominant, imperialist relationship with their most important client state in Latin America. Suffering the brutal consequences, as always, are the peasants and workers of Colombia. This revelatory book punctures the official propaganda and shows the class war underpinning the politics of the Colombian cocaine trade.

A highly decorated veteran DEA agent recounts his incredible undercover career and reveals the shocking links between narcotics trafficking and terrorism What exactly is undercover? From a law-enforcement perspective, undercover is the art of skillfully eliciting incriminating statements. From a personal and psychological standpoint, it’s the dark art of gaining trust—then manipulating that trust. In the simplest terms, it’s playing a chess game with the bad guy, getting him to make the moves you want him to make—but without him knowing you’re doing so. Edward Follis mastered the chess game—The Dark Art—over the course of his distinguished twenty-seven years with the Drug Enforcement Administration, where he bought eightballs of coke in a red Corvette, negotiated multimillion-dollar deals onboard private King Airs, and developed covert relationships with men who were not only international drug-traffickers but—in some cases—operatives for Al Qaeda, Hezbollah, Hamas, the Shan United Army, or the Mexican federation of cartels. Follis was, in fact, one of the driving forces behind the agency’s radical shift from a limited local focus to a global arena. In the early nineties, the DEA was primarily known for doing street-level busts evocative of Miami Vice. Today, it uses high-resolution-optics surveillance and classified cutting-edge technology to put the worst narco-terror kingpins on the business end of "stealth justice" delivered via Predator drone pilots. Spanning five continents and filled with harrowing stories about the world’s most ruthless drug lords and terrorist networks, Follis’s memoir reads like a thriller. Yet every word is true, and every story is documented. Follis earned a Medal of Valor for his work, and coauthor Douglas Century is a pro at shaping and telling just this kind of story. The first and only insider’s account of the confluence between narco-trafficking and terrorist organizations, The Dark Art is a page-turning memoir that will electrify you from page one.