"Nanna's button tin is very special. It has buttons of all shapes and sizes and they all have a different story to tell. But today, one button in particular is needed. A button for Teddy"--

A tiny dog, the runt of the litter, is born on a remote cattle station. She shouldn’t have survived, but when Elsie finds, names and loves her, the pup becomes a cherished companion. Life is perfect ... until War arrives. With Japanese air raids moving closer, Elsie’s family leaves the Pilbara for the south and safety. But the small dog has to stay behind. After travelling far from home with drovers and a flying doctor, she becomes a hospital dog and experiences the impact of war on north-western Australia. She witnesses wonderful and terrible things and gives courage to many different humans. But through all her adventures and many names, the little dog remembers Elsie, who girl who loved her best of all. Will she ever find her again? A Children's Book Council of Australia Notable Book, 2019

Nikolai Gogol’s novel Dead Souls and play The Government Inspector revolutionized Russian literature and continue to entertain generations of readers around the world. Yet Gogol’s peculiar genius comes through most powerfully in his short stories. By turns—or at once—funny, terrifying, and profound, the tales collected in The Nose and Other Stories are among the greatest achievements of world literature. These stories showcase Gogol’s vivid, haunting imagination: an encounter with evil in a darkened church, a downtrodden clerk who dreams only of a new overcoat, a nose that falls off a face and reappears around town on its own, outranking its former owner. Written between 1831 and 1842, they span the colorful setting of rural Ukraine to the unforgiving urban landscape of St. Petersburg to the ancient labyrinth of Rome. Yet they share Gogol’s characteristic obsessions—city crowds, bureaucratic hierarchy and irrationality, the devil in disguise—and a constant undercurrent of the absurd. Susanne Fusso’s translations pay careful attention to the strangeness and wonder of Gogol's style, preserving the inimitable humor and oddity of his language. The Nose and Other Stories reveals why Russian writers from Dostoevsky to Nabokov have returned to Gogol as the cornerstone of their unparalleled literary tradition.

Originally published: Canada: HarperCollins Publishers Ltd., 2016.

It's 1914. Fay can shoot a rabbit and make a mean nettle stew. She understands morse code and the semaphoric alphabet. She knows where the penguins nest and when the humpbacks migrate. But until she starts writing to a soldier named Charlie, she's never known friendship - and she's never had a friend to lose. This beautifully illustrated story for all ages combines the considerable talents of award-winning author, Dianne Wolfer, and first-time book illustrator, Brian Simmonds.

From fighting for the right to vote to nursing conscripted young men, Rose's life changes forever when World War I arrives in the peaceful English village of Harefield. With an influx of wounded Australian soldiers, the villagers rally around to provide care and comfort, despite suffering their own casualties and grieving for their own losses. Training to nurse Australian soldiers like Jim the Light Horse boy is hard work, but with it comes much for Rose to treasure—in the gaining of a vocation, in confidence won, and in finding new love in a new land.

Pussyhats, typically crafted with yarn, quite literally created a sea of pink the day after Donald J. Trump became the 45th president of the United States in January 2017, as the inaugural Women’s March unfolded throughout the U.S., and sister cities globally. But there was nothing new about women crafting as a means of dissent. Crafting Dissent: Handicraft as Protest from the American Revolution to the Pussyhats is the first book that demonstrates how craft, typically involving the manipulation of yarn, thread and fabric, has also been used as a subversive tool throughout history and up to the present day, to push back against government policy and social norms that crafters perceive to be harmful to them, their bodies, their families, their ideals relating to equality and human rights, and their aspirations. At the heart of the book is an exploration for how craft is used by makers to engage with the rhetoric and policy shaping their country’s public sphere. The book is divided into three sections: "Crafting Histories," Politics of Craft," and "Crafting Cultural Conversations." Three features make this a unique contribution to the field of craft activism and history: The inclusion of diverse contributors from a global perspective (including from England, Ireland, India, New Zealand, Australia) Essay formats including photo essays, personal essays and scholarly investigations The variety of professional backgrounds among the book’s contributors, including academics, museum curators, art therapists, small business owners, provocateurs, artists and makers. This book explains that while handicraft and craft-motivated activism may appear to be all the rage and “of the moment,” a long thread reveals its roots as far back as the founding of American Democracy, and at key turning points throughout the history of nations throughout the world.