During the First World War, a rich crop of legends sprouted from the battlefields and grew with such ferocity that many still excite controversy today. This book is the first to examine the roots of those stories and reveal the truth. Some myths remain well-known. Did an entire battalion of the Norfolk Regiment vanish without trace at Gallipoli in 1915? Did thousands of Russian troops actually pass through England with snow on their boots? In 1914, an acute spy mania gripped the British public, who imagined that the country was brimming with German spies. Xenophobia, denunciations and attacks on dachshunds were rampant. Amazingly, there was even talk of enemy aircraft dropping poisoned sweets to kill British children. Myths such as the Angel of Mons and the Comrade in White were more innocent creations. With no radio or television, rumours of disaster were rife, and the apparition of mystical guardian spirits gave hope to the civilian population at home. Other stories, such as the so-called Crucified Canadian, and the existence of a gruesome German corpse rendering factory, were more sinister. Yet in an age of new and startling technologies such as poison gas, submarine warfare and the tank, such tales appeared believable. Using a wide range of contemporary sources, James Hayward traces the story of each myth and examines the likely explanation. Supported by a selection of rare photographs and illustrations, the result is a refreshingly different perspective on the common 'mud and trenches' view of the First World War, shedding fascinating new light on many curious and unexplained wartime tales.

The Second World War gave rise to a rich crop of legends, many of which persist in the public consciousness today. Some are well known, such as the escape of an undead Hitler to South America, Allied aircraft buzzed by 'Foo Fighters' and UFOs, German parachutists dressed as nuns, and a failed German invasion of Suffolk in 1940. Others are more subtle, such as the vaunted Dunkirk spirit, which portrayed the disaster of 1940 as a victory, and the conspiracy theories surrounding Rudolf Hess. Did he fly to Scotland to negotiate a peace treaty with members of the Royal Family? Was the aged prisoner who died in Spandau Prison a double? From tales of betrayal at Dieppe and Arnhem to Hitler's obsession with the occult and Nazi U-boat bases in Ireland, James Hayward offers a refreshing and intriguing perspective on the myths, legends and folk memories of the Second World War.

Since its release in 2006, 'Finding the Lost Battalion' by Robert J. Laplander has become the benchmark work against which all things Lost Battalion related have been measured. Now, in this updated 3rd edition released to coincide with the centennial of America's entry into WW1, Mr. Laplander again takes us to the Charlevaux Ravine to delve deeper into the story than ever before! Meticulously chronicling what would become arguably the most famous event of America's part in the war, we find the truths behind the legend. Spanning twenty years of research and hundreds of sources (most never before seen), the reader is led through the Argonne Forest during September and October, 1918 virtually hour by hour. The result is the single most factual accounting of the Lost Battalion story and their leader, Charles W. Whittlesey, to date. Told in an entertaining, fast moving style, the book has become a favorite the world over! With new Forward by Major-General William Terpeluk, US Army (Ret).

“This English translation of the original Russian work is thought provoking, challenging the ‘official’ version of what happened” during World War II (Firetrench). The memory of the Second World War on the Eastern Front—still referred to in modern Russia as the Great Patriotic War—is an essential element of Russian identity and history, as alive today as it was in Stalin’s time. It is represented as a defining episode, a positive historical myth that sustains the Russian national idea and unites the majority of Russian citizens. As a result, as Boris Sokolov shows in this powerful and thought-provoking study, the heroic and tragic side of the war is highlighted while the dark side—the incompetent, negligent and even criminal way the war was run—is overlooked. Although almost eighty years have passed since the defeat of Nazi Germany, he demonstrates that many of the fabrications put forward during the war and immediately afterwards persist into the present day. In a sequence of incisive chapters he uncovers the truth about famous wartime episodes that have been consistently misrepresented. His bold reinterpretation should go some way towards dispelling the enduring myths about the Great Patriotic War. It is necessary reading for anyone who is keen to understand how it continues to be distorted in Russia today.

During the First World War, a rich crop of legends sprouted from the battlefields and grew with such ferocity that many still excite controversy today. This book is the first to examine the roots of those stories and reveal the truth. Some myths remain well-known. Did an entire battalion of the Norfolk Regiment vanish without trace at Gallipoli in 1915? Did thousands of Russian troops actually pass through England with snow on their boots? In 1914, an acute spy mania gripped the British public, who imagined that the country was brimming with German spies. Xenophobia, denunciations and attacks on dachshunds were rampant. Amazingly, there was even talk of enemy aircraft dropping poisoned sweets to kill British children. Myths such as the Angel of Mons and the Comrade in White were more innocent creations. With no radio or television, rumours of disaster were rife, and the apparition of mystical guardian spirits gave hope to the civilian population at home. Other stories, such as the so-called Crucified Canadian, and the existence of a gruesome German corpse rendering factory, were more sinister. Yet in an age of new and startling technologies such as poison gas, submarine warfare and the tank, such tales appeared believable. Using a wide range of contemporary sources, James Hayward traces the story of each myth and examines the likely explanation. Supported by a selection of rare photographs and illustrations, the result is a refreshingly different perspective on the common ‘mud and trenches’ view of the First World War, shedding fascinating new light on many curious and unexplained wartime tales.

One of fantasy’s finest next-generation storytellers continues to break new ground. Michael J. Sullivan’s trailblazing career began with the breakout success of his Riyria series: full-bodied, spellbinding fantasy adventures whose imaginative scope and sympathetic characters won a devoted readership and comparisons to fantasy masters Brandon Sanderson, Scott Lynch, and J.R.R. Tolkien himself. Now Age of Myth inaugurates an original five-book series. Since time immemorial, humans have worshipped the gods they call Fhrey, truly a race apart: invincible in battle, masters of magic, and seemingly immortal. But when a god falls to a human blade, the balance of power between humans and those they thought were gods changes forever. Now only a few stand between humankind and annihilation: Raithe, reluctant to embrace his destiny as the God Killer; Suri, a young seer burdened by signs of impending doom; and Persephone, who must overcome personal tragedy to lead her people. The Age of Myth is over. The time of rebellion has begun. Magic, fantasy, and mythology collide in Michael J. Sullivan’s Legends of the First Empire series: AGE OF MYTH • AGE OF SWORDS • AGE OF WAR

The Ancient Book of Myth and War presents to you a time capsule, a glimpse into a strange and wondrous world, where myths and legends still roam freely and wars rage in the hearts and minds of the noble and the feeble alike. Experiments in color, shape, line and composition enrich each and every page, accompanied by text that will enlighten the audience with atmospheric facts concerning origins, eras and even media used in the production of the art itself. The Ancient Book of Myth and War is a fine art hardcover collection of images produced by some of the most highly sophisticated animation designers in the industry.