Two powerful brothers, separated at birth, find each other after being tortured and turned into vampire killing machines by sinister forces for use as weapons of Dark Ages warfare. They were fierce when starved and then unleashed into battle and slaughtered an astonishing many. But while being immortal, they were not immune to manipulation, lies, betrayal, or their own growing desires for truth and morality in a brutal world. Upon further transformation into creatures even more powerful than all the vampire elders, they struggle in their quest to maintain peaceful lives across history, from Medieval times to Nazi Berlin and present day USA, searching for answers to existence. Neither one wanted to be monsters, but was there a way to use their powers for good?

The frontier and Western expansionism are so quintessentially a part of American history that the literature of the West and Southwest is in some senses the least regional and the most national literature of all. The frontier—the place where cultures meet and rewrite themselves upon each other’s texts—continues to energize writers whose fiction evokes, destroys, and rebuilds the myth in ways that attract popular audiences and critics alike. Sara L. Spurgeon focuses on three writers whose works not only exemplify the kind of engagement with the theme of the frontier that modern authors make, but also show the range of cultural voices that are present in Southwestern literature: Cormac McCarthy, Leslie Marmon Silko, and Ana Castillo. Her central purposes are to consider how the differing versions of the Western “mythic” tales are being recast in a globalized world and to examine the ways in which they challenge and accommodate increasingly fluid and even dangerous racial, cultural, and international borders. In Spurgeon’s analysis, the spaces in which the works of these three writers collide offer some sharply differentiated visions but also create new and unsuspected forms, providing the most startling insights. Sometimes beautiful, sometimes tragic, the new myths are the expressions of the larger culture from which they spring, both a projection onto a troubled and troubling past and an insistent, prophetic vision of a shared future.

Wren Kergatha defeats Hecate and reclaims her family only to face new challenges. The Kriar have infiltrated Starholme. Then her mentor in G'yaki combat, Vera, suffers a breakdown. As if that's not enough, her grandmother Idun the pantheon lady wants to start a god war. While Wren embraces her Aesir heritage, becoming a general like her mother and grandmother, she fights a ground war in the quest to locate Vera's G'yaki clan. Only then will decades-old wounds heal. Alas, being far stronger and accompanied by an army of allies doesn't stop Wren's enemies from causing trouble. The only way to set matters right with Vera, herself and her family is to battle dragons, gods, and even a rogue member of the firsts.

This compelling book argues that American patriotism is a civil religion of blood sacrifice, which periodically kills its children to keep the group together. The flag is the sacred object of this religion; its sacrificial imperative is a secret which the group keeps from itself to survive. Expanding Durkheim's theory of the totem taboo as the organizing principle of enduring groups, Carolyn Marvin uncovers the system of sacrifice and regeneration which constitutes American nationalism, shows why historical instances of these rituals succeed or fail in unifying the group, and explains how mass media are essential to the process. American culture is depicted as ritually structured by a fertile center and sacrificial borders of death. Violence plays a key part in its identity. In essence, nationalism is neither quaint historical residue nor atavistic extremism, but a living tradition which defines American life.

Scholars and students of modern literature; anyone with an interest in the work of Thomas Mann.

This fascinating book, translated from the French, explores the Yafar society, a forest people living by shifting cultivation, hunting and gathering. Based on fifteen years of research, it offers a detailed examination of all aspects of a society whose material and nutritional relations with their rainforest environment are mediated by a sociocultural system based on a carefully negotiated relationship with natural forces, and harmony between the sexes. The author shows how these basic ideas can be found in the ritualized and institutional aspects of the Yafar's social life, as well as their mythology. Rich in detail and insight, this book fully documents the Yafar's complex ritual involving a symbolic exchange with the spirit world, a secret cult, and curing rites presided over by hereditary religious officials. The author's analysis of Yafar ideologies reveals that sexual reproduction is the key to their society and the model for continuity and regeneration prescribed by nature.