Discusses ritual events we regard as family traditions and how they must be open to perpetual revision so we can satisfy our human needs and changing circumstances.

This seminal new study explores how and why historians and writers from the Middle Ages to the present day have constructed different accounts of this well-loved figure. N. J Higham offers an in-depth examintaion of the first two Arthurian texts: the History of the Britons and the Welsh Annals. He argues that historians have often been more influenced by what the idea of Arthur means in their present context than by such primary sources King Arthur: Myth-making and History illuminates and discusses some central points of debate: * What role was Arthur intended to perform in the political and cultural worlds that constructed him? * How did the idea of King Arthur evolve? * What did the myth of Arthur mean to both authors and their audiences? King Arthur: Myth-making and History is fascinating reading for anyone interested in the origins and evolution of the Arthurian legend.

For the first time ever, a portfolio of illustrated work from the award-winning artist, John Howe, which reveals the breathtaking vision of one of the foremost fantasy artists in the world. Myth and Magic is arranged into six sections, which looks at the books by J.R.R. Tolkien that have inspired John, as well as a fascinating tour through the paintings that he has produced for some of the finest fantasy authors working today. From the beloved painting of Smaug which decorates The Hobbit, his numerous and bestselling calendar illustrations, the world famous "Gandalf" picture, which is synonymous with the HarperCollins one-volume edition of The Lord of the Rings, this large-format hardback will delight fans of Tolkien, and anyone who has been captured by the imagination of the artist who so brilliantly brings to life the literary vision of J.R.R. Tolkien.

This vocabulary text helps beginning students gain knowledge of basic North American English vocabulary. This North American English edition of the popular English Vocabulary in Use series is appropriate for classroom use and for self-study reference and practice. An easy-to-use format presents a content or grammar-based area of vocabulary on the left-hand page and innovative practice activities on the right-hand page. Sixty units cover approximately 1,200 new vocabulary items. Firmly based on current vocabulary acquisition theory, Vocabulary in Use promotes good learning habits and teaches students how to discover rules for using vocabulary correctly. Both an intermediate and upper-intermediate level are also available. Each level offers an index with phonetic transcriptions and a complete answer key, as well as an edition without answers.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.

"Penetrating insight into the processes by which our collective historical memory is constructed. Through a range of case studies, the authors explore how and why certain landscapes and monuments are intentionally endowed with specific messages, why certain stories are obscured or forgotten, and how collective memories change over time." --James Delle, Franklin and Marshall College The authors in this collection show how the creation of a collective memory of highly visible objects and landscapes is an ongoing struggle, their meanings always being constructed, changed, and challenged. The sites and symbols the authors address are nationally recognized and include a balance of places that illuminate class, ethnic, racial, and historical experiences. Focusing on material culture, they explore the tensions that exist among various groups--elite landowners, the National Park Service, preservationists, minority groups--who compete for control over the interpretation of American public history. CONTENTS Foreword, by Edward T. Linenthal Introduction: The Making of the American Landscape, by Paul A. Shackel Part I: An Exclusionary Past, by Paul A. Shackel 1. Of Saints and Sinners: Mythic Landscapes of the Old and New South, by Audrey J. Horning 2. The Woman Movement: Memorial to Women's Rights Leaders and the Perceived Images of the Women's Movement, by Courtney Workman 3. The Third Battle of Manassas: Power, Identity, and the Forgotten African-American Past, by Erika K. Martin Seibert 4. Remembering a Japanese-American Concentration Camp at Manzanar National Historic Site, by Janice L. Dubel 5. Wounded Knee: The Conflict of Interpretation, by Gail Brown Part II: Commemoration and the Making of a Patriotic Past, by Paul A. Shackel 6. Freeze-Frame, September 17, 1862: A Preservation Battle at Antietam National Battlefield Park, by Martha Temkin 7. The Robert Gould Shaw Memorial: Redefining the Role of the Fifty-Fourth Massachusetts Volunteer Infantry, by Paul A. Shackel 8. Buried in the Rose Garden: Levels of Meaning at Arlington National Cemetery and the Robert E. Lee Memorial, by Laurie Burgess Part III: Nostalgia and the Legitimation of American Heritage, by Paul A. Shackel 9. Authenticity, Legitimation, and Twentieth-Century Tourism: The John D. Rockefeller, Jr., Carriage Roads, Acadia National Park, Maine, by Matthew M. Palus 10. The Birthplace of a Chief: Archaeology and Meaning at George Washington Birthplace National Monument, by Joy Beasley 11. Nostalgia and Tourism: Camden Yards in Baltimore, by Erin Donovan 12. Abraham Lincoln's Birthplace Cabin: The Making of an American Icon, by Dwight T. Pitcaithley Paul A. Shackel, associate professor of anthropology at the University of Maryland, is the author of Archaeology and Created Memory: Public History in a National Park; Culture Change and the New Technology: An Archaeology of the Early American Industrial Era; and Personal Discipline and Material Culture: An Archaeology of Annapolis, Maryland, 1695-1870.