Jordan Peterson rocketed to fame in the 2010s and has preached on everything from the evils of postmodern neo-Marxism to the mating habits of lobsters ever since then. The Left has since leveled many criticisms about the Canadian psychologist, characterizing him as everything from an apologist for the alt-right to simply not being interesting or profound. Myth and Mayhem: A Leftist Critique of Jordan Peterson is intended as a comprehensive critical look at all aspects of his thought, from the philosophical depths to the mundane heights. Written by four authors who each look at a different element of his thought, it shows why taking Peterson seriously doesn't mean embracing him. Includes an introduction by Slavoj Zizek

From MySpace.com to Nigerian e-mail scams, sixteen competitively selected essays inquire into the causes and consequences of the "tribes" that are facilitated by the Internet.

The book illustrates Oppenheim’s fascination with the West and Western themes and his approach to the myths of the west. Images fixed in popular culture as symbols of rugged individualism or stoic machismo are undermined by a satiric black humor.

Myths and Realities creates a comprehensive picture of human life and culture, while at the same time placing it within the larger cosmic context. In recent decades, all areas of human knowledge have expanded to an unprecedented degree, so the overall context of human existence is at last beginning to emerge. In order to present such a wide-ranging portrait, Myths and Realities looks at history and human nature from several different viewpoints, giving special attention to four major topics: culture, science, religion and war. Science is a major contributor because it is the most reliable means of acquiring knowledge. Religion is part of the wider subject of beliefs in general, and these have been given particular consideration because any kind of ideology or belief tends to distort the worldview. War has been mankind's constant companion, but without its underlying mythology, it would lose all glory and romance. It would just be senseless savagery. Although man has many distinctive qualities, one of his most remarkable characteristics is his capacity to believe in all kinds of nonsensical notions. In fact, "the human animal will believe practically anything-so long as it makes absolutely no sense at all."

Pervasive and multidisciplinary, this insightful exploration discusses how and why this seminal work developed, and continues to grow, such a cult following. When Fight Club punched its way onto the scene a decade ago, it provided an unprecedented glimpse into the American male's psyche and rapidly turned into a euphemism for a variety of things that should be "just understood" and not otherwise acknowledged. Key to its success is the variety of lenses through which the story can be interpreted; is it a story of male anxiety in a metrosexual world, of ritual religion in a secular age, of escape from totalitarian capitalism, or the spiritual malaise induced by technologically-oriented society? Writers, conspiracy theorists, and philosophers are among those ready to talk about Fight Club's ability to be all these and more.

Become familiar with the myths and their background. Become swallowed up by the sandy Egyptian empire of old. In this book, you’ll learn about things like: The golden lotus. The Greek princess. The stories around the Sphinx. Gods like Osiris, Isis, and Horus, and their role in mythology. What women did in ancient Egyptian culture. How Egyptians handled medicinal needs. Mummification and its deeper meaning and rituals. The importance of Shabti dolls in religious worship. What Heka did and why. The role of Cleopatra VII, the famous Egyptian ruler. What happened to Queen Hatshepsut. And much more. Learn more now by adding this guide to your library.

It is common to hear heavy metal music fans and musicians talk about the “metal community”. This concept, which is widely used when referencing this musical genre, encompasses multiple complex aspects that are seldom addressed in traditional academic endeavors including shared aesthetics, musical practices, geographies, and narratives. The idea of a “metal community” recognizes that fans and musicians frequently identify as part of a collective group, larger than any particular individual. Still, when examined in detail, the idea raises more questions than answers. What criteria are used to define groups of people as part of the community? How are metal communities formed and maintained through time? How do metal communities interact with local cultures throughout the world? How will metal communities change over the lifespan of their members? Are metal communities even possible in light of the importance placed on individualism in this musical genre? These are just some of the questions that arise when the concept of “community” is used in relation to heavy metal music. And yet in the face of all these complexities, heavy metal fans continue to think of themselves as a unified collective entity. This book addresses this notion of “metal community” via the experiences of authors and fans through theoretical reflections and empirical research. Their contributions focus on how metal communities are conceptualized, created, shaped, maintained, interact with their context, and address internal tensions. The book provides scholars, and other interested in the field of metal music studies, with a state of the art reflection on how metal communities are constituted, while also addressing their limits and future challenges.