This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole. Published on Christmas Eve, 1764, on Walpole’s private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole’s brooding and intense drama, The Mysterious Mother, focuses on the protagonist’s angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature’s first evil monk. Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto.

The first book-length study of Horace Walpole's scandalous The Mysterious Mother, including critical essays, an abridged script, and a facsimile edition Horace Walpole's five-act tragedy The Mysterious Mother (1768), a sensational tale of incest and intrigue, was initially circulated only among the author's friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical. He described his play as a "delicious entertainment for the closet" and claimed that he "did not think it would do for the stage." Yet the essays in this volume trace a history of private readings, amateur theatricals, and even early public performances, demonstrating that the play was read and performed more than Walpole's protests suggest. Exploring a wide variety of topics--including the play's crypto-Catholicism, its treatments of incest, guilt, motherhood, orphans, and scientific spectacle, and the complex relations between print and performance--the essays demonstrate the rich relevance of The Mysterious Mother to current critical discussions. The volume includes the proceedings of a mini-conference hosted at Yale University in 2018 on the occasion of a staged reading of the play. Also included are the director's reflections, an abridged script, a facsimile of Walpole's own copy of the full-length play, and reproductions of the illustrations he commissioned from Lady Diana Beauclerk.

An unsent letter in a first edition copy of Charlotte’s Web leads to a hunt for treasure in this heartwarming middle grade mystery from the author of The Mother-Daughter Book Club. Now that Truly Lovejoy’s father has been injured by an IED in Afghanistan and is having trouble finding work back home, the family moves from Texas to tiny Pumpkin Falls, New Hampshire, to take over Lovejoy’s Books, a struggling bookstore that’s been in the family for one hundred years. With two older brothers and two younger sisters clamoring for attention, her mother back in school, and everyone up to their eyebrows trying to keep Lovejoy’s Books afloat, Truly feels more overlooked than usual. So she pours herself into uncovering the mystery of an undelivered letter she finds stuck in a valuable autographed first edition of Charlotte’s Web, which subsequently goes missing from the bookshop. What’s inside the envelope leads Truly and her new Pumpkin Falls friends on a madcap treasure hunt around town, chasing clues that could spell danger. Fans of Heather Vogel Frederick’s Mother-Daughter Book Club series “will rejoice for a new series with a similarly cozy New England setting, great characters, and literary references to beloved classics” (School Library Journal).

White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.