Lured to their sick Uncle Silas's home under the pretense of becoming heirs to his vast fortune, cousins Adele, Isabella, and Milo soon learn that the old man has a diabolical plan to prevent his own death.

Meet Oswald Hendryks Cornelius, Roald Dahl's most disgraceful and extraordinary character . . . Aside from being thoroughly debauched, strikingly attractive and astonishingly wealthy, Uncle Oswald was the greatest bounder, bon vivant and fornicator of all time. In this instalment of his scorchingly frank memoirs he tells of his early career and erotic education at the hands of a number of enthusiastic teachers, of discovering the invigorating properties of the Sudanese Blister Beetle, and of the gorgeous Yasmin Howcomely, his electrifying partner in a most unusual series of thefts . . . 'Raunchy and cheeky entertainment' Sunday Express 'Immense fun' Daily Telegraph Roald Dahl, the brilliant and worldwide acclaimed author of Charlie and the Chocolate Factory, James and the Giant Peach, Matilda, and many more classics for children, also wrote scores of short stories for adults. These delightfully disturbing tales have often been filmed and were most recently the inspiration for the West End play, Roald Dahl's Twisted Tales by Jeremy Dyson. Roald Dahl's stories continue to make readers shiver today.

It takes a graveyard to raise a child. Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod's family.

On a bone-chilling New Year's Day, when all the mountain roads are slick with ice, Clay's mother, Anneth, insists on leaving her husband. She packs her things, and with three-year-old Clay in tow, they inch their way toward her hometown along the treacherous mountain roads. That journey ends in the death of Clay's mother. It's a day that comes to haunt her only son, who's left without a family and a history. This is the story of how Clay Sizemore, a coal miner in love with his town but unsure of his place within it, finds a family to call his own. And it's the story of the people who become part of the life he shapes: Aunt Easter, always filled with a sense of foreboding and bound to her faith above all; Uncle Paul, quietly producing quilt after quilt; Dreama, beautiful and flighty; Evangeline, the untameable daughter of a famous gospel singer; and Alma, the fiddler whose song wends its way into Clay's heart. Together, they all help Clay to fashion a quilt of a life from what treasured pieces are around him. Authentic and moving, Clay's Quilt is both the story of a young man's journey and of Appalachian people struggling to hold on to their heritage.

Author and psychologist Dr. Damon A. Silas describes his own, incredible journey of powerfully overcoming loss and grief within his life. Elegantly, and with skillful humor, he guides the reader through the lessons drawn from the tragedies and challenges he has experienced. His poignant style, cleverly interwoven with lightheartedness, draws the reader into a journey that shows remarkable resilience. In addition, he provides useful resources to support readers working through their own losses, grief and trauma. The reader easily believes these losses could at any stage relate to their own life, thus transcending the labels we tend to place on each other. Through every loss is a journey of many steps. Delve into this book to experience the path of evolving from the darkness into the light.

When fourteen-year-old Will Barnett meets his Uncle Sean, whom he has not seen since he was six years old, Will is instantly captivated by his uncle's beauty and begins at that moment to fall in love. That such love is dangerous and forbidden, young Will is only vaguely aware. While trying to understand what his feelings mean, he is driven to write about his Uncle Sean and begins with these words: "Uncle Sean sure is pretty, but there's something wrong with him, anyway." "Donaghe's magic in crafting this tale was writing Will's journal in the voice of a fourteen-year-old The book is so realistic that one wonders what has become of Sean and Will since the box containing Will's journal was stowed away in the barn thirty years ago The novel is a natural for high school and publics libraries." -John R. Selig, Foreword Magazine