Are you (or a woman you love) being cheated out of 33 percent of your earnings? If you're a woman, over your working lifetime you will lose between $700,000 and $2 million -- simply because of your sex. Is that fair? No. Can it be stopped? Absolutely. The wage gap is a steady drain on the daily lives of women and our families. Rarely do we step back and add up what's missing -- better medical treatment, child care, housing, food, or retirement savings that women could have afforded if they were paid as well as men. Getting Even exposes the discrepancy between what women and men make -- and how it affects us all. It reveals that the wage gap is not going away on its own. And it explains how to close the wage gap -- and, finally, get women even. In this intelligently argued and startling book, Evelyn Murphy, Ph.D., humanizes the numbers through real-life stories and a wealth of data that has never before been examined. She shows how the wage gap pinches the daily lives of families throughout the country, at every economic level and in every industry. And she explains why, even though women have more opportunities than their mothers did, the wage gap persists: The American workplace still harbors an astonishing amount of discrimination, including blatant as well as complex hidden barriers, unspoken assumptions, unexamined attitudes, and habitual ways of behaving. But Murphy also brings good news: The wage gap can be closed. Having served as an economist, politician, public official, and corporate officer, she has a 360-degree view of the problem -- and of the solution. In a book that will explode into public debate, Murphy issues the indictment, rouses us to action -- and tells us exactly how to get even.

This ambitious book explores the relationship between time and history and shows how an appreciation of long-term time helps to make sense of the past. For the historian, time is not an unproblematic given but, as for the physicist or the philosopher, a means to understanding the changing patterns of life on earth. The book is devoted to a wide-ranging analysis of the way different societies have conceived and interpreted time, and it develops a theory of threefold roles of continuity, gradual change, and revolution that together form a 'braided' history. Linking the interpretative chapters are intriguing brief expositions on time travel, time cycles, time lines and time pieces, showing readers the different ways in which human history has been located in time. In its global approach the book is part of the new shift towards 'big history', in which traditional period divisions are challenged in favour of looking again at the entire past of the world from start to end. The approach is thematic. The result is a view of world history in which outcomes are shown to be explicable, once they happen, but not necessarily predictable before they do. This book will inform the work of historians of all periods and at all levels, and contributes to the current reconsideration of traditional period divisions (such as Modernity and Postmodernity), which the author finds outmoded.

Investigates the transformative period in the history of the Jews of Libya (1938-52). This book reveals the capacity of Libyan Jewry to adapt to and integrate into environments without losing its historical traditions.

After Caravaggio -- Elegies. Room 406; Mama's shroud; Four elegies; two elegies; A letter ot John Berger; A quartet for Edward Said -- Shadows. Gossamer world : on Santu Mofokeng; An incantation for Marie Cosindas; Pictures in the aftermath; Shattered glass; What does it mean to look at this?; A crime scene at the border; Shadow cabinet : on Kerry James Marshall; Nighted color : on Lorna Simpson; The blackness of the panther; Restoring the darkness -- Coming to our senses. Experience; Epiphany; Ethics -- In a dark time. A time for refusal; Resist, refuse; Through the door; Passages north; On carrying and being carried -- Epilogue. Black paper.

""Blue in Green"is a book that is equal parts subtle intelligence and generosity of heart. In it, Chiyuma Elliott creates a unique voice that returns again and again to the question of what we expect from one another, and how that question is transformed instead into a question of what we owe each other. This notion of reversal plays out in the construction of the poems where, unlike so many of her contemporaries who come to poetry through prose techniques, Elliott's voice emerges through a complex shifting of phrase and syntax between lines or in mid-phrase. We don't, for example, get a straight-forward story of what caused the trauma of, say, cancer or abuse; rather, we hear impressions, half-formed ideas that rise and fall in the speaker's voice as it moves through the nature of the trauma, and experience the effects of the disorder that is the center of our everyday relationships through speech. Put another way: when a crisis overshadows the ordinary, disrupting the collective labor that we pursue together in love, friendship, and work, the hardship itself, in a kind of role-reversal, becomes a collaborator, necessitating new conceptions of relationships and proposing new modes of engagement, different rules of exchange. The book's forms also reflect this transformed idea of reciprocity: ekphrastic poems, normally reserved for visual artworks, instead describe modern jazz songs (including the title poem); letters and letter fragments are written to no one in particular, to the planet, to the universe; and highly allusive free verse poems defy convention with troubled, wildly variable line lengths. The phrase "When I was a wave" recurs throughout the book in unpredictable places, sometimes as a title, sometimes in the middle of a poem, each time telling a different story about expectation, intimacy, and the risk inherent in any relationship. "Blue in Green" is a graceful, tough-minded, beautifully crafted collection, full of wit and elegance"--