Poems by and biographies of inmates of the Dachau Concentration Camp, testimonies to the persistence of the humanity and creativity of the individual in the face of extreme suffering.

Marcus Smith was the sole medical officer attached to a small displaced person (DP) team that was sent to the Dachau concentration camp the day after it was liberated by Allied troops and several days before the shocking conditions of the camp were publicized throughout the world. Several years after his experience at Dachau, believing that we must never forget what happened, Smith unearthed his notes and the daily letters he wrote to his wife and used them as source materials for Dachau: The Harrowing of Hell. From the perspective of a young physician, Smith describes his experiences, shedding light on the immense difficulties and complexities of the large-scale tasks the small DP team completed, against great odds, to combat epidemic diseases and starvation and repatriate the former prisoners. Smith also describes some of the people the team tried to help—men, women, and children from all walks of life, of many nationalities and religions. Smith tells his moving story objectively, with simplicity and grace. While this book is the story of man's inhumanity to man, it is more than an account of Nazi persecution. It is about how Smith, whose previous experience had not prepared him for the immense horror of what he encountered at Dachau, quickly became a public health expert; how a small team improvised relief and combated a typhus epidemic; and how the soldiers of different countries had to get along with each other while dealing with the prejudices of some of the displaced people they were trying to help. Dachau contains six drawings by noted European artist Zoran Music, who was arrested by the Gestapo in Venice in 1944 and incarcerated at Dachau. The drawings were given to Smith when he left Dachau.

Filming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. Using research carried out at the Museum of Jewish Heritage, the US National Archives and the film collection at the National Center for Jewish Film at Brandeis University, this book explores the rationale for filming the atrocities and their use in the subsequent trials of Nazi officials in greater detail than anything previously published. Including an extensive bibliography and filmography, Filming the End of the Holocaust is an important text for scholars and students of the Holocaust and its aftermath.

" Holocaust survivor Harry Gordon recalls in brutal detail the anguished years of his youth, a youth spent struggling to survive in a Lithuanian concentration camp. A memoir about hope and resilience, The Shadow of Death describes the invasion of Kovno by the Red Army and the impact of Soviet occupation from the perspective of the ghetto's weakest and poorest class. It also serves as a reminder that the Germans were not alone responsible for the persecution and extermination of Jews.

1943: Polish underground fighter John Wiernicki is captured and beaten by the Gestapo, then shipped to Auschwitz. In this chilling memoir, Wiernicki, a Gentile, details "life" in the infamous death camp, and his battle to survive, physically and morally, in the face of utter evil. The author begins by remembering his aristocratic youth, an idyllic time shattered by German invasion. The ensuing dark days of occupation would fire the adolescent Wiernicki with a burning desire to serve Poland, a cause that led him to valiant action and eventual arrest. As a young non-Jew, Wiernicki was acutely sensitive to the depravity and injustice that engulfed him at Auschwitz. He bears witness to the harrowing selection and extermination of Jews doomed by birth to the gas chambers, to savage camp policies, brutal SS doctors, and rampant corruption with the system. He notes the difference in treatment between Jews and non-Jews. And he relives fearful unexpected encounters with two notorious "Angels of Death": Josef Mengele and Heinz Thilo. War in the Shadow of Auschwitz is an important historical and personal document. Its vivid portrait of prewar and wartime Poland, and of German concentration camps, provides a significant addition to the growing body of testimony by gentile survivors and a heartfelt contribution to fostering comprehension and understanding.

Members of the Rainbow Division, 42nd Infantry discuss what it was like to participate in the liberation of the Dachau concentration camp in April of 1945.