The award-winning author of The Peabody Sisters takes a fresh look at the trailblazing life of a great American heroine Thoreau s first editor, Emerson s close friend, the first female war correspondent, and a passionate advocate of personal liberation and political freedom. "Megan Marshall's brilliant Margaret Fuller brings us as close as we are ever likely to get to this astonishing creature. She rushes out at us from her nineteenth century, always several steps ahead, inspiring, heartbreaking, magnificent." Rebecca Newberger Goldstein, author of Betraying Spinoza: The Renegade Jew Who Gave Us Modernity "Megan Marshall gives new meaning to close reading from words on a page she conjures a fantastically rich inner life, a meld of body, mind, and soul. Drawing on the letters and diaries of Margaret Fuller and her circle, she has brought us a brave, visionary, sensual, tough-minded intellectual, a first woman who was unique yet stood for all women. A masterful achievement by a great American writer and scholar. Evan Thomas, author of Ike s Bluff: President Eisenhower s Secret Battle to Save the World "Megan Marshall s Margaret Fuller: A New American Life is the best single volume ever written on Fuller. Carefully researched and beautifully composed, the book brings Fuller back to life in all her intellectual vivacity and emotional intensity. Marshall s Fuller overwhelms the reader, just as Fuller herself overwhelmed everyone she met. A masterpiece of empathetic biography, this is the book Fuller herself would have wanted. You will not be able to put it down." Robert D. Richardson, author of Emerson: The Mind on Fire Praise for The Peabody Sisters: Three Women Who Ignited American Romanticism A stunning work of biography and intellectual history. Deftly weaving material from the letters and journals of all three sisters, Ms. Marshall . . . performs the intellectual equivalent of a triple axel. William Grimes, New York Times This beautifully written book is at once an intimate portrait of three remarkable sisters and a study of women s place in the vibrant intellectual and literary culture of nineteenth-century New England. The product of twenty years of research, Megan Marshall s tour de force is impossible to put down. Drew Gilpin Faust, author of The Republic of Suffering "

How Lauren Boebert, the gun-toting Congresswoman from Rifle, Colorado, joined the fight to make sure we never live in a socialist country. Lauren Boebert is the Republican, gun-toting Congresswoman from Rifle, Colorado who overcame difficult life circumstances to be a leading voice for personal freedom and our 2nd Amendment rights. Raised on welfare in a Democrat household, young Lauren learned from her first job at McDonald’s that she could provide for herself better than the government ever could. She gained national attention after wearing a Glock on her hip and telling Democrat presidential candidate Beto O’Rourke, “Hell no, you aren’t taking our guns.” A self-taught conservative and small business owner, Lauren Boebert’s My American Life describes in vivid detail why Lauren dropped out of high school, the success of Shooters Grill (where her restaurant staff open-carries live firearms), and how she came to be a United States Congresswoman making sure her four boys never grow up in a socialist country. Lauren Boebert is a true believer in the opportunity of an America based on the beliefs in God, family, and country, where a one-hundred-pound, five-foot-nothing mom who had never been elected to public office suddenly had the opportunity, in Congress, to stand up for our core conservative beliefs and call Nancy Pelosi, AOC, and the rest of the crazy liberals out on all their bullcrap.

Ronald Reagan’s autobiography is a work of major historical importance. Here, in his own words, is the story of his life—public and private—told in a book both frank and compellingly readable. Few presidents have accomplished more, or been so effective in changing the direction of government in ways that are both fundamental and lasting, than Ronald Reagan. Certainly no president has more dramatically raised the American spirit, or done so much to restore national strength and self-confidence. Here, then, is a truly American success story—a great and inspiring one. From modest beginnings as the son of a shoe salesman in Tampico, Illinois, Ronald Reagan achieved first a distinguished career in Hollywood and then, as governor of California and as president of the most powerful nation in the world, a career of public service unique in our history. Ronald Reagan’s account of that rise is told here with all the uncompromising candor, modesty, and wit that made him perhaps the most able communicator ever to occupy the White House, and also with the sense of drama of a gifted natural storyteller. He tells us, with warmth and pride, of his early years and of the elements that made him, in later life, a leader of such stubborn integrity, courage, and clear-minded optimism. Reading the account of this childhood, we understand how his parents, struggling to make ends meet despite family problems and the rigors of the Depression, shaped his belief in the virtues of American life—the need to help others, the desire to get ahead and to get things done, the deep trust in the basic goodness, values, and sense of justice of the American people—virtues that few presidents have expressed more eloquently than Ronald Reagan. With absolute authority and a keen eye for the details and the anecdotes that humanize history, Ronald Reagan takes the reader behind the scenes of his extraordinary career, from his first political experiences as president of the Screen Actors Guild (including his first meeting with a beautiful young actress who was later to become Nancy Reagan) to such high points of his presidency as the November 1985 Geneva meeting with Mikhail Gorbachev, during which Reagan invited the Soviet leader outside for a breath of fresh air and then took him off for a walk and a man-to-man chat, without aides, that set the course for arms reduction and charted the end of the Cold War. Here he reveals what went on behind his decision to enter politics and run for the governorship of California, the speech nominating Barry Goldwater that first made Reagan a national political figure, his race for the presidency, his relations with the members of his own cabinet, and his frustrations with Congress. He gives us the details of the great themes and dramatic crises of his eight years in office, from Lebanon to Grenada, from the struggle to achieve arms control to tax reform, from Iran-Contra to the visits abroad that did so much to reestablish the United States in the eyes of the world as a friendly and peaceful power. His narrative is full of insights, from the unseen dangers of Gorbachev’s first visit to the United States to Reagan’s own personal correspondence with major foreign leaders, as well as his innermost feelings about life in the White House, the assassination attempt, his family—and the enduring love between himself and Mrs. Reagan. An American Life is a warm, richly detailed, and deeply human book, a brilliant self-portrait, a significant work of history.

An important, electrifying memoir of race and rage, rebellion, and redemption, from one of the most preeminent minds in American psychiatry. Medical professional, corporate consultant, freedom fighter, family man—Dr. Cobbs is diversity defined. A black pioneer in the field of psychiatry who came of age in the Civil Rights era, Dr. Cobbs has devoted his life to the study of race and gender. With My American Life, his first memoir, Dr. Cobbs picks up where the bestseller Black Rage left off by presenting a poignant account of his own journey toward Entitlement—the essential vision of the American dream. "In my lifetime," he writes, "I've seen African Americans struggle beyond the legacy of slavery and rage to take their place as equal citizens entitled to the same opportunities and responsibilities as everyone else." This fundamental legitimacy of laying claim to one's needs is at the heart of My American Life. More than just a memoir, it is an engaging chronicle of the black experience and a guidebook for self-empowerment.

This “harrowing, heartbreaking story” (Kirkus Reviews) depicts the epic journey of a young Guatemalan American college student, a “dreamer,” who gets deported and decides to make his way back home to California. One day, Emilio learns the shocking secret: he is undocumented. His parents, who emigrated from Guatemala to California, had never told him. Emilio slowly adjusts to his new normal. All is going well, he’s in his second year at UC Berkeley...then he gets into a car accident, and—without a driver’s license or any ID—the policeman on the scene reports him to Immigration and Customs Enforcement (ICE). Once deported to Guatemala, Emilio is determined to get back to California, the only home he has ever known. It is an epic journey that takes him across thousands of miles and eventually the Sonoran Desert of the United States-Mexico border, meeting thieves and corrupt law enforcement but also kind strangers and new friends. Inspired in part by interviews with Central American refugees, and told in lyrical prose, Micheline Aharonian Marcom weaves a “powerful, heartbreaking” (Publishers Weekly) tale of adventure. In The New American, Marcom “depicts inhumanity with visceral force, but her bracing empathy (and hope) shines above all” (Entertainment Weekly). This is a compassionate story of one young man who risks so much to return home.

Act One is the autobiography of Moss Hart, an American playwright and theatre director. Born into impoverished circumstances—his father was often unemployed—Hart left school at age twelve for a series of odd jobs that included being an entertainment director at a Catskills summer resort. Hart’s big break came in 1930 with the Broadway hit Once in a Lifetime, written with George Kaufman. The two would collaborate again on You Can’t Take It With You (1936) and The Man Who Came To Dinner (1939). You Can’t Take It With You won the Pulitzer Prize for drama in 1937, and the 1938 film version, directed by Frank Capra, won Oscars for both Best Picture and Best Director. Act One was adapted for a 1963 film starring George Hamilton, and for a 2014 stage production starring Tony Shalhoub and Andrea Martin. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.

The story of men who are hurting—and hurting America by their absence Man Out describes the millions of men on the sidelines of life in the United States. Many of them have been pushed out of the mainstream because of an economy and society where the odds are stacked against them; others have chosen to be on the outskirts of twenty-first-century America. These men are disconnected from work, personal relationships, family and children, and civic and community life. They may be angry at government, employers, women, and "the system" in general—and millions of them have done time in prison and have cast aside many social norms. Sadly, too many of these men are unsure what it means to be a man in contemporary society. Wives or partners reject them; children are estranged from them; and family, friends, and neighbors are embarrassed by them. Many have disappeared into a netherworld of drugs, alcohol, poor health, loneliness, misogyny, economic insecurity, online gaming, pornography, other off-the-grid corners of the internet, and a fantasy world of starting their own business or even writing the Great American novel. Most of the men described in this book are poorly educated, with low incomes and often with very few prospects for rewarding employment. They are also disproportionately found among millennials, those over 50, and African American men. Increasingly, however, these lost men are discovered even in tony suburbs and throughout the nation. It is a myth that men on the outer corners of society are only lower-middle-class white men dislocated by technology and globalization. Unlike those who primarily blame an unjust economy, government policies, or a culture sanctioning "laziness," Man Out explores the complex interplay between economics and culture. It rejects the politically charged dichotomy of seeing such men as either victims or culprits. These men are hurting, and in turn they are hurting families and hurting America. It is essential to address their problems. Man Out draws on a wide range of data and existing research as well as interviews with several hundred men, women, and a wide variety of economists and other social scientists, social service providers and physicians, and with employers, through a national online survey and in-depth fieldwork in several communities.