This expanded new edition of Edith Clarke's groundbreaking work, My Mother Who Fathered Me includes material taken from her personal collection in the Jamaican archives, published reviews of the earlier edition and a foreword by Rex Nettleford.

The fairy tale lives again in this book of forty new stories by some of the biggest names in contemporary fiction, science fiction, fantasy, and magical realism. Neil Gaiman, “Orange” Aimee Bender, “The Color Master” Joyce Carol Oates, “Blue-bearded Lover” Michael Cunningham, “The Wild Swans” These and more than thirty other stories by Francine Prose, Kelly Link, Jim Shepard, Lydia Millet, and many other extraordinary writers make up this thrilling celebration of fairy tales—the ultimate literary costume party. Spinning houses and talking birds. Whispered secrets and borrowed hope. Here are new stories sewn from old skins, gathered by visionary editor Kate Bernheimer and inspired by everything from Hans Christian Andersen’s “The Snow Queen” and “The Little Match Girl” to Charles Perrault’s “Bluebeard” and “Cinderella” to the Brothers Grimm’s “Hansel and Gretel” and “Rumpelstiltskin” to fairy tales by Goethe and Calvino and from China, Japan, Vietnam, Russia, Norway, and Mexico. Fairy tales are our oldest literary tradition, and yet they chart the imaginative frontiers of the twenty-first century as powerfully as they evoke our earliest encounters with literature. This exhilarating collection restores their place in the literary canon.

Winner of the PEN/Voelcker career achievement award in poetry Misgivings is C. K. William's searing recollection of his family's extreme dynamics and of his parents' deaths after years of struggle, bitterness, inner conflict, and, finally, love. Like Kafka's self-revealing Letter to His Father, Misgivings is a full of doubt, both philosophical and personal, but as a work of art it is sure and true. Williams's father was an "ordinary businessman"--angry, demanding, addicted to the tension he created with the people he loved; a man who could recite the Greek myths to his son yet vowed never to apologize to anybody. Wiiiams's mother was a housewife, a woman with a great capacity for pleasure, who was stoical about the family's dire early poverty yet remained affected by it even when they became well-off. Together, these two formed what Williams calls the "conspiracy that made me who I am." His account of their life together and of their deaths--his father's in a final abandonment of the will to live, his mother's with calm resignation--is a literary form of the reconciliation the family achieved at the end of his parents' lives, composed as a series of short takes, a double helix of experience and recollection.

Acclaimed 60 Minutes commentator and true-crime author Shana Alexander turns her journalist’s eye to her own unconventional family—and herself—in this fascinating, moving memoir Shana Alexander spent most of her life trying to figure out her enigmatic parents. Milton Ager was a famous songwriter whose creations included “Ain’t She Sweet” and “Happy Days Are Here Again.” Cecelia Ager was a film critic and Variety columnist. They were a glamorous Jazz Age couple that moved in charmed circles with George and Ira Gershwin, Dorothy Parker, and Jerome Kern. They remained together for fifty-seven years, and yet they lived separate lives. This wise, witty, unflinchingly candid memoir is also a revealing account of Alexander’s own life, from her successful career as a writer and national-news commentator to her troubled marriages and emotionally wrenching love affairs. She shares insights about growing up with a cold, hypercritical mother, her relationship with her younger sister, the suicide of her adopted daughter, and her reconciliation with her parents after a twenty-year estrangement. “I had to do a lot of detective work to uncover the truth about my parents’ lives,” Alexander said. “I knew almost nothing about them as people. But by the end they really did become my best friends.”

Some of Australia's best known writers share their wise and searingly honest experiences of losing a parent.

The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem