What happens when an ordinary man becomes a messiah? A witty, prescient and eloquent satire by one of New Zealand’s finest writers. Far into the twenty-first century, Albous Slaven's life is spectacularly and irrevocably altered after he hangs for an instant from a power line. While recuperating, he senses a new-found gift; the gift of oratory. Driven to hold rallies throughout New Zealand, Slaven astounds and alarms the ruling politicians. He too is astounded and often bemused by the response of the tens of thousands who flock to hear him. But what is his message? Is he a Messiah, a political saviour, or an idealist who conjures up forces he can neither understand nor control? Shortlisted for the Montana Book Award for Fiction and described by Vincent O'Sullivan as `Delightfully sardonic; philosophically mischievous', this novel deftly and disconcertingly explores its characters' lives in this lyrical picture of New Zealand.

A memoir of the Spanish Civil War with “the plainness of Orwell but the metaphorical soaring of a poem . . . An extraordinary book” (The New York Times Book Review). In December 1937 I crossed the Pyrenees from France—two days on foot through the snow. I don’t know why I chose December; it was just one of a number of idiocies I committed at the time. Such was Laurie Lee’s entry into the Spanish Civil War. Six months after the Nationalist uprising forced him to leave the country he had grown to love, he returned to offer his life for the Republican cause. It seemed as simple as knocking on a farmhouse door in the middle of the night and declaring himself ready to fight. It would not be the last time he was almost executed for being a spy. In that bitter winter in a divided Spain, Lee’s youthful idealism came face to face with the reality of war. The International Brigade he sought to join was not a gallant fighting force, but a collection of misfits without proper leadership or purpose. Boredom and bad food and false alarms were as much a part of the experience of war as actual battle. And when the decisive moment finally came—the moment of him or the enemy—it left Lee feeling the very opposite of heroic. The final volume in Laurie Lee’s acclaimed autobiographical trilogy—preceded by Cider with Rosie and As I Walked Out One Midsummer Morning—is a clear-eyed and vital snapshot of a young man, and a proud nation, at a historic crossroads.

"I was nineteen years old, still soft at the edges, but with a confident belief in good fortune. I carried a small rolled-up tent, a violin in a blanket, a change of clothes, a tin of treacle biscuits, and some cheese. I was excited, vain-glorious, knowing I had far to go; but not, as yet, how far." Despite this romantic and optimistic opening, what Lee finds is the most primitive and feudal country in Europe, a peninsula untouched by the modern world, a land of labor without dignity, a church devoid of compassion, and a country ripe for revolutionary change.

A resonant new collection on love and persistence from the author of The Big Smoke, a finalist for the National Book Award and the Pulitzer Prize The poems in Adrian Matejka's newest and fifth collection, Somebody Else Sold the World, meditate on the ways we exist in an uncontrollable world: in love and its aftermaths, in families that divide themselves, in protest-filled streets, in isolation as routines become obsolete because of lockdown orders and curfews. Somebody Else uses past and future touchstones like pop songs, love notes, and imaginary gossip to illuminate those moments of splendor that persist even in exhaustion. These poems show that there are many possibilities of brightness and hope, even in the middle of pandemics and revolutions.

Lee's first love was always poetry, though he was only moderately successful as a poet. Lee's first poem appeared in The Sunday Referee in 1934. Another poem was published in Cyril Connolly’s Horizon magazine in 1940 and his first volume of poems, The Sun My Monument, was launched in 1944. This was followed by The Bloom of Candles (1947) and My Many-coated Man (1955). Several poems written in the early 1940s reflect the atmosphere of the war, but also capture the beauty of the English countryside. The poem “Twelfth Night” from My Many-coated Man was set for unaccompanied mixed choir by American composer Samuel Barber in 1968.

This dictionary is a guide to the key authors, concepts, and terms used in the study of literature written in English. Each entry begins with a straightforward definition, and is followed by explanation and examples. Each writer is defined by type, significant preoccupation and/or style, and a selection of notable works. There are a number of entries on writers in a foreign language who have had a major influence on literature in English. One of the most important uses of this book is as a cross-referencing tool. Italicized cross-referenced entries form an interrelated web, presenting a unified overall picture of particular areas of interest.