"My Mamie Rose" by Owen Kildare. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Many men have told the stories of their lives. I shall tell you mine. Not because I, as they, have done great and important things, but because of the miracle which transformed me. If lives may be measured by progress mine may have some interest to you. When a man at thirty cannot read or write the simplest sentence, and then eight years later is able to earn his living by his pen, his story may be worth the telling. Before beginning, however, the recital of how I found my ambition awakened, let me make my position unmistakably definite. I am not a self-made man, having only contributed a mite in the making. A self-made man can turn around to the road traveled by him and can point with pride to the monuments of his achievements. I cannot do that. I have no record of great deeds accomplished. I am a man, reborn and remade from an unfortunate moral condition into a life in which every atom has but the one message, "Strive, struggle and believe," and I would be the sneakiest hypocrite were I to deny that I feel within me a satisfaction at being able to respond to the call with all the possible energy of soul and body.

The common admission that "everything I know about religion I learned from the movies" is true for believers as much as for unbelievers. And at the movies, Catholicism is the American religion. As an intensely visual faith with a well-defined ritual and authority structure, Catholicism lends itself to the drama and pageantry of film. Beginning with the silent era of film and ending with movies today, eleven prominent scholars explore how Catholic characters, spaces, and rituals are represented in cinema.

Drawing on traditional archival research, reception theory, cultural histories of slumming, and recent work in critical theory on literary representations of poverty, Westgate argues that the productions of slum plays served as enactments of the emergent definitions of the slum and the corresponding ethical obligations involved therein.

The gangster, like the gunslinger, is a classic American character-and the gangster movie, like the Western, is one of the American cinema's enduring film genres. From Scarface to White Heat, from The Godfather to The Usual Suspects, from Once Upon a Time in America to Road to Perdition, gangland on the screen remains as popular as ever.In Bullets over Hollywood, film scholar John McCarty traces the history of mob flicks and reveals why the films are so beloved by Americans. As McCarty demonstrates, the themes, characters, landscapes, stories-the overall iconography-of the gangster genre have proven resilient enough to be updated, reshaped, and expanded upon to connect with even today's young audiences. Packed with fascinating behind-the-scenes anecdotes and information about real-life hoods and their cinematic alter egos, insightful analysis, and a solid historical perspective, Bullets over Hollywood will be the definitive book on the gangster movie for years to come.