Alone, in his early forties and calling himself Joe Homeless, he wanders the streets of New York City. He is not a drug addict; he is not an alcoholic; he has never been a convict. But one thing he is--he is unwanted. My Life On The Street is the savage, poignant memoir of one of the world's homeless, faceless persons. Joe once had a job, money and a home. But now, his only home is the street. How he got there, what he does there and how he survives are his passionate themes. Deserted by family and friends, Joe has existed in an atmosphere of fear and violence for over ten years. He has survived hunger, freezing temperatures, wild dogs and physical abuse. He has been hunted like an animal by vigilante block associations armed with baseball bats. Along the way Joe found and repaired an old tape recorder and began dictating his experiences in basements and on rooftops--anywhere he could find a quiet spot alone. Years and several tape recorders later, he had over thirty cassettes that told his story. From rush hour subway platforms, Joe recruited a staff of volunteers: musicians and writers, editors and lawyers who transcribed and edited Joe's account of his decade on the streets. Joe finally found help on the street from these people who either admired his guts and persistence, or felt a social responsibility to get his manuscript published. And, although Joe wanted his story told to "make a buck and get me off the street", he also wants to "make things better for everybody else in the street" by letting people know the truth about a homeless existence. Joe Homeless is a pen name adopted to protect the author's identity on the streets, where he feels threatened by police, residents andhis fellow homeless.

Intelligent writing, intense characters, a dark sense of humor, innovative editing, and complex plots--Homicide: Life on the Street has raised the caliber of television police drama Homicide: Life on the Street is addictive television. Each week we watch to see who Detective Pembleton will spar with in "the Box," or what conspiracy theories Detective Munch will be espousing as the truth, but more than anything we tune in to see the gritty reality that makes this show the best police drama to ever grace the small screen. There aren't any car chases, rarely any shootouts, and sometimes the cases don't get solved. Instead, these detectives keep their clothes on, have a relentlessly morbid sense of humor, and catch the criminals because they have brains, not necessarily brawn. In other words, they're real. Homicide: Life on the Street, The Unofficial Companion by David P. Kalat--the first and only full-length guide to this Emmy Award-winning and three-time Peabody Award-winning television series--brilliantly captures the essence of this groundbreaking show. You'll Learn About: famed filmmaker Barry Levinson's decision to bring Homicide to television instead of making a film of David Simon's novel Homicide: A Year on the Killing Streets the behind-the-scenes anecdotes about cast regulars, including the onscreen clutches that led to offscreen romances the producers' many battles with the network suits over poor placement in the schedule, and the series' repeated trips to the land known as hiatus cast casualties--why they left or were let go the esteemed cast--including Andre Braugher, Ned Beatty, Daniel Baldwin, and Yaphet Kotto, among others--the characters they've created, and their beyond-Homicide careers season-by-season critiques of each episode Revealing, resourceful, and thoughtful, Homicide: Life on the Street, the Unofficial 0Companion is a must-have for any fan!

For the past 16 years, Cadillac Man (so named because he was once hit by an El Dorado and thereafter bore an imprint of its hood ornament) has lived on the streets of New York City. Over those years, he has recorded the facts of his daily life - the harsh realities of surviving on the street, the often tragic encounters with the non-homeless world, the deep bonds with his fellow homeless, and the surprisingly varied realities of life on the outside - writing hundreds of thousands of words in a series of spiral bound notebooks. "My Life in the Streets" distills those journals into a memoir of homeless life that is peopled with indelible characters and packed with gripping stories. In a gritty, poignant, and funny voice, Cadillac narrates his descent into homelessness, the travails and unexpected freedoms of his life, and the story of his love affair with a young runaway, whom he eventually (and tragically) reunites with her family. The United States has 700,000 homeless people; ultimately, Cadillac's story is their story.

Unsparing and important. . . . An informative, clearheaded and sobering book.—Jonathan Yardley, Washington Post (1999 Critic's Choice) Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules—based largely on an individual's ability to command respect—is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.

From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.

The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence is felt to this day. Jane Jacobs was a phenomenal woman who wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged in thousands of impassioned debates—all of which she won. Robert Kanigel's revelatory portrait of Jacobs, based on new sources and interviews, brings to life the child who challenged her third-grade teacher; the high school poet; the mother who raised three children; the journalist who honed her skills at Architectural Forum and Fortune before writing her most famous book, The Death and Life of Great American Cities; and the activist who helped lead a successful protest against Robert Moses’s proposed expressway through her beloved Greenwich Village.

When sixteen-year-old Angel meets Call at the mall, he buys her meals and says he loves her, and he gives her some candy that makes her feel like she can fly. Pretty soon she's addicted to his candy, and she moves in with him. As a favor, he asks her to hook up with a couple of friends of his, and then a couple more. Now Angel is stuck working the streets at Hastings and Main, a notorious spot in Vancouver, Canada, where the girls turn tricks until they disappear without a trace, and the authorities don't care. But after her friend Serena disappears, and when Call brings home a girl who is even younger and more vulnerable than her to learn the trade, Angel knows that she and the new girl have got to find a way out.