From Rebecca Ross, #1 New York Times bestselling author of Divine Rivals, comes the captivating sequel to the Renaissance France–inspired epic fantasy The Queen’s Rising. Finally, Brienna is a mistress of knowledge. But now, she faces a new challenge: In her role as the daughter of lord Davin MacQuinn, she must win the approval of the other MacQuinns. Additionally, as Queen Isolde’s closest confidant, Brienna is responsible for balancing her role in her father’s House with serving her country. And then there’s Cartier. Aodhan Morgane, formerly Cartier Évariste, is slowly adjusting to his role as lord of a fallen House. After he and Brienna discover a mysterious boy who captures their hearts, he starts to wonder what it would be like if he didn’t have to raise the boy—or his House—by himself. But, for now, Brienna and Cartier must put their feelings aside, as resistance is rumbling among the old regime’s supporters. Any weakness will be exploited, and love is the greatest liability of all.

Rebecca Ross, #1 New York Times bestselling author of Divine Rivals, delivers a thrilling new romantasy about a girl who partners with an unlikely ally to save her sister’s life. Perfect for fans of Heartless Hunter, Dance of Thieves, and Warrior of the Wild. After eight years apart, Evadne can’t wait to see her older sister, Halcyon. But, when Halcyon returns from the queen’s army a day early, Eva knows something is terribly wrong. Halcyon is on the run and being chased by her commander after being charged with murder. Though Halcyon’s life is spared, her punishment is heavy— five years hard labor, five years imprisonment, and five years serving the house she has wronged. Suspicious of the circumstances, Eva volunteers to take part of Halcyon’s sentence. She’s sent to serve in the commander’s house, where she meets Damon, a handsome and intriguing mage. Eva must work with Damon on a potentially deadly mission to retrieve a powerful relic that could save the kingdom—and clear her sister’s name. But as the sisters continue to serve each of their sentences, they quickly learn that there are fates worse than death.

Neel is a young inquisitive boy from Bihar growing up in the Indian Mining township of Dhanbad, when TV had not touched lives in small towns and the internet was still a few decades away. Now a corporate executive, he looks back on how he reached here and contrasts his growing up years to that of his son, without being judgmental. The journey of growing up and discovery is filled with humour and emotions. It explores a young boys desire for recognition, little triumphs, occasional fumbles, involvement of family in defining professional goals, chasing of those goals, compromised choices, and constant struggle with self-doubt and indecision.

In today's fast paced world, the internet can provide quick answers to personal questions. But when an individual raised by society to live, breathe and look at the world with female eyes transitions to male, some of the most enlightening, helpful and profound advice can only come in retrospect. Letter to my Brothers, features essays from respected transmen mentors who share the wisdom they wish they would have known at the beginning of their journey into manhood.

An insightful and essential new survey of Wyeth's entire career, situating the milestones of his art within the trajectory of 20th-century American life This major retrospective catalogue explores the impact of time and place on the work of beloved American painter Andrew Wyeth (1917-2009). While previous publications have mainly analyzed Wyeth's work thematically, this publication places him fully in the context of the long 20th century, tracing his creative development from World War I through the new millennium. Published to coincide with the centenary of Wyeth's birth, the book looks at four major chronological periods in the artist's career: Wyeth as a product of the interwar years, when he started to form his own "war memories" through military props and documentary photography he discovered in his father's art studio; the change from his "theatrical" pictures of the 1940s to his own visceral responses to the landscape around Chadds Ford, Pennsylvania, and his family's home in Mai≠ his sudden turn, in 1968, into the realm of erotic art, including a completely new assessment of Wyeth's "Helga pictures"--a series of secret, nude depictions of his neighbor Helga Testorf--within his career as a who≤ and his late, self-reflective works, which includes the discussion of his previously unknown painting entitled Goodbye, now believed to be Wyeth's last work.

Embrace the power of storytelling with Little Stories of Your Life. Start telling your own story, find your creative self and be more mindful. Combining the wellbeing benefits of mindfulness, creativity and daily photography, this book shows you how to use words and photographs to capture precious little moments and how to share these in order to connect with others. Each chapter explores the different ways you can tell your own stories, considers why you might choose to tell them and helps you to create a patchwork of tiny tales about your life, however small they might be. Throughout the book, Laura shares her own personal stories and research that shows you how to tune out of the bigger picture and focus on the everyday. There are exercises to gently guide you through how to journal and harness your inner creativity, as well as tips on improving your photography, photo challenges and writing prompts to get you started. It’s easy to feel that our own lives are not enough, but real lives are not defined by bright, exciting events: we don’t need a grand narrative arc. It’s the stretches of time in between that matter, the tiny moments and the daily choices that make us who we are.

Hans Urs von Balthasar made detailed statements about his work on five occasions, mostly on the birthdays that marked the end of a decade of his life: as a young author in his "desire to lift out of the jumble of history the four or five figures which represent for me the constellation of my idea and my mission;" as publisher and writer, "out of concern for the reader" and in order to equip this reader with a guide to his own books. Then, in the midst of the transformations connected with the Council, he wrote an "Account" for himself and his readers, about what had been done, and what was still required. Finally, in a kind of pause, as one already looking toward the close of his life, he gave once again an account of what had been achieved and what could no longer be achieved, in a clear shift of emphasis away from his "authorship" in favor of the pastoral work in the communities which he had founded. This present volume is a helpful guide to his many-sided work.