Growing out of a spellbinding "Modern Love" column in the "The New York Times," a fresh, wrenching story of young love and mortality.

Winner of the Chautauqua Prize Named one of the Best Books of the Year by the San Francisco Chronicle and Library Journal “Uplifting... it’s about savoring the present, not allowing sadness to dominate and surrendering yourself to love, for better or worse.” —San Francisco Chronicle When she was just seventeen, independent and ambitious Elizabeth Scarboro fell in love with irreverent and irresistible Stephen. She knew he had cystic fibrosis, that he was expected to live only until the age of thirty or so, and that soon she’d have a choice to make. She could set out to travel, date, and lead the adventurous life she’d imagined, or she could be with Stephen, who came with an urgency of his own. In choosing him, Scarboro embraced another kind of adventure—simultaneously joyous and heartrending—staying with Stephen and building a life in the ten years they’d have together. The illness would be present in the background of their lives and then ever-more-insistently in the foreground. Beyond the illness, though, is a breathtaking love story. In crystalline prose, Scarboro describes the pulse of her relationship with Stephen with all its illuminating quirks. Like any young couple, they agonize about career choices, attempt ill-fated road trips, bargain about whether to adopt a puppy, and host one memorably disastrous Thanksgiving. They navigate the growing pains of their twenties alongside the twists and turns of life-threatening disease; if their telephone rings at midnight, the caller might be a heartbroken friend, or the hospital offering a new set of lungs. As time goes on and trouble looms, the dangers of Stephen’s illness consume her, just as they will consume readers who feel they have come to know this extraordinary couple. Scarboro tells her story of fierce love and its limitations with humor, grace, and remarkable bravery. My Foreign Cities is a portrait of a young couple approaching mortality with reckless abandon, gleefully outrunning it for as long as they can.

Intricately plotted, this novel explores different kinds of fictions, infidelity and dangerous freedoms. Anna Devine, a young New Zealand painter living in London, has two chance encounters that set her on a search for answers. Can she really 'see' her new city properly? Can she reconcile family life and art? Her search leads her into past mysteries of her troubled family and her brother's death, and towards future complexities: infidelity, dangerous freedoms, and a whole new eye on her foreign city. In Auckland, in another time, Justine Devantier is reading a novel in order to find out about its author - and possibly about herself. And in a fictional city a man looks for a woman he knew long ago. At the core of this intricate plot is British novelist Richard Black, who may hold the strands that bind all the protagonists together. Grimshaw's brilliantly drawn characters walk through her foreign cities in different guises. She gives us a 'true' story, a fiction, a love story, a story of family connections lost and found, and a dazzling ride through the creative process - its practitioners, its casualties.

The World’s Cities offers instructors and students in higher education an accessible introduction to the three major perspectives influencing city-regions worldwide: City-Regions in a World System; Nested City-Regions; and The City-Region as the Engine of Economic Activity/Growth. The book provides students with helpful essays on each perspective, case studies to illustrate each major viewpoint, and discussion questions following each reading. The World’s Cities concludes with an original essay by the editor that helps students understand how an analysis incorporating a combination of theoretical perspectives and factors can provide a richer appreciation of the world’s city dynamics.

When living and working in cities, we need to make sense of them in order to get by. We must delve below their surface to understand what makes them tick and how we can best engage with them. This book argues that three tropes can help us: namely, metaphors, icons and perspectives. Metaphorically, we can see the city as a community, a battleground, a marketplace, a machine or an organism. Some cities are iconic; they present us with characteristics that are more generally true of cities and city life, such as Venice, Mumbai, New York, Tokyo, Paris and Los Angeles. Cities can also be viewed from different perspectives: those of artists, analysts, rulers and citizens. This book explores these ways of understanding cities, drawing on rich accounts of cities across the world and through time.

In the early 2000s, mainstream international news outlets celebrated the growth of Weblogistan—the online and real-life transnational network of Iranian bloggers—and depicted it as a liberatory site that gave voice to Iranians. As Sima Shakhsari argues in Politics of Rightful Killing, the common assumptions of Weblogistan as a site of civil society consensus and resistance to state oppression belie its deep internal conflicts. While Weblogistan was an effective venue for some Iranians to “practice democracy,” it served as a valuable site for the United States to surveil bloggers and express anti-Iranian sentiment and policies. At the same time, bloggers used the network to self-police and enforce gender and sexuality norms based on Western liberal values in ways that unwittingly undermined Weblogistan's claims of democratic participation. In this way, Weblogistan became a site of cybergovernmentality, where biopolitical security regimes disciplined and regulated populations. Analyzing online and off-line ethnography, Shakhsari provides an account of digital citizenship that raises questions about the internet's relationship to political engagement, militarism, and democracy.