Intolerable Cruelty thoughtfully explores key issues in modern Chinese history, including state-society relations, social transformation, and gender relations in the context of the Republican Chinese experiment with liberal modernity. Investigating both the codification process and the subsequent implementation of the Republican Civil Code of 1929–1930, Margaret Kuo reconsiders the dominant narratives of the 1930s and 1940s as “dark years” for Chinese women. Instead, she convincingly recasts the history of these years from the perspective of women who actively and successfully engaged the law to improve their lives.

In 1933, Shih-I Hsiung (1902–1991), a student from China, met with Allardyce Nicoll, a Shakespearean scholar at the University of London, to discuss his PhD study in English drama. After learning about Hsiung’s interest and background, Nicoll suggested that he should consider studying Chinese drama for his dissertation and writing a play of a Chinese subject. Hsiung took the advice to heart and set out to write Lady Precious Stream, a play based on a classical Beijing opera. In six weeks, the writing was completed; six months later, the manuscript was accepted for publication by Methuen; and not long after, Little Theater in London agreed to produce the play, which ran for 900 successive shows. The phenomenal success turned Hsiung into stardom all at once: he became the first Chinese to write and direct a West End play in England; in 1936, the play had its Broadway premiere and subsequent performances in Chicago, Cleveland, Boston, and other U.S. cities; and it has been produced and staged in Europe, North America, South America, Africa, Asia, and Australia ever since. Following the success of Lady Precious Stream, Hsiung translated into English the Chinese classic The Romance of the Western Chamber; in addition, he wrote a number of plays, novels, and essays, in both English and Chinese, as well as the biography The Life of Chiang Kai-shek.Shih-I Hsiung: A Glorious Showman unfolds the transnational and transcultural life experience of an extraordinary showman: a literary master, a theater man, and a social actor bold and impassioned on socio-cultural stages. Hsiung introduced English and American literature to readers in China through his translation works in the 1920s and early 1930s. After his arrival in England, he began writing in English for audiences not familiar with the Chinese culture. His works were known for their originality, humor, and a deep sense of cultural and historical engagement. Later in his life when he was residing in Hong Kong, he was devoted to education and was also active in Chinese literary and theater circles.

This fascinating study examines wartime Chinese-Soviet relations from a Moscow-based, Chinese perspective at the ambassadorial level. The book includes descriptions of everyday life in Moscow, of embassy business, of contemporary events and diplomacy, of intelligence operations, of meetings with Stalin, and of communications to and from Chongqing.

The Universal Declaration of Human Rights is one of the world's best-known and most translated documents. When it was presented to the United Nations General Assembly in December in 1948, Eleanor Roosevelt, chair of the writing group, called it a new "Magna Carta for all mankind." The passage of time has shown Roosevelt to have been largely correct in her prediction as to the declaration's importance. No other document in the world today can claim a comparable standing in the international community. Roosevelt and French legal expert René Cassin have often been represented as the principal authors of the declaration. But in fact, it resulted from a collaborative effort involving a number of individuals in different capacities. One of the declaration's most important authors was the vice chairman of the Human Rights Commission, Peng Chun Chang (1892-1957), a Chinese diplomat and philosopher whose contribution has been the focus of growing attention in recent years. Indeed, it is Chang who deserves the credit for the universality and religious ecumenism that are now regarded as the declaration's defining features. Despite this, Chang's extraordinary contribution has been overlooked by historians. Peng Chun Chang was a modern-day Renaissance man—teacher, scholar, university chancellor, playwright, diplomat, and politician. A true cosmopolitan, he was deeply involved in the cultural exchange between East and West, and the dramatic events of his life left a profound mark on his intellectual and political work. P. C. Chang and the Universal Declaration of Human Rights is the first biography of this extraordinary actor on the world stage, who belonged to the same generation as Mao Zedong and Chiang Kai-shek. Drawing on previously unknown sources, it casts new light on Chang's multifaceted life and involvement with one of modern history's most important documents.

This landmark volume deals with such essential questions as: What points of departure, or resources, can be identified in Chinese history and culture for what we call 'democracy'? What are, and have been, their potential for development in a modern China confronted with powerful Western influences? Are there any connections between imperial China’s strong legal tradition and the PRC’s current endeavour to restore the rule of law, in a context of legal globalization in which China itself is an important participant? How serious, or superficial, should the political opening which started in the 1980s be regarded, and the discourse on human rights currently heard in official circles? And finally, how relevant is Taiwan’s experiment with democratic institutions? In this rich and inspiring volume, foremost French scholars carefully clarify the process of political and legal change, convincingly showing that these questions cannot be answered without a proper understanding of centuries of Chinese juridical, philosophical, religious and political thought. Ouvrage publié avec le soutien du Centre national du livre/ Published with financial support by the Centre national du livre.