(Piano Collection). 30 selections, including pieces from the volume Notebook for Wolfgang alongside popular pieces by Mozart such as 'Ah vous dirai-je Maman' (variations) and themes from Sonata in A major KV 331 and Sonata in C major KV 545.

Enchant your Children with songs from Mozart.

Presents excerpts from six different musical pieces by the composer Wolfgang Amadeus Mozart: Sonata for violin and piano, Clarinet concerto, Sonata facile, Symphony No. 40, Eine kleine Nachtmusik, and, Twelve variations on "Twinkle, twinkle, little star."

Award winning author Louise Marley's compelling, intricately layered story of a beautiful soprano who shares an everlasting bond with the world's most notorious musical genius. . . Mozart's Blood Octavia Voss is an ethereal singer whose poise and talent belie her young age. In truth, she is a centuries-old vampire who once "shared the tooth" with Mozart himself. To protect her secret, Octavia's even more ancient friend Ugo stalks the streets to find the elixir that feeds his muse's soul. With Mozart's musical prowess coursing through her veins, the ageless Octavia reinvents herself with each new generation. But just as she prepares to take the stage at La Scala, Ugo inexplicably disappears, leaving Octavia alone--and dangerously unprotected. . . Octavia vows to find Ugo, but his fate is in the hands of forces much darker than she could ever imagine. And when she learns the truth behind his disappearance, Octavia realizes too late that the life hanging most in the balance is her own. . . "Riveting, original. . .filled with the emotional power and intricate twists and turns of a Mozart opera." --Tracy Grant, author of Beneath a Silent Moon

My First Classical Music Book is a delightfully colorful introduction to classical music, designed to fire the imagination of children aged 5-7 years. Readers are asked to think about the different places in which we might hear music. Then, each of the major composers and musical instrument families are introduced and brought to life in a vivid and enchanting way. Throughout the book, children are referred to the accompanying audio CD so that they can hear examples as they read. This is the most exceptional book of its kind, providing an absorbing experience for both eyes and ears.

(Amadeus). Mozart: An Introduction to the Music, the Man, and the Myths explores in detail 20 of the composer's major works in the context of his tragically brief life and the turbulent times in which he lived. Addressed to non-musicians seeking to deepen their technical appreciation for his music while learning more about Mozart the man than the caricature portrayed in the 1986 movie Amadeus , this book offers extensive biographical and historical background debunking many well-established Mozart myths along with guided study of compositions representing every genre of 18th-century music: opera, concerto, symphony, church music, divertimento and serenade, sonata, and string quartet. Author Roye E. Wates, a Mozart specialist, has taught music history to thousands of non-musicians, both undergraduates and adults, as a Professor of Music at Boston University and from 2002-2004 as director of Boston University's Adult Music Seminar at Tanglewood, summer residence of the Boston Symphony Orchestra. Mozart: An Introduction to the Music, the Man, and the Myths provides a unique combination of biographical detail, up-to-date research, detailed musical analyses, and clear definitions of terms. Amateurs as well as more advanced musicians will gain a greater understanding of Mozart's encyclopedic mastery.

From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.