Did you ever want to teach your kids the basics of Dutch ? Learning Dutch can be fun with this picture book. In this book you will find the following features: Dutch Alphabets. Dutch Words. English Translations.

Did you ever want to teach your kids the basics of Hausa ? Learning Hausa can be fun with this picture book. In this book you will find the following features: Hausa Alphabets. Hausa Words. English Translations.

Icelandic is one of the oldest and most complex languages in the world. In this book, Alda Sigmundsdóttir looks at the Icelandic language with wit and humor, and how it reflects the heart and soul of the Icelandic people and their culture. Many of the Icelanders' idioms and proverbs, their meaning, and origins are discussed, as is the Icelanders' love for their language and their attempts to keep it pure through the ongoing construction of new words and terminology. There is a section on Icelandic curse words as well as Icelandic slang, which is mostly derived from English. Throughout, this book deconstructs Icelandic vocabulary, and the often-hilarious, almost naive, ways in which words are made. Among the fascinating topics broached in The Little Book of Icelandic: • The Language Committee: how Icelanders struggle to keep their language “pure” • Let's make a word!—How names for new things are constructed • Old letters, strange sounds: wrapping your tongue around the Icelanders’ tongue • $#*!%&!“#$%*, or how Icelanders curse • The missing dialects—why Icelandic has none • Which is the prettiest of all: contests to find the most lovely word in Icelandic (and the ugliest!) • Quintessential Icelandic words and phrases (the ones that describe the Icelanders like no others) • Useful phrases to impress your new Icelandic friends! • Klósett—the unexpected origin of the Icelandic word for toilet ... and so much more! This is a must-read book for anyone interested in the Icelandic people, their culture—and of course their language. Excerpt "Idioms and proverbs provide a unique insight into the soul of a nation. They say so much about a people’s history—the heartfelt, the tragic, the monumental, the proud. Icelandic has a vast number of idioms and proverbs that are a direct throwback to our nation’s past, especially idioms relating to the ocean, which is such a massive force in our nation's history. Many of them we use all the time without ever giving a thought to their origins. What follows is a random sampling—I hope you enjoy reading about them as much as I did. — Idiom: Eins og skrattinn úr sauðaleggnum Translation: Like Satan out of the sheep’s leg bone Meaning: Unexpectedly, out of the blue If someone suddenly appeared, especially someone I didn’t really want to see, I might say hann kom eins og skrattinn úr sauðaleggnum, literally “he appeared like Satan out of the sheep’s leg bone”. Where the affiliation between a sheep’s leg bone and the prince of darkness comes in I could not tell you. However, I can tell you that, in the old days, Icelandic children (being impoverished and everything) had no proper toys. Instead, they played with sheeps’ bones, each of which was assigned a role. The jawbones were the cows, the joints of the legs were the sheep, and the leg bones were the horses. So maybe folks were worried that Satan—being the crafty bugger that he was—would install himself in a sheeps’ leg bone when the kids were playing and then suddenly BOO! pop out and scare the bejeezus out of them. It’s just a theory. Incidentally, the use of this idiom is not confined to people—it is also successfully used to comment on unwanted happenings, as in: “Damn, this huge phone bill comes like Satan out of a sheep’s leg bone!”

“Oddný Eir is an authentic author, philosopher and mystic. She weaves together diaries and fiction. She is the writer I feel can best express the female psyche of now and has bridged the gap between rural Iceland and Western philosophy. A true pioneer!!!!!!!!” —Björk The winner of the Icelandic Women’s Literature Prize in 2012, Land of Love and Ruins is the debut novel by a daring new voice in international fiction: Oddný Eir. Written in the form of a diary but with fantastical linguistic verve, the narrator sets out on a universal quest: to find a place to belong—and a way of being in the world. Paradoxically, her longing to settle down drives her to embark on all kinds of journeys, physical and mental, through time and space, in order to find answers to questions that concern not only her personally, but also the whole of humankind. She explores various modes of living, ponders different types of relationships and contemplates her bond with her family, land and nation; trying to find a balance between companionship and independence, movement and stability, past, present, and future. An enchanting blend of autobiography, diary, philosophical inquiry, and fantasy, Land of Love and Ruins is a richly imagined and utterly unique book about being human in the modern world.

If you had to choose a new location for a crime series, where would you look? Michael Ridpath had to do just that. He chose Iceland, a country of fjords, glaciers and volcanoes, of long, manic summer days and long, sinister winter evenings, a place where everyone is on Facebook and everyone's grandmother has spoken to an elf. This is his account of researching the country: the breathtaking landscape, its vigorous if occasionally odd people, the great heroes and heroines of its sagas, and (of course) those troublesome elves; with a little bit thrown in about how to put together a good detective story. Entertaining and informative, it's a guide to Iceland for the visitor, and a guide to crime writing for the reader.

Pen and Pencil Sketches of Faröe and Iceland by Andrew James Symington, with illustrations by W. J. Linton, is a captivating work that offers a vivid portrayal of the Faroe Islands and Iceland in the 19th century. First published in 1857, this book combines detailed sketches with descriptive narratives to provide readers with an immersive experience of these remote and dramatic landscapes. The book features a collection of both pencil and pen sketches that capture the rugged beauty and unique character of the Faroe Islands and Iceland. Symington’s writing complements the illustrations by describing the natural scenery, local customs, and cultural observations he encountered during his travels. The appendix includes translations from Icelandic, adding a layer of authenticity and depth to the work by incorporating local voices and perspectives. With 51 wood engravings by W. J. Linton, the book visually represents the stark and breathtaking landscapes, offering a glimpse into the life and environment of these northern regions. Pen and Pencil Sketches of Faröe and Iceland is an important historical and artistic document that provides a window into the 19th-century perceptions of these distant lands. Its detailed illustrations and evocative descriptions make it a valuable resource for those interested in travel literature, Scandinavian geography, and the history of exploration.