My Boss Is a Grumpy Werewolf and I Think He Wants to Eat Me! [Siren Allure ManLove: Erotic Alternative Paranormal Romance, M/M, werewolves, bondage, spanking, HEA] On Cole Morgan's first day working at Prowl magazine he sends an innocent email to his friend, not realizing that all internal emails are monitored. It wouldn't be a big deal except for the fact that the email is all about his new boss, sexy werewolf Evan West. The email leads to an incredibly awkward workplace harassment seminar which just makes Evan hate him all the more. It couldn't possibly get worse, right? Wrong. Evan West has always had trouble controlling his wolf. He's worked hard to master the beast within. So when Cole Morgan walks in his boardroom and Evan's instincts go wild it causes him to automatically dislike the man. It doesn't matter that he wants to throw him down on the table, there and then, and take him in front of the entire office, the human is still annoying as hell. ** A Siren Erotic Romance

One of the great World War I antiwar novels—honest, chilling, and brilliantly satirical Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among the most biting ever published. Death of a Hero vividly evokes the morally degrading nature of combat as it rushes toward its astounding finish. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.

I am complex. My love is all-encompassing. And when it comes to my heart, there is only one rule: Don't mess with what's mine. Until the age of seven, I was Joel Alexander Donovan, son of Jimmy. The man who terrorized a town and made its citizens fear the very ground he walked on. Including me, the day I realized that ground ran red with blood. At age eighteen, I became Priest. A man without a past. A man determined to right the wrongs of my father. A man who never believed anyone could love the son of such a monster. But then a thief stole my heart. A sweetheart lit up my world. And I forgot for a moment you should never turn your back on your enemy. And thus begins a lesson to those who would seek to harm: Never underestimate what the Priest will do to protect the Princess and the Prick.

Two men whose love has never faltered must relive their most treasured moments in order to secure their future. Imposing, temperamental Noah Forman wakes up in a hospital and can't remember how he got there. He holds it together, taking comfort in the fact that the man he has loved since childhood is on the way. But when his one and only finally arrives, Noah is horrified to discover that he doesn't remember anything from the past three years. Loyal, serious Clark Lehman built a life around the person who insisted from their first meeting that they were meant to be together. Now, years later, two men whose love has never faltered must relive their most treasured and most painful moments in order to recover lost memories and secure their future.

“Calls to mind such early moderns as Hemingway and Fitzgerald...Some of the most powerful antiwar literature in modern English fiction.”—The Boston Globe The first book of the Regeneration Trilogy—a Booker Prize nominee and one of Entertainment Weekly’s 100 All-Time Greatest Novels. In 1917 Siegfried Sasson, noted poet and decorated war hero, publicly refused to continue serving as a British officer in World War I. His reason: the war was a senseless slaughter. He was officially classified "mentally unsound" and sent to Craiglockhart War Hospital. There a brilliant psychiatrist, Dr. William Rivers, set about restoring Sassoon’s “sanity” and sending him back to the trenches. This novel tells what happened as only a novel can. It is a war saga in which not a shot is fired. It is a story of a battle for a man's mind in which only the reader can decide who is the victor, who the vanquished, and who the victim. One of the most amazing feats of fiction of our time, Regeneration has been hailed by critics across the globe. More than one hundred years since World War I, this book is as timely and relevant as ever.

Love unearthed his heart from the cold, hard ground. Now comes the fight to revive it. Love. Just when Max Kelley thought he'd eradicated it from his life for good it snuck back in, in the form of his beautiful new sub, Sean. Something that Max is far from happy about. In fact, he fights it tooth and nail. Having his world decimated was hell on earth, an experience he'd go to any lengths to avoid repeating. Problem is, while his head is determined to protect his heart, his heart can't stop thinking about Sean. Sean, his perfect sub, his perfect match, his perfect everything. Which makes him that much more of a threat. Were Max to claim him and then lose him, the devastation would be far greater than even Kevin's death. So, in order to ensure his heart and soul stay intact, he must once again eradicate love from his life. Eradicate Sean from his world. But Sean is a scrapper, just like Max, and refuses to give up without a fight. In their final showdown of fiery passion and wills, whose heart will come out in one piece? Warning: This erotic, gay, BDSM romance contains intensely explicit sexual scenes both inside and out of the dungeon. ** Note from the author: In keeping with the promise I made to my Upending Tad devotees, I've included a small side story with Tad and Scott in book 2 where we delve a bit further into the developments of their relationship, and all the wonderful ways they've been keeping each other's hearts pounding. So, be prepared for two more character point of views! Tad and Scott aren't going anywhere. XXO