When members of a prominent coal-mining family go missing, Scotland Yard's Murder Squad teammates Inspector Walter Day and Sergeant Nevil Hammersmith investigate dark secrets and realize that the family's village is slowly sinking into underground mines.

Alice Randall, award-winning professor, songwriter, and author with a “lively, engaging, and often wise” (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family of Black country music. Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite a number one country hit, Trisha Yearwood’s “XXX’s and OOO’s”. Randall found inspiration and comfort in the sounds and history of the first family of Black country music: DeFord Bailey, Lil Hardin, Ray Charles, Charley Pride, and Herb Jeffries who, together, made up a community of Black Americans rising through hard times to create simple beauty, true joy, and sometimes profound eccentricity. What emerges in My Black Country is a celebration of the most American of music genres and the radical joy in realizing the power of Black influence on American culture. As country music goes through a fresh renaissance today, with a new wave of Black artists enjoying success, My Black Country is the perfect gift for longtime country fans and a vibrant introduction to a new generation of listeners who previously were not invited to give the genre a chance.

An enthralling literary tour-de-force that pays tribute to Detroit's legendary neighborhood, a mecca for jazz, sports, and politics, Black Bottom Saints is a powerful blend of fact and imagination reminiscent of E.L. Doctorow's classic novel Ragtime and Marlon James' Man Booker Award-winning masterpiece, A Brief History of Seven Killings. From the Great Depression through the post-World War II years, Joseph “Ziggy” Johnson, has been the pulse of Detroit’s famous Black Bottom. A celebrated gossip columnist for the city’s African-American newspaper, the Michigan Chronicle, he is also the emcee of one of the hottest night clubs, where he’s rubbed elbows with the legendary black artists of the era, including Ethel Waters, Billy Eckstein, and Count Basie. Ziggy is also the founder and dean of the Ziggy Johnson School of Theater. But now the doyen of Black Bottom is ready to hang up his many dapper hats. As he lays dying in the black-owned-and-operated Kirkwood Hospital, Ziggy reflects on his life, the community that was the center of his world, and the remarkable people who helped shape it. Inspired by the Catholic Saints Day Books, Ziggy curates his own list of Black Bottom’s venerable "52 Saints." Among them are a vulnerable Dinah Washington, a defiant Joe Louis, and a raucous Bricktop. Randall balances the stories of these larger-than-life "Saints" with local heroes who became household names, enthralling men and women whose unstoppable ambition, love of style, and faith in community made this black Midwestern neighborhood the rival of New York City’s Harlem. Accompanying these “tributes” are thoughtfully paired cocktails—special drinks that capture the essence of each of Ziggy’s saints—libations as strong and satisfying as Alice Randall’s wholly original view of a place and time unlike any other.

WINNER OF THE FORWARD PRIZE BEST FIRST COLLECTION 2014 *PBS Recommendation 2014* ‘When I became a bird, Lord, nothing could not stop me...’ In Black Country, Liz Berry takes flight: to Wrens Nest, Gosty Hill, Tipton-on-Cut; to the places of home. The poems move from the magic of childhood – bostin fittle at Nanny’s, summers before school – into deeper, darker territory: sensual love, enchanted weddings, and the promise of new life. In Berry’s hands, the ordinary is transformed: her characters shift shapes, her eye is unusual, her ear attuned to the sounds of the Black Country, with ‘vowels ferrous as nails, consonants / you could lick the coal from.’ Ablaze with energy and full of the rich dialect of the West Midlands, this is an incandescent debut from a poet of dazzling talent and verve.

New York Times Bestseller: This insightful and deeply personal portrait of African American working-class life “offers something so authentic . . . compelling” (Charleston Post and Courier). Part memoir, part historical and cultural analysis, My Vanishing Country is an eye-opening journey through the South’s past, present, and future. Anchored in Bakari Sellers’ hometown of Denmark, South Carolina, My Vanishing Country illuminates the pride and pain that continues to fertilize the soil of one of the poorest states in the nation. He traces his father’s rise to become a friend of Stokely Carmichael and Martin Luther King, civil rights hero, and member of the Student Non-Violent Coordinating Committee (SNCC), in the process exploring the plight of the South’s dwindling rural black working class—many of whom can trace their ancestry back for seven generations. In his poetic personal history, we are awakened to the crisis affecting the other “forgotten men and women,” seldom acknowledged by the media. For Sellers, these are his family members, neighbors, and friends. He humanizes the struggles that shape their lives—to gain access to healthcare as rural hospitals disappear; to make ends meet as the factories they have relied on shut down and move overseas; to hold on to precious traditions as their towns erode; to forge a path forward without succumbing to despair. My Vanishing Country is also a love letter to fatherhood—to Sellers’ father, his lodestar, whose life lessons have shaped him, and to his newborn twins, who he hopes will embrace the Sellers family name and honor its legacy. “An engaging memoir.” —Kirkus Reviews “Family trauma—even inherited trauma—can take a tremendous toll on children. But as Bakari Sellers makes plain in My Vanishing Country, family trauma can also be a source of strength.” —BookPage

The second part of Kathleen Hann's autobiography, Still Telling It As It Was, sees us through her early married life in the Black Country from 1951 to her move to Telford in 1969. With her husband Peter, just demobbed, they face financial hardship due to low wages and high housing costs. Bringing up three children at the time, Kathleen shows her love, care, mettle and great skills with "make do and mend" which have been passed on by her mother. Unwittingly renting a room to a prostitute and her pimp, buying a war bombed house, and getting a failing public house back on its feet are just a few of the trials and tribulations which Kathleen and Peter face in this story. Tales of terribly hard physical labour for both of them, which left permanent physical and mental scars, are retold with chilling accuracy. The progress of her son's major illness is also described with great passion and dignity, especially considering the way she was treated by the some of the medical profession at the time. There are lighter notes though – the DIY chimney sweeping saga, the Golden Child who stuffed her knickers down the drains, and Kathleen's own very short fuse to an exploding temper – these all bring very different and sometimes highly amusing insights into this very closely knit and loving family. A vital document for any social historian, or a grippingly real story of hardship in the Black Country of the 1950s and 60s, this book is a prime candidate for anyone's must read list.