Holly has a crush on her big black Boss Farrell. When they get to go to a conference in Vegas together, she has to roll the dice where she wants to do something about that crush or not.When she realizes that they have been booked in the same room together, not even being good married girl can hold her desire back and gorgeous Farrell seems to feel the same way.Pressed against a big window, overlooking the lights of Vegas, she waits for him and she knows he will come. As will she. Again and again.

John McCown was a black civil rights worker who achieved great political power and whose career, and life, ended in a swirl of controversy. In 1968, Georgia's Hancock County became the first county in the United States since Reconstruction to come under black political control, in large part because of the charismatic leadership of McCown, who secured millions in grants from the Office of Economic Opportunity, the Ford Foundation, and the East Central Committee for Opportunity. Eight years later, McCown's regime ended with his dramatic death and indictments against McCown and his associates on various charges of defrauding the government. Black Boss details the rise and fall of McCown and the continuing effects of his abuse of power on the people of Hancock County. It is a story that Rozier says shows "the good and evil that dwell in us all."

A letter among her deceased ex-husband’s belongings rips open Theresa’s world. For years she has turned her back on Theo, a man who spent the last two decades of his life institutionalised, and on their shared past in a country where teenage boys were conscripted to fight on ‘the Border’ in a war that those back home knew little about. Least of all Theresa, who spent her days dreaming of discos and first kisses. Realising that the letter was written by a Cuban soldier and addressed to his child – who, if still alive, would be at least forty years old – Theresa heads for Cuba: to search for the soldier’s child, to deliver the letter, to atone in some way for Theo’s deeds and for her own ignorance. In sultry Cuba, amid its picturesque 1950s cars and the fragrant smoke of its cigars, Theresa’s search connects her intimately with those branded ‘the enemy’ during the war in Angola as she begins to unravel what growing up in the South Africa of that time really meant.

My boss’s daughter crashed into my life…like fireworks. And now, she’s carrying my baby. I am a Navy SEAL, and a single dad to the most beautiful son on the planet. Ethics come naturally to me, Except when I see Alexa. Oh…I am drawn like a moth to flame, And want to drown myself in the vast ocean of her deep, blue eyes. This is wrong on so many levels. She’s the boss’s daughter, and so much younger. But then…it’s been a long time. No matter how hard I try to resist, life keeps bringing her back to me. I need her. My boss is going to kill me if he finds out. And I’m going to do everything to claim what’s mine – my family.

As a musician who grew up in New Orleans, and later worked in New York with the major swing orchestras of Lucky Millinder and Cab Calloway, Barker is uniquely placed to give an authoritative but personal view of jazz history. In this book he discusses his life in music, from the children's 'spasm' bands of the seventh ward of New Orleans, through the experience of brass bands and jazz funerals involving his grandfather, Isidore Barbarin, to his early days on the road with the blues singer Little Brother Montgomery. Later he goes on to discuss New York, and the jazz scene he found there in 1930. His work with Jelly Roll Morton, as well as the lesser-known bands of Fess Williams and Albert Nicholas, is covered before a full account of his years with Millinder, Benny Carter and Calloway, including a description of Dizzy Gillespie's impact on jazz, is given. The final chapters discuss Barker's career from the late 1940s. Starting with the New York dixieland scene at Ryan's and Condon's he talks of his work with Wilbur de Paris, James P. Johnson and This is Jazz, before discussing his return to New Orleans and New Orleans Jazz Museum. A collection of Barker's photographs,

Griz Wilson only wanted to spend time in the northern Montana wilderness to face head-on his recurring nightmares of grizzly attacks. But he would confront a more sinister challenge when escaped convicts hijack his group. Buckle your seatbelt for fast-paced action as the area's picturesque beauty is colorfully portrayed -- backdrop to a set of intensely memorable characters caught up in a desperate life-death drama that would be a supreme test for all.