This WIPO toolkit offers a practical approach to the collective management of copyright and related rights.

What does the Coen Brothers’ Barton Fink have in common with Norman McLaren’s Synchromy? Or with audiovisual sculpture? Or contemporary music video? Composing Audiovisually interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.

In Inner Sound, author Jonathan Weinel traverses the influence of altered states of consciousness on audio-visual media, explaining how our subjective realities may change during states of dream, psychedelic experience, meditation, and trance.

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

In a single generation audiovisual production technology has made two enormous leaps: interactivity and digital exploitation. Any law that deals with satellite transmission must take into account the ownership rights in audiovisual productions, and maintain a clear perspective on how existing laws in the field have been adapted - and will continue to be adapted - to protect authors. Who owns the digital exploitation rights in the audiovisual work? Who is entitled to collect remunerations collected from private copying? How do moral rights affect the licensing of rights in audiovisual works? These are some of the most contentious questions dealt with in this book. The book provides a comprehensive comparative framework for analysis of the regulation of ownership of rights in audiovisual productions in Europe. It is the first presentation that examines these issues in the light of revised Nordic copyright laws and the respective national regulations of Germany, France, Belgium, the United Kingdom and the United States. In addition, the book explains in detail how international and European Community regulations affect rights owners in audiovisual productions. The audiovisual sector is also an area where the differences between the civil law systems of author's rights and common law based copyright systems are particularly pronounced. This book clarifies some of the common misunderstandings encountered in this respect.

This third edition of Collective Management of Copyright and Related Rights presents an in-depth revision with invaluable updates on the different systems, legislative options and best practices of CMOs worldwide. As with previous editions, the book is written to reach a wide audience, with a special focus on questions that might emerge for governments as they prepare, adopt and apply collective management norms and regulations. The edition also sheds light on new copyright and related rights developments, including digital, technological and business trends, from all over the world. Additionally, there is detailed discussion on topics such as aspects of competition, national treatment, and different models of collective management.