(Vocal Collection). An expansive selection of songs from new musicals and films from 2010-2019, representing hits like Dear Evan Hansen , Hamilton , Mean Girls , Waitress , and more. Contents: THE ADDAMS FAMILY: Pulled * ANASTASIA: In My Dreams * THE BAND'S VISIT: Omar Sharif * BE MORE CHILL: I Love Play Rehearsal * BEETLEJUICE: Home * BIG FISH: I Don't Need a Roof * THE BOOK OF MORMON: Sal Tlay Ka Siti * BRING IT ON: THE MUSICAL: One Perfect Moment * CATCH ME IF YOU CAN: Fly, Fly Away * COME FROM AWAY: I Am Here * DEAR EVAN HANSEN: So Big/So Small * FIRST DATE: Safer * FROZEN: THE BROADWAY MUSICAL: Let It Go * True Love * A GENTLEMAN'S GUIDE TO LOVE & MURDER: I Don't Know What I'd Do Without You * GHOST THE MUSICAL: With You * GROUNDHOG DAY: Playing Nancy * HAMILTON: Burn * That Would Be Enough * IF/THEN: You Learn to Live Without * IT SHOULDA BEEN YOU: Jenny's Blues * KINKY BOOTS: The History of Wrong Guys * LA LA LAND (film): Audition (The Fools Who Dream) * THE LIGHTNING THIEF: My Grand Plan * MEAN GIRLS: Stupid With Love * MOANA (film): How Far I'll Go * NATASHA, PIERRE & THE GREAT COMET OF 1812: No One Else * NEWSIES THE MUSICAL: Watch What Happens * PRETTY WOMAN: Anywhere But Here * THE PROM: It's Not About Me * Just Breathe * ROCKY: Raining * SISTER ACT: The Life I Never Led * TOOTSIE: What's Gonna Happen * WAITRESS: She Used to Be Mine * When He Sees Me * WAR PAINT: Pink

(Vocal Collection). An expansive selection of songs from new musicals and films from 2010-2019, representing hits like Dear Evan Hansen, Hamilton, Mean Girls, Waitress, and more. Contents: THE ADDAMS FAMILY: Pulled * ANASTASIA: In My Dreams * THE BAND'S VISIT: Omar Sharif * BE MORE CHILL: I Love Play Rehearsal * BEETLEJUICE: Home * BIG FISH: I Don't Need a Roof * THE BOOK OF MORMON: Sal Tlay Ka Siti * BRING IT ON: THE MUSICAL: One Perfect Moment * CATCH ME IF YOU CAN: Fly, Fly Away * COME FROM AWAY: I Am Here * DEAR EVAN HANSEN: So Big/So Small * FIRST DATE: Safer * FROZEN: THE BROADWAY MUSICAL: Let It Go * True Love * A GENTLEMAN'S GUIDE TO LOVE & MURDER: I Don't Know What I'd Do Without You * GHOST THE MUSICAL: With You * GROUNDHOG DAY: Playing Nancy * HAMILTON: Burn * That Would Be Enough * IF/THEN: You Learn to Live Without * IT SHOULDA BEEN YOU: Jenny's Blues * KINKY BOOTS: The History of Wrong Guys * LA LA LAND (film): Audition (The Fools Who Dream) * THE LIGHTNING THIEF: My Grand Plan * MEAN GIRLS: Stupid With Love * MOANA (film): How Far I'll Go * NATASHA, PIERRE & THE GREAT COMET OF 1812: No One Else * NEWSIES THE MUSICAL: Watch What Happens * PRETTY WOMAN: Anywhere But Here * THE PROM: It's Not About Me * Just Breathe * ROCKY: Raining * SISTER ACT: The Life I Never Led * TOOTSIE: What's Gonna Happen * WAITRESS: She Used to Be Mine * When He Sees Me * WAR PAINT: Pink

(Vocal Collection). This massive collection features 50 songs from 41 shows and films appropriate for teen singers. Includes: Astonishing from Little Women * For the First Time in Forever from Frozen * Home from Beauty and the Beast * How Far I'll Go from Moana * Live Out Loud from A Little Princess * My New Philosophy from You're a Good Man, Charlie Brown * Part of Your World from The Little Mermaid * Pulled from The Addams Family * Shy from Once Upon a Mattress * Watch What Happens from Newsies The Musical * and many more. Over 300 pages of music!

Chronicles the joys and sorrows of the four March sisters as they grow into young women in mid-nineteenth-century New England.

The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Library Journal praises the book, saying, "Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore." Kirkus Reviews says it's an "encyclopedic reference" and a "long-overdue tribute to female lyricists and composers." From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricists who broke new ground writing shows during the Great Depression; to the book writers who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American theatre today, Women Writing Musicals tells the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals. Jennifer Ashley Tepper's definitive book covers prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you’ve never heard of—but definitely should have. Among the gems shared here are the stories of Clara Driscoll, who saved the Alamo and also wrote a Broadway musical; Micki Grant, whose mega-hit musical about the Black experience made her the first woman to write book, music, and lyrics for a Broadway show; María Grever, who made her Broadway debut at age 56 and who was the first Mexican female composer to achieve international success; and the first all-female writing team for a Broadway musical, in 1922: Annelu Burns, Anna Wynne O’Ryan, Madelyn Sheppard, and Helen S. Woodruff. This book is a treasure trove for theatre-loving readers that Tony and Emmy Award-winning actor and singer Kristin Chenoweth praises as "a wonderful resource for actors, and an important read for anyone interested in theatre."

(Vocal Collection). Character roles are a staple of theatre, film, television, and musical theatre. Rather than romantic leads, they are featured comic roles, villains, or off-beat secondary parts. These are their songs from stage and screen musicals. THE ADDAMS FAMILY: Waiting * ANNIE: Little Girls * AVENUE Q: Special * COMPANY: Getting Married Today * COWGIRLS: Heads or Tails * DAMN YANKEES: Whatever Lola Wants (Lola Gets) * GOOD NEWS: I Want to Be Bad * GRAND HOTEL: I Want to Go to Hollywood * GREASE: Look at Me, I'm Sandra Dee * GUYS AND DOLLS: Adelaide's Lament * GUYS AND DOLLS: Take Back Your Mink * HAIRSPRAY: Miss Baltimore Crabs * I CAN GET IT FOR YOUR WHOLESALE: Miss Marmelstein * LEGALLY BLONDE: Ireland * THE LITTLE MERMAID: Poor Unfortunate Souls * LITTLE SHOP OF HORRORS: Somewhere That's Green * MAME: Gooch's Song * NEWSIES: That's Rich * NUNSENSE: I Just Want to Be a Star * OKLAHOMA!: I Cain't Say No * PHANTOM: This Place Is Mine * THE PRODUCERS: When You Got it, Flaunt It * SHE LOVES ME: A Trip to the Library * SISTER ACT: The Life I Never Led * SONGS FOR A NEW WORLD: Surabaya-Santa * SWEENEY TODD: Searching * THOROUGHLY MODERN MILLIE: They Don't Know * WONDERFUL TOWN: One Hundred Easy Ways to Lose a Man * Alto's Lament

Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.