The fifth volume of Musica Asiatica is a collection of essays on the music of East Asia.

In this fourth volume of studies in the historical musicology and organology of Asia, Jonathan Condit completes his survey of Korean scores in mensural notation, and Roger Blench examines the morphology and distribution of sub-Saharan musical instruments of North African, Middle Eastern, and Asian origin.

The fifth volume in this study of the music of the Tang Court.

This is the sixth volume in a series of books devoted to the history, documentation and analysis of music in Asia. Four essays are dedicated to documents from the past: fifth-century Korean tomb paintings; tenth-century Chinese scores for lute; eighth-century Japanese documents; early Chinese sutras on the perception of sound. The remainder concern contemporary documents: the notations of the Japanese end-blown flute (shakuhachi) and lute (biwa) and their relationship to performance; acoustical analysis of contemporary shakuhachi. The focus on musical documents, whether ancient or modern, provides a unifying thread which renders this volume unique in the ethnomusicological literature on East Asian music.

Volume 5 of the Cambridge World History series uncovers the cross-cultural exchange and conquest, and the accompanying growth of regional and trans-regional states, religions, and economic systems, during the period 500 to 1500 CE. The volume begins by outlining a series of core issues and processes across the world, including human relations with nature, gender and family, social hierarchies, education, and warfare. Further essays examine maritime and land-based networks of long-distance trade and migration in agricultural and nomadic societies, and the transmission and exchange of cultural forms, scientific knowledge, technologies, and text-based religious systems that accompanied these. The final section surveys the development of centralized regional states and empires in both the eastern and western hemispheres. Together these essays by an international team of leading authors show how processes furthering cultural, commercial, and political integration within and between various regions of the world made this millennium a 'proto-global' era.

This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process. It suggests analytical approaches that apply across cultures, proposes a new way of classifying music, and treats provocative questions about the juxtaposition of music from different cultures.

Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.