A leading Nashville talent agent offers an inside look at the country music industry, and shares his impressions of the country music performers with whom he has worked

Bay City Babylon tells the story of the unlikely pop phenomenon that was the Bay City Rollers -- from their humble Scottish beginnings to worldwide fame and adulation, and what's happened to them since. It's a classic tale of rock stardom with all the trappings, excesses, anguish, and exhilaration that go with it. Featuring interviews with band members and those that were along for the "Rollermania" ride in the '70s. Plus, many never before published photographs and new "10th Anniversary" chapters that update the BCR story with details of their groundbreaking lawsuit for millions of dollars in unpaid record company royalties and their 2015 reunion.

The perfect gift for music fans and anyone fascianated by Woodstock, Barefoot in Babylon is an in-depth look at the making of 1969’s Woodstock Music Festival—one of Rolling Stone’s “50 Moments That Changed the History of Rock and Roll.” “Mr. Spitz feeds us every riveting detail of the chaos that underscored the festival. It makes for some out-a-sight reading, man.”—The New York Times Book Review Fifty years ago, the Woodstock Music Festival defined a generation. Yet, there was much more than peace and love driving that long weekend the summer of 1969. In Barefoot in Babylon, journalist and New York Times bestselling author Bob Spitz gives readers a behind-the-scenes look at the making of Woodstock, from its inception and the incredible musicians that performed to its scandals and the darker side of the peace movement. With a new introduction, as well as maps, set lists, and a breakdown of all the personalities involved, Barefoot in Babylon is a must-read for anyone who was there—or wishes they were.

This is a strikingly-illustrated short introduction to Babylon, a sophisticated ancient city and the home of the fabled Hanging Gardens of Nebuchadnezzar, one of the 7 Wonders of the World. Over the centuries Babylon was lost to view, and survived only in a rich and bizarre set of half-fantastical stories and traditions, until painstaking archaeological work uncovered the real city once more... The glory of Babylon was expressed not only in physical buildings but also in the learning and scholarship of the city. Babylonian achievements in mathematics, astronomy and medicine had far-reaching effects on the Classical world and even on our own times as we get our sixty-minute hours from Babylonia.

Babylon: for eons its very name has been a byword for luxury and wickedness. 'By the rivers of Babylon we sat down and wept', wrote the psalmist, 'as we remembered Zion'. One of the greatest cities of the ancient world, Babylon has been eclipsed by its own sinful reputation. For two thousand years the real, physical metropolis lay buried while another, ghostly city lived on, engorged on accounts of its own destruction. More recently the site of Babylon has been the centre of major excavation: yet the spectacular results of this work have done little displace the many other fascinating ways in which the city has endured and reinvented itself in culture. Saddam Hussein, for one, notoriously exploited the Babylonian myth to associate himself and his regime with its glorious past. Why has Babylon so creatively fired the human imagination, with results both good and ill? Why has it been so enthralling to so many, and for so long? In exploring answers, Michael Seymour' s book ranges extensively over space and time and embraces art, archaeology, history and literature. From Hammurabi and Nebuchadnezzar, via Strabo and Diodorus, to the Book of Revelation, Brueghel, Rembrandt, Voltaire, William Blake and modern interpreters like Umberto Eco, Italo Calvino and Gore Vidal, the author brings to light a carnival of disparate sources dominated by the powerful and intoxicating idea of depravity. Yet captivating as this dark mythology was and has continued to be, at its root lies a remarkable and sophisticated imperial civilization whose complex state-building, law- making and religion dominated Mesopotamia and beyond for millennia, before its incorporation into the still wider empire of the Achaemenid kings.

Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences. Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.

This book uncovers the wonders of the ancient city of Babylon at the key point in its history, and explores the stories and myths that have developed in art and culture ever since.