Grammy-winning music producer, Ian Brennan’s seventh book, Muse-Sick: a music manifesto in fifty-nine notes, acts as a primer on how mass production and commercialization have corrupted the arts. Broken down into a series of core points and actions plans, Muse-Sick is a concise and affordable pocket primer follow-up to Brennan’s two previous music missives, How Music Dies (or Lives): Field Recording and the Battle for Democracy in the arts and Silenced by Sound: The Music Meritocracy Myth. Popular culture has woven itself into the social fabric of our lives, penetrating people’s homes and haunting their psyche through images and earworm hooks. Justice, at most levels, is something that the average citizen might have little influence upon leaving us feeling helpless and complacent. But pop music is a neglected arena where some change can concretely occur—by exercising active and thoughtful choices to reject the low-hanging, omnipresent commercialized and pre-packaged fruit, we begin to re-balance the world, one engaged listener at a time. In fifty-nine concise and clear points, Brennan reveals how corporate media has constricted local culture and individual creativity, leading to a lack of diversity within “diversity.” Muse-Sick’s narrative portions are driven and made corporeal via the author’s ongoing field-recording chronicles with widely disparate groups, such as the Sheltered Workshop Singers. Marilena Umuhoza Delli’s striking photographs accompany and bring to life each tale. As John Waters says: “I didn’t think it was possible to write a shocking book about music anymore. But Brennan has.”

Missing Music: Voices from Where the Dirt Roads End details Grammy-winning music producer and author Ian Brennan’s ongoing quest to provide musical platforms for underrepresented nations and populations around the world. In a compact and quick-read format, Missing Music collects the latest narratives from Brennan’s field-recording treks. This edition features a greater emphasis on storytelling and an even greater abundance of photos from his wife, Italian-Rwandan photographer/filmmaker Marilena Umuhoza Delli. Together, they meet the elderly shamans of the world’s most musical language, Taa, a tongue that sadly is dying, with fewer than 2,500 speakers left. The duo traveled the most remote roads of Botswana to find the formally nomadic people now relegated to small desert towns. In Azerbaijan, Brennan and Delli ascended to the mountainous Iranian border to record centenarians in scattered villages of the Talysh minority, where the world’s oldest man reportedly reached the age of 168. The result is the only record ever released to feature the voices of singers over one-hundred years of age. Among other tales, Brennan also updates the saga of the Sheltered Workshop Singers following COVID, including the tragic deterioration of his sister, Jane. Arising from the more than forty records that Brennan has produced over the past decade from underrepresented nations such as Comoros, Djibouti, Romania, South Sudan, Suriname, and Cambodia, Missing Music serves as the newest suite in the multiverse symphony of the world’s most ignored corners—the places where countries expire and the “forgotten” live.

Taking the State out of the Body is a guidebook in deconstructing nationalism through trauma-informed praxis. Embedded in the political theory and practice of Jewish anti-Zionism, it invites readers of all backgrounds to build an embodied sense of safety that has the power to make militarized borders, policing, and nation-states obsolete. We need the resources offered in this book: from understanding geopolitical impacts of intergenerational trauma, to self-regulation in conflict, to transformative approaches to harm, to cultivating long-haul relationships, to building solidarity across our movements. The book’s framework is situated in the lineages of healing justice and politicized healers including many antifascist Ashkenazi Jewish practitioners in 1930s Europe. Today, as the terms “somatics” and “trauma” have been mainstreamed, Taking the State out of the Body is a timely offer to move from individual awareness to collective action. Weaving anti-imperialist orientations to historical events with embodiment theory, each chapter opens with a connection to a plant or body part and closes with a guide to practices that fuel resistance and resilience. This book will equip you with the tools you need to move from rugged individualist models of self-help/preservation to liberatory frameworks of collective care and joint struggle.

Ending violence and creating peace begins with ourselves and our interpersonal encounters in our daily lives. With impeccable wisdom and graceful simplicity, Peace by Peace offers 99 points to provoke thought and discussion and transform our relationships and lives, addressing questions such as: What are some common pitfalls that lead us to make a crisis situation worse? How do trauma, fear, and despair factor into escalation of conflict? If anger is not something that we can get “out of our system” by giving it free rein, then what can we do about it instead? How does binary black-and-white thinking impede our mental well-being? Is it possible to find common ground with someone even if we believe they are factually wrong? When is it better to walk away rather than stand one’s ground? How can we resolve common types of confusion that most often lead to conflict? Ian Brennan’s insights draw from his decades of experience successfully providing violence prevention and crisis resolution training to hundreds of thousands of people in schools, hospitals, and acute-psychiatric settings, and beyond, as well as those facing criminal charges for violent conduct

Silenced by Sound: The Music Meritocracy Myth is a powerful exploration of the challenges facing art, music, and media in the digital era. With his fifth book, producer, activist, and author Ian Brennan delves deep into his personal story to address the inequity of distribution in the arts globally. Brennan challenges music industry tycoons by skillfully demonstrating that there are millions of talented people around the world far more gifted than the superstars for whom billions of dollars are spent to promote the delusion that they have been blessed with unique genius.

All recordings document life, arising from a specific time and place, and if that place is artificial, the results will be as well. Culled from a lifetime of learning through failure and designed to provoke thought and inspiration for artists in every medium, How Music Dies (or Lives) is a virtual how-to manual for those on a quest for authenticity in an age of airbrushed and Auto-Tuned so-called “artists.” Author and Grammy-winning producer Ian Brennan chronicles his own journeys to find new and ancient sounds, textured voices, and nonmalleable songs, and he presents readers with an intricate look at our technological society. His concise prose covers topics such as: •The damages of colonization in generalizing distinctive variations •The need for imperfection •The gaps between manufacturing and invention •The saturation of music in everyday life This guide serves those who ask themselves, “What’s wrong with our culture?” Along with possible answers are lessons in using the microphone as a telescope, hearing the earth as an echo, and appreciating the value of democratizing voices. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.