Mrs Bonnet was renowned for the delicacies she concocted in her semi-basement kitchen, but never did she imagine she would serve up murder to her beloved mistress! But when Mrs Bonnet, who has the lightest touch with pastry, tries her hand at the science of detection, she does so with astonishing results.

"How can I ever thank you?" he said to me then. "We have been thirteen at table for thirty years and I never dared to insult them because I had wronged them all, and now you have done it and I know they will never dine here again."

"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--

In the lean years following World War I, brash American adventuress Beryl Helliwell and prim and proper Brit Edwina Davenport form a private inquiry agency to make ends meet, hoping that crime does indeed pay . . . The latest occurrence to disturb the peace in the quaint English village of Walmsley Parva hits rather too close to home—in fact, the prime suspect has taken up residence in Edwina's potting shed. Her elderly gardener Simpkins has been secretly sleeping there after a row with his disreputable brother-in-law and housemate, Hector Lomax. When Hector is found murdered in the local churchyard, Constable Gibbs comes looking for Simpkins, who was last seen arguing with his kin in the pub the night before. Based on the sad state of her garden, Edwina has grave doubts that the shiftless Simpkins could muster the effort to murder anyone. The two sleuths throw themselves into weeding out suspects and rooting out the real killer. But this is no garden variety murder. The discovery of a valuable ring, a surprise connection to Colonel Kimberly's Condiment Company, and a second homicide all force Beryl and Edwina to play catch-up as they relish the chance to contain the culprit . . .

What remained of the badly decomposed body of twelve-year-old Tina Marie Andrews was discovered underneath a discarded sofa in the woods outside of McComb, Mississippi, on August 23, 1969. Ten days earlier, Andrews and a friend had accepted a ride home after leaving the Tiger’s Den, a local teenage hangout, but they were driven instead to the remote area where Andrews was eventually murdered. Although eyewitness testimony pointed to two local police officers, no one was ever convicted of this brutal crime, and to this day the case remains officially unsolved. Contemporary local newspaper coverage notwithstanding, the story of Andrews’s murder has not been told. Indeed, many people in the McComb community still, more than fifty years later, hesitate to speak of the tragedy. Trent Brown’s Murder in McComb is the first comprehensive examination of this case, the lengthy investigation into it, and the two extended trials that followed. Brown also explores the public shaming of the state’s main witness, a fifteen-year-old unwed mother, and the subsequent desecration of Andrews’s grave. Set against the uneasy backdrop of the civil rights movement, Brown’s study deftly reconstructs various accounts of the murder, explains why the juries reached the verdicts they did, and explores the broader forces that shaped the community in which Andrews lived and died. Unlike so many other accounts of violence in the Jim Crow South, racial animus was not the driving force behind Andrews’s murder; in fact, most of the individuals central to the case, from the sheriff to the judges to the victim, were white. Yet Andrews, as well as her friend Billie Jo Lambert, the state’s key witness, were “girls of ill repute,” as one defense attorney put it. To many people in McComb, Tina and Billie Jo were “trashy” children whose circumstances reflected their families’ low socioeconomic standing. In the end, Brown suggests that Tina Andrews had the great misfortune to be murdered in a town where the locals were overly eager to support law, order, and stability—instead of true justice—amid the tense and uncertain times during and after the civil rights movement.

The brand-new book from a powerful literary voice, author of The Stranger She Knew, shortlisted for the Paul Torday Prize.