This work tells the story of two murders that occurred in a college that are finally solved by a professor of philosophy using his training in his subject. It is set in New York City and uses the ambiance to good effect.

Jeremy Brand, professor of popular culture at Calloway State University, becomes involved in solving a double murder with the help of his good friend Harriet Strong, chief of police. Brand, a nationally-known wine expert, shares with the chief an interest in wine, and they meet once or twice a week to share a bottle of wine and talk about wine-related things. Wine talk changes to a discussion of criminal activity when a request for help with a colleague's tenure case escalates into an investigation of academic fraud, blackmail, arson and murder. When Brand begins looking into the first murder, he discovers the dean's secret notes about the faculty in hidden files in his computer. Knowledge of these secrets turns out to be explosive in more sense than one. The identification of the murderer takes place at a wine tasting, proving once again the truth of the saying, in vino veritas.

A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition.

David Bevington demonstrates that the staging, criticism, and editing of Hamlet go hand in hand over the centuries to such a remarkable extent that the history of Hamlet can be seen as a kind of paradigm for the cultural history of the English-speaking world.

"When a pretty student is found dead in her room at a private Oxford college, everyone assumes it is an accidental drug overdose." -- Book Jacket.

Murder Most Gay: Book One A serial killer is targeting gay men, preying on them in popular bars and parks. Assigned to the case, rookie cop Pat St. James feels all too close to the victims. He's gay and firmly in the closet at work. The fact that he's sent undercover as a gay man is a stroke of irony. Pat and his fellow cop, Hank, are hanging out in bars, trying to get a lead on the killer. At the same time, Pat's looking for Mr. Right - juggling three men, hoping he'll find the perfect match for himself. He picked up Bill at a bar, Dean's a longtime friend ... and in yet another ironic twist, his partner, Hank, is also gay and on the list of possible beaus. As the killer continues to rampage, strangling and raping his victims, Pat has to focus on his work and hope that his personal life survives the stress. But when his hopes and dreams for happiness overlap with the investigation, Pat may be headed for big trouble.

Western Europe is in a strangely neurotic condition of being smug and terrified at the same time. On the one hand, Europeans believe they have at last created an ideal social and political system in which man can live comfortably. In many ways, things have never been better on the old continent. On the other hand, there is growing anxiety that Europe is quickly falling behind in an aggressive, globalized world. Europe is at the forefront of nothing, its demographics are rapidly transforming in unsettling ways, and the ancient threat of barbarian invasion has resurfaced in a fresh manifestation. In The New Vichy Syndrome, Theodore Dalrymple traces this malaise back to the great conflicts of the last century and their devastating effects upon the European psyche. From issues of religion, class, colonialism, and nationalism, Europeans hold a “miserablist” view of their history, one that alternates between indifference and outright contempt of the past. Today’s Europeans no longer believe in anything but personal economic security, an increased standard of living, shorter working hours, and long vacations in exotic locales. The result, Dalrymple asserts, is an unwillingness to preserve European achievements and the dismantling of western culture by Europeans themselves. As vapid hedonism and aggressive Islamism fill this cultural void, Europeans have no one else to blame for their plight.