Murder, manslaughter, suicide, mishap - the very public business of determining death in colonial Sydney. Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney. PRAISE 'Catie Gilchrist draws back the veil on death in nineteenth-century Sydney to reveal life - ordinary, tragic and hopeful' David Hunt, author of Girt and True Girt

The newspapers called her 'Australia's most beautiful bad woman' and she was deadly to know... This is the story of 'pretty' Dulcie Markham, a key figure of the underworld of Sydney, Melbourne, Brisbane and Perth, who, according to one crime reporter, 'saw more violence and death than any other woman in Australia's history'. Nicknamed the 'Black Widow' and 'Angel of Death' by the crooks, reporters and police who knew her best, Dulcie's lovers were stabbed and gunned down in the most violent years of Australian crime, the 1920s to the 1950s. Not always by her ... PRAISE 'For readers new to the history of this appalling yet enthralling era of organised crime, the book will simply astonish' Catie Gilchrist, author of Murder, Misadventure and Miserable Ends, Tales from a Colonial Coroner's Court

#1 bestselling author Patricia Cornwell returns to the world of gutsy medical examiner Kay Scarpetta in the seventh suspenseful novel in the forensic thriller series On a quiet day, away from the hustle of Richmond, in a small cottage on the Virginia coast, Dr. Kay Scarpetta receives a disturbing phone call from the Chesapeake police. Thirty feet deep in the murky waters of Virginia's Elizabeth River, a scuba diver's body is discovered near the Inactive Naval Shipyard.As the police begin searching for clues, the wallet of investigative reporter Ted Eddings is found. Unnerved by the possible identity of the victim, Scarpetta orders the crime scene roped off and left alone until she arrives. What was he doing there, searching for Civil War relics as the officer suggested, or was there a bigger story? As she rifles through the multitude of clues, a second murder hits much closer to home. This new development puts Scarpetta and her colleagues hot on the trail of a military conspiracy.

Murder, manslaughter, suicide, mishap - the very public business of determining death in colonial Sydney. Murder in colonial Sydney was a surprisingly rare occurrence, so when it did happen it caused a great sensation. People flocked to the scene of the crime, to the coroner's court and to the criminal courts to catch a glimpse of the accused. Most of us today rarely see a dead body. In nineteenth century Sydney, when health was precarious and workplaces and the busy city streets were often dangerous, witnessing a death was rather common. And any death that was sudden or suspicious would be investigated by the coroner. Henry Shiell was the Sydney City Coroner from 1866 to 1889. In the course of his unusually long career he delved into the lives, loves, crimes, homes and workplaces of colonial Sydneysiders. He learnt of envies, infidelities, passions, and loyalties, and just how short, sad and violent some lives were. But his court was also, at times, instrumental in calling for new laws and regulations to make life safer. Catie Gilchrist explores the nineteenth century city as a precarious place of bustling streets and rowdy hotels, harbourside wharves and dangerous industries. With few safety regulations, the colourful city was also a place of frequent inquests, silent morgues and solemn graveyards. This is the story of life and death in colonial Sydney.

Named a Best Book of the Year by The Washington Post, The Seattle Times, and Crime Reads An intense literary thriller that tears through the interlocked histories of fascism and communism in Europe without pausing for breath. Gonzalo Gil is a disaffected lawyer stuck in a failed career and a strained marriage, dodging the never-ending manipulation of his powerful father-in-law. The fragile balance of Gonzalo’s life as a father and husband is pushed to the limit when he learns, after years without news of his estranged sister, Laura, that she has committed suicide under suspicious circumstances. Resolutely investigating the steps that led to her death, Gonzalo discovers that Laura is believed to have murdered a Russian gangster who kidnapped and killed her young son. What seems to be revenge is just the beginning of a tortuous path that will take Gonzalo through the untold annals of his family’s past. He will examine the fascinating story of his father, Elías Gil, the great hero of the antifascist resistance. As a young engineer Elías traveled to the USSR committed to the ideals of the revolution, but was betrayed, arrested, and confined on the infamous Nazino Island, ultimately becoming a key figure, admired and feared, during Spain’s darkest years. Suspenseful and utterly absorbing, A Million Drops is a visceral story of enduring love and revenge postponed that introduces a master of international crime fiction to American readers.

Gold-fuelled Melbourne was booming, but dwelling in the fault lines of the proud young colony was an alarming fact – Victoria had the highest rate of insanity in the world. Was it the antipodean sun, gold mania, excessive masturbation, the heady pace of modern life? The true story of colonial Victoria’s quest to cure insanity unfolds through the lives of three English newcomers – a gifted artist, exiled from his homeland for his madness; an ambitious doctor, bringing enlightened treatment ideals to his post in charge of the overflowing asylum; and a mysterious undercover journalist, who sensationally exposed the lunatics’ plight in Melbourne’s press. Amid the clamour of fraught endeavours and maddened minds, the story reveals unexpected hope, creativity and ennobling humanity – and surprising contemporary relevance as we continue to grapple with this ancient human malady. Jill Giese is a clinical psychologist and writer, whose extensive career in mental health encompasses many years of clinical practice and executive roles in policy and advocacy.

A collection of “artful, emotional” and “manly” short stories from the acclaimed author of The Wake of Forgiveness (Dallas News). From the critically acclaimed author of The Wake of Forgiveness—“a mesmerizing, mythic saga,” as described by the New York Times—come ten remarkable stories that uncover unexpected beauty in the struggles of the modern American male. Like Richard Russo, Bruce Machart has a profound knowledge of the male psyche and a gift for conveying the absurdity and brutality of daily life with humor and compassion. Whether they find themselves walking the fertile farmland of south Texas, steering trucks through the suffocating sprawl of Houston, or turning logs into paper in the mills just west of the Sabine River, the men of these stories seek to prove themselves in a world that doesn’t always welcome them. Here are men whose furrows are never quite straight and whose hearts are near to bursting with all the desires they have been told they aren’t supposed to heed. “Bruce Machart is one of our most ambitious and fearless young writers. With Men in the Making, he has composed a remarkable paean to the complex fragility of the American male. I read these stories in a state of tender amazement.”—Steve Almond, author of Rock and Roll Will Save Your Life