One night in 1974, fifteen-year-old Robin Adams and her ¿foster sister¿ mischievously consulted a Ouija board. Robin asked the board how long she would live. The board told her she would die before her 17th birthday. About two years later, Robin disappeared from the Caro, Michigan, home where she worked as a live-in babysitter. Local police thought she had run away. Her friends knew better. Robin was having problems with her former boyfriend, who, two weeks earlier, had beaten her. However, with no eyewitnesses, no evidence of forced entry or struggle at the house and no body, the case went cold. In 1982, the case was reopened and assigned to a rookie detective. A ¿psychic¿ began assisting the detective. The psychic predicted that a ¿surprise witness¿ would come forward and identified another suspect who later failed a polygraph test.A break in the case came when the prime suspect¿s younger sister told a boyfriend that she helped commit the crime. She and her brother were charged with murder. The story might have ended after the trial, but it didn¿t. The sister¿s boyfriend suffered a series of injuries, which a medium blamed on black magic. Two trial witnesses died a year apart (same date) and several others connected to the case or members of their families were struck by tragedy. Was some unknown entity extracting vengeance for the shame brought on the killer¿s family? Murder in the Thumb is a powerful true story written by a seasoned journalist.

Life was never the same for Steve Dancy when the New York City shopkeeper moved west to experience the frontier. The big city businessman continues to learn the ways of the West via the school of hard knocks. In the spring of 1880, Steve Dancy travels to Prescott, Arizona to gain control of a remarkable invention. But on his first night in the territorial capital, his friend, Jeff Sharp, is arrested for a midnight murder at Thumb Butte. Dancy just hopes he can scare up the real murderer before his friend stretches a rope on the courthouse square ...

Edgar Award Finalist: The true story of a serial killer who terrorized a midwestern town in the era of free love—by the coauthor of The French Connection. In 1967, during the time of peace, free love, and hitchhiking, nineteen-year-old Mary Terese Fleszar was last seen alive walking home to her apartment in Ypsilanti, Michigan. One month later, her naked body—stabbed over thirty times and missing both feet and a forearm—was discovered, partially buried, on an abandoned farm. A year later, the body of twenty-year-old Joan Schell was found, similarly violated. Southeastern Michigan was terrorized by something it had never experienced before: a serial killer. Over the next two years, five more bodies were uncovered around Ann Arbor and Ypsilanti, Michigan. All the victims were tortured and mutilated. All were female students. After multiple failed investigations, a chance sighting finally led to a suspect. On the surface, John Norman Collins was an all-American boy—a fraternity member studying elementary education at Eastern Michigan University. But Collins wasn’t all that he seemed. His female friends described him as aggressive and short tempered. And in August 1970, Collins, the “Ypsilanti Ripper,” was arrested, found guilty, and sentenced to life in prison without chance of parole. Written by the coauthor of The French Connection, The Michigan Murders delivers a harrowing depiction of the savage murders that tormented a small midwestern town.

Parisian P.I. Aimée Leduc strives to clear the name of a childhood friend, now a policewoman, who's charged with shooting her partner Aimée Leduc is having a bad day. First, she comes home from work at her Paris detective agency to learn that her boyfriend is leaving her. She goes out for a drink with her friend Laure, a police officer, but Laure’s patrol partner, Jacques, interrupts, saying he needs to talk to Laure urgently. The two leave the bar, and when they don’t return, Aimée follows Laure’s path and finds her sprawled on a snowy rooftop, not far from Jacques, who is bleeding from a fatal gunshot wound. When the police arrive, they arrest Laure for murder. No one is interested in helping Aimée figure out the truth. As she chases down increasingly dangerous leads in the effort to free her friend, Aimée stumbles into a web of Corsican nationalists, separatists, gangsters, and artists. Could Jacques’s murder and Laure’s arrest be part of a much bigger cover-up?

Adam Statkus and his mother are new to Falcon Ridge, a dairy farming community in rural Australia. Within days of their arrival Adam discovers the body of a girl buried in a silage pit. Is it one of the teenagers who went missing from the area six years ago? And who wrote the diary that Adam finds in the old farmhouse? The discovery of the murder affects the lives of many of the locals. Some are willing to do anything to get their hands on the missing pages. With the help of the diary, Adam pieces together the mystery of the body in the pit, despite the threat to his life. Murderer's Thumb is a marvellous evocation of a close-knit community trying to cope with a mysterious crime against one, or perhaps two, of their local teenagers. It is a novel that speaks to young and old about what happens when outsiders uncover secrets that have been hidden for too long. Beth Montgomery has an enviable prose style of perfect pitch. She has created a cast of distinctive characters - the idiosyncratic locals, a boy sleuth who also has to deal with his strange parents, and a feisty teenage girl whose voice is compelling. Murderer's Thumb is a page-turner that will haunt you.

Women write about their experiences of loving music that doesn’t love them back – a feminist 'guilty pleasures'.e - a kind of feminist guilty pleasures. In the majority of mainstream writing and discussions on music, women appear purely in relation to men as muses, groupies or fangirls, with our own experiences, ideas and arguments dismissed or ignored. But this hasn’t stopped generations of women from loving, being moved by and critically appreciating music, even – and sometimes especially – when we feel we shouldn’t. Under My Thumb: Songs that Hate Women and the Women Who Love Them is a study of misogyny in music through the eyes of women. It brings together stories from journalists, critics, musicians and fans about artists or songs we love (or used to love) despite their questionable or troubling gender politics, and looks at how these issues interact with race, class and sexuality. As much celebration as critique, this collection explores the joys, tensions, contradictions and complexities of women loving music – however that music may feel about them. Featuring: murder ballads, country, metal, hip hop, emo, indie, Phil Spector, David Bowie, Guns N’ Roses, 2Pac, the Rolling Stones, Bob Dylan, AC/DC, Elvis Costello, Jarvis Cocker, Kanye West, Swans, Eminem, Jay-Z, Taylor Swift, Combichrist and many more.