As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

Dr. Michael Fuentes had been looking forward to a quiet week at home in Moonlight Basin, Montana, visiting with friends. But a chance encounter with a woman at the Bozeman airport bar changed all that. Now it's up to retired detective A.C. LaFleur to find out what has put them all in mortal danger.And he's quickly running out of time.

Military wife, mom, and professional organizer Ellie Avery returns in her fourth cozy mystery, in which she stumbles across two dead bodies in her new neighborhood, and discovers that murder is a clear and present danger.

THE NUMBER ONE BESTSELLER 'I was a very vulnerable young woman with three small children. I was lost ... Pat Quirke tried to come in and control everything' Bobby Ryan's disappearance in rural Tipperary in June 2011 mystified all who knew him. The truck-driver and part-time DJ (known as Mr Moonlight) was an easy-going fellow with no enemies. Or so everyone thought. When Ryan's body was found 22 months later on the farm of Mary Lowry, the wealthy young widow he had been seeing, it was clear that he had met a violent end. And the most likely person to have brought about that end? Pat Quirke, the man who had 'discovered' the body - Mary Lowry's brother-in-law, financial advisor, tenant and one-time lover. Following the longest running murder trial in Irish criminal history Quirke was convicted of murder in May 2019. Getting to that day had taken years of exhaustive work by gardaí. The Murder of Mr Moonlight is the definitive account of their investigation as well as the compelling story of how an innocent man paid the price for another man's obsessions. __________ 'Absolutely compulsive reading ... a page-turner' Eamon Dunphy '[An] excellent book that shows all the colours of the story that intrigued the nation' Irish Daily Mail 'Well-researched and highly readable ... Fegan proves her journalistic mettle, delivering forensic detail in accessible language ... Anyone who followed the trial will not be disappointed by Fegan's book' Business Post

In 1946, years before the phrase "serial murder" was coined, a masked killer terrorized the town of Texarkana on the Texas-Arkansas border. Striking five times within a ten-week period, always at night, the prowler claimed six lives and left three other victims wounded. Survivors told police that their assailant was a man, but could supply little else. A local newspaper dubbed him the Phantom Killer, and it stuck. Other reporters called the faceless predator the "Moonlight Murderer," though the lunar cycle had nothing to do with the crimes. Texarkana's phantom was not America's first serial slayer; he certainly was not the worst, either in body count or sheer brutality. But he has left a crimson mark on history as one of those who got away. Like the elusive Axeman of New Orleans, Cleveland's Mad Butcher of Kingsbury Run, and San Francisco's Zodiac Killer, the Phantom Killer left a haunting mystery behind. This is the definitive story of that mystery.

Would you try to save your son from a death sentence if he tried to murder you in your own bed? In Murder by Moonlight, Vincent Zandri's cunning detective Dick Moonlight returns with his toughest case yet: proving an open-and-shut murder investigation isn't over at all. Joan Parker is the last woman private eye Dick Moonlight would ever expect to see in his Albany office. From the right side of the tracks-neighboring Bethlehem-she bears her upper class upbringing as effortlessly as a string of pearls. She also bears a scar running down her head and face-a brutal reminder of the ax attack that took the life of her husband. Her twenty-one-year-old son, Christopher, now sits in jail charged with the crime. According to the official report-based on Joan's answers to police when they arrived at the house and found her barely alive-she identified Christopher as the culprit. But sitting in Moonlight's office, she reveals that she has no recollection of the event, yet is certain of one thing: Christopher didn't do it. Moonlight knows a thing or two about being nearly dead. And he also knows the tragedy of the police jumping to the wrong conclusions-a past case of a falsely accused client still haunts him-so he agrees to take the job and get to the truth of what happened that day. At first the trail of clues-from the crime scene to Joan's original accusation-keeps the finger pointed at Christopher. But soon Moonlight turns up something he never expected, something more sinister than anything he's ever come up against. Vincent Zandri's latest Dick Moonlight PI thriller, Murder by Moonlight is a fast-paced, whip-smart tale of a guy who can't always remember getting into trouble-and can't seem to stay out of it. For fans of Robert B. Parker, Michael Connelly, Ace Atkins, Brett Battles, Don Winslow, and more comes an unputdownable mystery based on a true story that's sure to keep you up all night...in a good way.

‘Heroic and absurd, scurrilous and profound, Who Killed Mister Moonlight? charts the descent of four intelligent young men with faces like ruby-eyed dime-store skull rings into a glittering and very modern maelstrom. Fast, compelling, and disarmingly honest, this is an invaluable account of a strange and spectral cultural twilight era that we shall almost certainly never see again. Highly recommended.’ - Alan Moore Beginning with the creation of Bauhaus’s seminal debut hit Bela Lugosi’s Dead, David J. Haskins offers a no-holds-barred account of his band’s rapid rise to fame and glory in the late '70s, their sudden dissolution in the '80s, and their subsequent - and often strained - reunions. In between, he explores his work as a solo performer, and with acclaimed trio Love And Rockets - culminating in the devastating fire that ripped through the sessions for their 1996 album Sweet F.A. He also delves deep into his exploration of the occult, drawing together a diverse cast of supporting characters, including William S. Burroughs, Alan Moore, Genesis P-Orridge, and Rick Rubin. Bristling with power and passion, music and magick, Who Killed Mister Moonlight? is a rock’n’roll memoir like no other. This revised and updated edition adds an extensive Bauhaus timeline, plus a selection of rare photographs not included in the original book.